| Photos (see all 7 | slideshow) |
| Trevor Howard | ... | Lord Cardigan | |
| Vanessa Redgrave | ... | Mrs. Clarissa Morris | |
| John Gielgud | ... | Lord Raglan | |
| Harry Andrews | ... | Lord Lucan | |
| Jill Bennett | ... | Mrs. Fanny Duberly | |
| David Hemmings | ... | Capt. Louis Edward Nolan | |
| Ben Aris | ... | Capt. Fitz Maxse | |
| Mickey Baker | ... | Trooper Metcalfe (as Micky Baker) | |
| Peter Bowles | ... | Paymaster Capt. Henry Duberly | |
| Leo Britt | ... | Gen. Scarlett | |
| Mark Burns | ... | Capt. William Morris | |
| John J. Carney | ... | Trooper Mitchell (as John Carney) | |
| Helen Cherry | ... | Lady Scarlett | |
| Chris Chittell | ... | Trooper (as Christopher Chittel) | |
| Ambrose Coghill | ... | Lt. Col. Douglas | |
| Howard Marion-Crawford | ... | Lt. Gen. Sir George Brown | |
| Christopher Cunningham | ... | Farrier (as Chris Cunningham) | |
| Mark Dignam | ... | Gen. Airey | |
| Michael Dillon | ... | Dying Highlander | |
| Alan Dobie | ... | Riding Master Mogg | |
| Georges Douking | ... | Marshall St. Arnaud | |
| Clive Endersby | ... | Trooper | |
| Andrew Faulds | ... | Quaker preacher | |
| Derek Fuke | ... | Trooper | |
| Willoughby Goddard | ... | Squire | |
| Derek Gray | ... | Officer | |
| Richard Graydon | ... | Lord Bingham | |
| John Hallam | ... | Officer | |
| Ian Hanson | ... | Singing trooper | |
| Barbara Hicks | ... | Mrs. Duberly's maid | |
| Rachel Kempson | ... | Mrs. Codrington | |
| T.P. McKenna | ... | William Russel | |
| Michael Miller | ... | Maj. Gen. Sir John Campbell | |
| Declan Mulholland | ... | Farrier | |
| Roger Mutton | ... | Cornet Codrington | |
| Valerie Newman | ... | Mrs. Mitchell | |
| Roy Pattison | ... | Regimental Sergeant Major | |
| Corin Redgrave | ... | Capt. Featherstonhaugh | |
| Norman Rossington | ... | S.M. Corbett | |
| Dino Shafeek | ... | Indian servant | |
| John Trenaman | ... | Sgt. Maj. Smith | |
| Colin Vancao | ... | Capt. Charteris | |
| Donald Wolfit | ... | Macbeth in 'Macbeth' | |
| Peter Woodthorpe | ... | Valet | |
| rest of cast listed alphabetically: | |||
| Harry Fielder | ... | Soldier (uncredited) | |
| Margaret Flint | ... | (uncredited) | |
| Laurence Harvey | ... | Russian Prince (uncredited) | |
| James Payne | ... | Trooper (uncredited) | |
| Joely Richardson | ... | Extra (uncredited) | |
| Natasha Richardson | ... | Flower girl at wedding (uncredited) | |
Directed by | |||
| Tony Richardson | |||
Writing credits(in alphabetical order) | ||
| John Osborne | uncredited | |
| Charles Wood | writer | |
Produced by | |||
| Neil Hartley | .... | producer | |
Original Music by | |||
| John Addison | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Kevin Brownlow | |||
| Hugh Raggett | |||
Art Direction by | |||
| Edward Marshall | |||
Costume Design by | |||
| David Walker | |||
Production Management | |||
| Julian Mackintosh | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Clive Reed | .... | assistant director | |
Art Department | |||
| Richard Rambaut | .... | draughtsman (uncredited) | |
Sound Department | |||
| Kevin Connor | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Simon Kaye | .... | sound | |
Special Effects by | |||
| Robert MacDonald | .... | special effects | |
| A. Paul Pollard | .... | special effects | |
| Peter Hutchinson | .... | special effects assistant (uncredited) | |
Stunts | |||
| Richard Graydon | .... | stunt coordinator | |
| John Landis | .... | stunt performer | |
| Nosher Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan McCabe | .... | camera operator | |
| Bernie Prentice | .... | gaffer (as Bernard Prentice) | |
Animation Department | |||
| Ted Gerald | .... | animation crew | |
| Errol Le Cain | .... | animation crew | |
| Pat Savage | .... | animation crew (as Patrick Savage) | |
| Richard Williams | .... | titles and animation | |
Editorial Department | |||
| Sarah Ellis | .... | assistant editor (uncredited) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Geoff Freeman | .... | unit publicist | |
| Bob Simmons | .... | action sequences by | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I do find it fascinating to come across obscure, almost forgotten films like this with familiar faces and famous actors in it. It was made ca. 1968, and in the true spirit of '68, it is strongly anti-war, anti-military, and anti-establishment, even though it is set in the Victorian era, the height of the Romantic age, when Military valor was largely celebrated. Military life is here portrayed in terms of ranks of men being bullied and brutalized by each successive rank above them, with the biggest, meanest and stupidest ones at the top.
I found it quite interesting to see the famous charge, celebrated in the romantic verses of Tennyson, portrayed in such a matter-of-fact manner as a series of tactical blunders due to bad communication and incompatible personalities among the commanders. These events were supposedly well-researched, and though I am not informed on the subject, I found this version of events very credible. Even with the high level of weapons and communications technology we have today, this sort of thing still happens. It must have been very common in centuries past.
To me, the dialog of this film and its delivery by the actors is its most remarkable feature. Seeing films that depict distant eras, I've often thought that these eras must have not just looked different from what we are used to, but sounded very different as well. If we were suddenly dropped into Victorian England, we wouldn't always understand what was being said or inferred to us. Words, phrases, gestures, facial expressions or body language that would have obvious meaning in that time and place would be strange to us. The language and syntax would, of course, be different, but so would the rhythm, pace, expressive color and accenting of the way people spoke. `Charge of the Light Brigade' does a remarkable job of not just looking, but sounding like a distant place and time. For a viewer who is not educated in antique British expressions and military jargon, as I am not, it makes watching this film a bit challenging, but it's like spending 130 minutes in the Victorian age as a so-called `fly-on-the-wall,' as the British put it. There was more than one line spoken after which I thought `say what?' But that's OK. It doesn't kill you, just encourages you to think a bit. This aspect of the film looks to be well-researched as well, a superb example of a somewhat talky script in which great care is taken with the language and its use by the actors. The script doesn't serve the purpose of an exposition device for the dumbest members of the audience, a very common vice in films, particularly big-money films engineered to alienate as few people as possible. It's an integral part of a design to recreate an unfamiliar time and place, and as such, a bit uncompromising.