IMDb > Bullitt (1968)
Bullitt
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Bullitt (1968) -- An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.
Bullitt (1968) -- An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.
Bullitt (1968) -- ZuGuide.com - Trailer (Flash)
Bullitt (1968) -- MattTrailer.com - Trailer (Flash)

Overview

User Rating:
7.5/10   18,636 votes
MOVIEmeter: ?
Down 4% in popularity this week. See why on IMDbPro.
Director:
Peter Yates
Writers:
Alan Trustman (screenplay) and
Harry Kleiner (screenplay) ...
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Contact:
View company contact information for Bullitt on IMDbPro.
Release Date:
17 October 1968 (USA) more
Genre:
Action | Crime | Drama | Thriller more
Tagline:
Steve McQueen As 'Bullitt' more
Plot:
An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection. full summary | full synopsis
Plot Keywords:
more
Awards:
Won Oscar. Another 9 wins & 6 nominations more
User Comments:
Bullitt-speed more (245 total)

Cast

  (Cast overview, first billed only)

Steve McQueen ... Bullitt

Robert Vaughn ... Chalmers

Jacqueline Bisset ... Cathy
Don Gordon ... Delgetti

Robert Duvall ... Weissberg
Simon Oakland ... Captain Bennet
Norman Fell ... Baker
Georg Stanford Brown ... Dr. Willard
Justin Tarr ... Eddy
Carl Reindel ... Stanton
Felice Orlandi ... Renick
Vic Tayback ... Pete Ross (as Victor Tayback)

Robert Lipton ... 1st Aide
Ed Peck ... Westcott
Pat Renella ... John Ross
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Additional Details

Runtime:
114 min
Country:
USA
Language:
English
Colour:
Colour (Technicolor)
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono

Fun Stuff

Trivia:
Two Mustangs and two Dodge Chargers were used for the famous chase scene. Both Mustangs were owned by the Ford Motor Company and part of a promotional loan agreement with Warner Brothers. The cars were modified for the high-speed chase by veteran auto racer Max Balchowsky. Stunt coordinator Carey Loftin got Bud Ekins to drive the Mustang for the bulk of the stunts. Both of the Dodges were junked after the filming, as was one of the Mustangs. The other less banged-up Mustang was purchased by a WB employee after all production and post-production was completed. The car ended up in New Jersey a few years later, where Steve McQueen attempted to buy it. The owner refused to sell, and the car now sits in a barn and has not been driven in many years. more
Goofs:
Crew or equipment visible: In the scene at Enrico's restaurant, a policeman with a walkie-talkie doing crowd control is visible through doorway. more
Quotes:
Bullitt: Look, Chalmers, let's understand each other... I don't like you. more
Movie Connections:
Referenced in 2 Fast 2 Furious (2003) more

FAQ

Why does Renick unlock the door? **** Major spoilers ****
Was Chalmers (Robert Vaughn) crooked?
Where was Suzanne Somers Bit Role (uncredited) in the movie? She played Chrissy Snow in the long-running 70's tv sitcom "Three's Company."
more
53 out of 74 people found the following comment useful.
Bullitt-speed, 18 December 2004
8/10
Author: paul2001sw-1 (paul2001sw@yahoo.co.uk) from Saffron Walden, UK

The late 1960s saw two classic, hard-boiled thrillers set in San Fransico; John Boorman's stylised 'Point Blank', and Peter Yates' 'Bullitt'. Calling your hero Bullitt might seem an unsubtle way to emphasise his macho qualities, but in fact Steve MacQueen plays him as a quiet man, not some wise-talking maverick: he does what he has to do, but takes no pleasure in his actions; and survives the roughness of his work not by becoming a monster, but simply by becoming a little less human. It's a believable portrait, and the film as a whole has a procedural feel: there are action scenes, but these are kept in their place in the overall design.

Today, the film is most famous for its celebrated car chase, which makes excellent use, as indeed does the movie as a whole, of the bay area locations, but is not actually shot that excitingly: the conclusion at the airport is more original, though it roots the film in the time when it was permissible to take a loaded gun onto a plane. But overall this is still a classy film, dry, exciting and bleak, and among the very best films of its day. William Friedkin's brilliant 'The French Connection', made a short while afterwards, would appear to owe it a debt.

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