| Photos (see all 34 | slideshow) |
| Stuart Damon | ... | Craig Stirling (30 episodes, 1968-1969) | |
| Alexandra Bastedo | ... | Sharron Macready (30 episodes, 1968-1969) | |
| William Gaunt | ... | Richard Barrett (30 episodes, 1968-1969) | |
| Anthony Nicholls | ... | Cmdr. W.L. Tremayne / ... (30 episodes, 1968-1969) |
Series Directed by | |||
| Cyril Frankel | (10 episodes, 1968-1969) | ||
| Paul Dickson | (5 episodes, 1968-1969) | ||
| John Gilling | (4 episodes, 1968-1969) | ||
| Robert Asher | (4 episodes, 1969) | ||
| Roy Ward Baker | (2 episodes, 1969) | ||
| Ray Austin | (unknown episodes) | ||
Series Writing credits | ||
| Monty Berman | (30 episodes, 1968-1969) | |
| Dennis Spooner | (30 episodes, 1968-1969) | |
| Donald James | (8 episodes, 1968-1969) | |
| Philip Broadley | (5 episodes, 1968-1969) | |
| Tony Williamson | (4 episodes, 1968-1969) | |
| Brian Clemens | (2 episodes, 1968-1969) | |
| Gerald Kelsey | (2 episodes, 1968-1969) | |
| Terry Nation | (2 episodes, 1968-1969) | |
| Ralph Smart | (2 episodes, 1968-1969) | |
Series Produced by | |||
| Monty Berman | .... | producer (21 episodes, 1968-1969) | |
| Johnny Goodman | .... | associate producer (18 episodes, 1968-1969) | |
Series Original Music by | |||
| Edwin Astley | (8 episodes, 1968-1969) | ||
Series Cinematography by | |||
| Frank Watts | (21 episodes, 1968-1969) | ||
Series Film Editing by | |||
| Peter Pitt | (11 episodes, 1968-1969) | ||
| Derek Chambers | (8 episodes, 1968-1969) | ||
| Inman Hunter | (2 episodes, 1969) | ||
Series Casting by | |||
| Judith Jourd | (13 episodes, 1968-1969) | ||
| Anthony Arnell | (6 episodes, 1968-1969) | ||
| John Owen | (2 episodes, 1969) | ||
Series Art Direction by | |||
| Charles Bishop | (22 episodes, 1968-1969) | ||
Series Makeup Department | |||
| Gerry Fletcher | .... | makeup supervisor (21 episodes, 1968-1969) | |
| Mike Jones | .... | hair stylist (16 episodes, 1968-1969) | |
| Patrick Grant | .... | hair stylist / hairdressing (5 episodes, 1968-1969) | |
Series Production Management | |||
| Philip Aizlewood | .... | post-production supervisor (21 episodes, 1968-1969) | |
| Malcolm Christopher | .... | production manager (21 episodes, 1968-1969) | |
| Geoffrey Haine | .... | production supervisor (4 episodes, 1968-1969) | |
Series Second Unit Director or Assistant Director | |||
| John Hough | .... | second unit director / second second assistant director (12 episodes, 1968-1969) | |
| Ray Austin | .... | second unit director (7 episodes, 1968-1969) | |
| Pat Kelly | .... | assistant director (7 episodes, 1968-1969) | |
| Ken Baker | .... | assistant director (6 episodes, 1968-1969) | |
| Denny Lewis | .... | assistant director (3 episodes, 1968-1969) | |
| Ken Softley | .... | assistant director (3 episodes, 1968) | |
Series Art Department | |||
| John Graysmark | .... | associate art director / associate art directror / ... (21 episodes, 1968-1969) | |
| Bill Greene | .... | construction manager (21 episodes, 1968-1969) | |
| Sid Palmer | .... | production buyer (21 episodes, 1968-1969) | |
| A.J. Van Montagu | .... | scenic artist (21 episodes, 1968-1969) | |
| Brian Rider | .... | set dresser / set designer (19 episodes, 1968-1969) | |
| John Jarvis | .... | set dresser (2 episodes, 1968) | |
| Larry Clark Bird | .... | property master (unknown episodes) | |
Series Sound Department | |||
| Len Abbott | .... | sound recordist / sound (20 episodes, 1968-1969) | |
| David Bowen | .... | sound recordist / sound (14 episodes, 1968-1969) | |
| Alan Corder | .... | sound editor (12 episodes, 1968-1969) | |
| Claude Hitchcock | .... | sound recordist / sound (7 episodes, 1968-1969) | |
| Roy Lafbery | .... | sound editor (4 episodes, 1968-1969) | |
| William Trent | .... | sound editor (2 episodes, 1968) | |
| Rydal Love | .... | sound editor (unknown episodes) | |
| Dennis Whitlock | .... | sound recordist (unknown episodes) | |
Series Special Effects by | |||
| Sydney Pearson | .... | special effects (20 episodes, 1968-1969) | |
Series Stunts | |||
| Bill Sawyer | .... | stunt arranger (11 episodes, 1968-1969) | |
| Frank Maher | .... | stunt arranger (3 episodes, 1968-1969) | |
Series Camera and Electrical Department | |||
| Ted Hallows | .... | supervising electrician / electrician (21 episodes, 1968-1969) | |
| John Winbolt | .... | camera operator (19 episodes, 1968-1969) | |
| James Allen | .... | camera operator: second unit / camera: second unit (15 episodes, 1968-1969) | |
| Harry Gillam | .... | camera operator / camera operator: second unit (3 episodes, 1968-1969) | |
| Walter J. Harvey | .... | camera: second unit / camera operator: second unit (3 episodes, 1968-1969) | |
| Dudley Lovell | .... | camera operator (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Laura Nightingale | .... | wardrobe supervisor / wardrobe / ... (21 episodes, 1968-1969) | |
Series Music Department | |||
| Tony Hatch | .... | composer: theme music / theme arranger (20 episodes, 1968-1969) | |
| Edwin Astley | .... | musical director (17 episodes, 1968-1969) | |
| Deveril Goodman | .... | music editor (15 episodes, 1968-1969) | |
| Alan Willis | .... | music editor (5 episodes, 1968-1969) | |
| Albert Elms | .... | musical director (2 episodes, 1968-1969) | |
Series Other crew | |||
| Dennis Spooner | .... | script supervisor (20 episodes, 1968-1969) | |
| Valery Norman | .... | continuity (7 episodes, 1968-1969) | |
| Annabel Davis-Goff | .... | continuity (5 episodes, 1968-1969) | |
| Elizabeth Wilcox | .... | continuity (4 episodes, 1968-1969) | |
| Sally Ball | .... | continuity (3 episodes, 1968-1969) | |
| Isabelle Byers | .... | continuity (2 episodes, 1968) | |
| Lillian Lee | .... | continuity (unknown episodes) | |
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My siblings and I stumbled upon The Champions when our local station aired re-runs of it one summer in the 1970's. We absolutely adored it. There was something so exotic and mysterious about it, especially when compared to the usual American re-runs (Petticoat Junction, Green Acres... you get the idea). It had a similar feel to The Avengers (not too much of a surprise, since it was also British and in the spy/adventure genre).
I would love to see it again now -- hopefully it holds up. I've mentioned this show to others and no one has ever heard of it, so I began to wonder if I'd imagined its whole existence. But the wonder that is the web has allowed me track down information about it. Hopefully it will find a new generation of fans.