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Tonite Let's All Make Love in London (1967)
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Overview
User Rating:
Plot:
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number... more | add synopsisPlot Keywords:
User Comments:
A brilliant reflection of Swinging London... more (9 total)Cast
(Credited cast)| Alan Aldridge | ... | Himself | |
| Vashti Bunyan | ... | Herself | |
| Eric Burdon | ... | Himself | |
| Michael Caine | ... | Himself | |
| Julie Christie | ... | Herself | |
| Chris Farlowe | ... | Himself | |
| Allen Ginsberg | ... | Himself | |
| David Hockney | ... | Himself | |
| Mick Jagger | ... | Himself | |
| Kenney Jones | ... | Himself (as The Small Faces) | |
| Ace Kefford | ... | Himself | |
| Ronnie Lane | ... | Himself (as The Small Faces) | |
| Donyale Luna | ... | Herself | |
| Steven Marriott | ... | Himself (as The Small Faces) | |
| Lee Marvin | ... | Guest | |
| Ian McLagan | ... | Himself (as The Small Faces) | |
| Edna O'Brien | ... | Herself | |
| Andrew Loog Oldham | ... | Himself | |
| Vanessa Redgrave | ... | Herself | |
| Andrew Rose | ... | Himself (as Twice As Much) | |
| David Skinner | ... | Himself (as Twice As Much) |
Additional Details
Also Known As:
London Is a Swinging City (International: English title)The London Scene
Tonight Let's All Make Love in London (International: English title)
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Parents Guide:
Add content advisory for parentsRuntime:
USA:70 minCountry:
UKLanguage:
EnglishAspect Ratio:
1.37 : 1 moreSound Mix:
MonoFun Stuff
Soundtrack:
Night Time Girl moreFAQ
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This film is a great reflection of London and the British scene in the 1960's, dated for 1967, with authentic film footage of Pink Floyd with brilliant Syd Barrett heading them. Some people say it is boring, but should not leave reviews if they feel so strongly to negate a film which requires patience and culture, perhaps a more enlightened perspective. It features cameos by Lee Marvin parading about, as well as Eric Burdon, another legend. The reason why some do not understand it is because it is'nt filled with gimmickery or special effecst or some ellaborate script that fits into some conventional genre. But it is an experimental film, a time-capsule with rare raw footage that Floyd fans or any British scene enthusiast would love. I personally was thrilled and would reccomend the film to anyone with interest or the I.Q. to comprehend the film's inherent idea. If you are looking for some passionate drama or an Arnold S. gore-fest, go elsewhere. Dig this film!