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IMDb > Tonite Let's All Make Love in London (1967)

Tonite Let's All Make Love in London (1967) More at IMDbPro »

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Overview

User Rating:
6.4/10   118 votes
MOVIEmeter: ?
Down 21% in popularity this week. See why on IMDbPro.
Director:
Contact:
View company contact information for London Is a Swinging City on IMDbPro.
Genre:
Plot:
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number... more | add synopsis
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User Comments:
A brilliant reflection of Swinging London... more (9 total)

Cast

  (Credited cast)
Alan Aldridge ... Himself
Vashti Bunyan ... Herself
Eric Burdon ... Himself

Michael Caine ... Himself

Julie Christie ... Herself
Chris Farlowe ... Himself
Allen Ginsberg ... Himself
David Hockney ... Himself

Mick Jagger ... Himself
Kenney Jones ... Himself (as The Small Faces)
Ace Kefford ... Himself
Ronnie Lane ... Himself (as The Small Faces)
Donyale Luna ... Herself
Steven Marriott ... Himself (as The Small Faces)

Lee Marvin ... Guest
Ian McLagan ... Himself (as The Small Faces)
Edna O'Brien ... Herself
Andrew Loog Oldham ... Himself

Vanessa Redgrave ... Herself
Andrew Rose ... Himself (as Twice As Much)
David Skinner ... Himself (as Twice As Much)
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Additional Details

Also Known As:
London Is a Swinging City (International: English title)
The London Scene
Tonight Let's All Make Love in London (International: English title)
more
Runtime:
USA:70 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
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Fun Stuff

Movie Connections:
Referenced in The Benefit of the Doubt (1967) more
Soundtrack:
Winter Is Blue more

FAQ

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10 out of 11 people found the following comment useful.
A brilliant reflection of Swinging London..., 3 June 2002
Author: apigpuke from London, England

This film is a great reflection of London and the British scene in the 1960's, dated for 1967, with authentic film footage of Pink Floyd with brilliant Syd Barrett heading them. Some people say it is boring, but should not leave reviews if they feel so strongly to negate a film which requires patience and culture, perhaps a more enlightened perspective. It features cameos by Lee Marvin parading about, as well as Eric Burdon, another legend. The reason why some do not understand it is because it is'nt filled with gimmickery or special effecst or some ellaborate script that fits into some conventional genre. But it is an experimental film, a time-capsule with rare raw footage that Floyd fans or any British scene enthusiast would love. I personally was thrilled and would reccomend the film to anyone with interest or the I.Q. to comprehend the film's inherent idea. If you are looking for some passionate drama or an Arnold S. gore-fest, go elsewhere. Dig this film!

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