It's a Bikini World (1967) Poster

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4/10
Last of the Beach Movies and a Bit Peculiar
romanorum12 July 2012
Warning: Spoilers
The comic book opening graphics are well enough. Ten minutes into the movie, a swinging go-go chick with personality and dressed in a bikini-dancing outfit hops out a hot number in front of the stage of a club called "The Dungeon," owned by "Daddy" (Sid Haig). The Dungeon is actually the "Haunted House" (with prop monsters), a most popular discotheque on Hollywood Boulevard in the 1960s. The stage area was partly built up like a scary face of a monster – with weird eyes and nostrils – and the bands worked out of the toothy, wide open Dragon Mouth. The dancer in front of the stage-face was normally dressed like Batgirl. Anyway, at the height of the bikini girl's dance – during "Walk On (Right Out of My Life)," sung by Pat and Lolly Vegas (later Redbone) – a white mist erupts out of the face's nostrils. Hmmm. The male customers are generally fully clothed or wear shorts although several guys dance shirtless with trousers (Are they supposed to be he-men?) But the females mostly dance in bikinis. After all, it's a bikini world.

Oh yes, the plot. Mike Samson (Tommy Kirk is a Samson?) has the male lead. Kirk may be the most unlikely leading ladies-man in movie history since Algie the Miner (1912 silent movie). Mike, supposedly athletic but with a nonathletic body form, is a lady-killer with a gigantic ego. He spots comely Delilah Dawes (Deborah Walley) strutting on a beach one cloudy day (among many such days in this film), and becomes hooked. But his ego turns her off. The solution? Simple. Just don a pair of horned-rim eyeglasses and short pants, and act goofier, or like a nerd (his alter-ego smart brother, Herbert). You just know that the lovely Delilah will be unable to see through the disguise, although Mike's appearance has not changed, and despite his occasional slip-ups:

Delilah: "Where do you live?" Herbert (Mike): "Oh, it's easy to find my couch … I mean, uh, my house." Delilah laughs obliviously.

Anyway Delilah digs intellect, and fills out her bikinis and tight white shorts quite well. By then Walley was already a mother. Before long, in the fall of 1967, she would have a role as the daughter/daughter-in-law of the "The Mothers-in Law" TV show. Mike's clueless sidekick, Woody (which is a good description of his brain), is played by Bobby "Boris" Pickett (of "Monster Mash" renown, #1 in October 1962). Woody's girl is Pebbles (Suzie Kaye), who, like Deborah Walley, was in several bikini beach movies. That Suzie doesn't just get a two-by-four and whack Woody to knock some sense into him shows remarkable composure, although she deservedly slams a pie into his dopey face. By the way, how do these beach folks support themselves? How old are they supposed to be? In the unlikely premise that they are supposed to be OLDER students going back to summer-school, they are never seen in class. Maybe there's so little time for study!

The climax involves a cross-country race managed by Daddy. With some of the strangest race segments in US history, it consists of such activities as changing clothing, swimming one pool lap, furniture moving, hitch-hiking, speed-boating, camel riding, staying on motorcycles through an operating car wash, maybe even swimming across the Pacific (!), etc. Is Mike really a horse's ass? You will know what's meant when you see him in a trailer. Who will win, Delilah or Mike, and will they ever come together? Uhhh.

Moving onward from the plot, the film has a continuity problem. Events were to occur over the summer, but the overcast beach is anything but the hot season. Then we see residential streets with trees changing color from green to yellow (obviously autumn). At night, during a city drive, there are Christmas decorations everywhere. It must be the late fall of 1965. But you may ask, wasn't the movie released in 1967. Yes, but it had to have been made much earlier, and then held back. Here's why.

A redeeming characteristic is the Rock 'n' Roll artists who were very popular at the time. But their featured songs were all released in 1965, not 1966-1967:

• Toys – "Attack" (peaked #18 on Billboard in January 1966). • Gentrys – "Spread It on Thick" (peaked #50 in February 1966). • Castaways – "Liar, Liar" (peaked #12 in August 1965). • Animals – "We Gotta Get out of This Place" (reached #13 on Billboard in September 1965).

"Chas" Chandler, the very tall bass-guitarist of the Animals, departed the group before the middle of 1966. He later managed Jimi Hendrix. And, in September, 1966, the Animals disbanded entirely (Eric Burton did start a new band in 1967). Yet we see Chas and Hilton Valentine and the rest perform in a movie that was released in 1967. Was this the first time in history that a beach movie featured music that was a year-and-a half off the charts, and with a long-disbanded band? This writer has not researched older automobiles, but it must be certain that there is not a 1967 model in the picture.

The year 1967 featured California's first "Human Be-In" and the Monterey Pop Music Festival. "Somebody to Love" by the Jefferson Airplane was on the charts in April 1967. The bikini beach genre was already bygone. Only Elvis could still get away with movies with early-to-mid 1960s haircuts and styles. So why was this film released by B-movie linchpin AIP (its subsidiary) in 1967, long after it was made? Who knows? But you may ask, "Does the movie have some entertainment value despite its silliness?" It surely does … for three reasons. First, the Rock 'n' Roll artists are a time capsule. Also, a hairy Sid Haig appearance is usually worth a howl. And the gals will be attractive forever. Ahhh …

But then again, they are all not enough to raise this one above four stars!
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5/10
Good fun until weak finale
Marco_Trevisiol5 August 2012
Warning: Spoilers
I'd never had a chance to watch fully any of the plethora of 'beach party' movies that were released in the mid-1960s, so decided to catch this.

Despite it's poor reputation, I generally had a good time with it. It's bright and breezy with one or two amusing gags and one-liners. The plot is predictably thin and silly but suits this type of film.

But it lets itself down badly in the finale with a cross-country race between stars Walley and Kirk (others take part but quickly drop off). Much touted during the film, it should be the film's highpoint but instead becomes an interminable bore, full of random contests dully presented. It's a weak note to end what is otherwise an amiable production.

But the film is still worth a look - if for nothing else for the group 'The Toys' singing (or lip-synching) their marvellous song 'Attack!', even better than their much more popular 'A Lover's Concerto'.
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6/10
The end of the beach movie era
Chris-19513 August 2009
First, the positives - this movie contains some decent musical performances. Sure, they appear to be just lip syncing to the actual recording, but it's still nice to see The Animals and especially one-hit wonders The Castaways in color. We also get to see Sid Haig in one of his first bigger roles.

Overall, though, this film feels more like the last gasp of the beach movie genre than anything else. I hadn't realized they were still making these films as late as 1967, and judging by the lack of enthusiasm from the cast, they can't believe it either. There are some attempts to bring a looser, avant garde approach to the film. Or maybe it's just bad film-making. There are several seemingly random montages with overdubbed voices moving the plot forward. I'm willing to give the filmmakers the benefit of the doubt and assume this is intentional, but for all I know, it could be sloppy editing to cover scenes that should have been shot or bad writing.

The film has a downbeat feel to it, nothing like the bright, perky style we're used to with beach movies. The skies over the beach seem gray and the cast seems to be struggling with depression. I'm left with the impression that by this point, pot had clearly taken over as the drug of choice on film sets, making a Frankie and Annette style of film an uphill struggle at this point.
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Better Than Expected
rfeinberg-226 January 2007
So much fun weirdness going on here...the plot is pure '60s cornball but the actors are game and there are a lot of strange subtleties to appreciate: The Pop Art feel of the film, from the comic book opening titles (this was made at the height of the Batman craze, after all) to the Warhol/Lichtenstein style artwork hanging on the walls (pretty ahead of its time...I want a pad just like Mike's!) -- Veteran horror actor Sid Haig as an Ed "Big Daddy" Roth type -- The Crispin Gloveresque "McSnigg" character -- Bobby "Boris" Pickett of Monster Mash fame playing the goofy sidekick Woody (?!?!) -- Nice musical performances, more imaginatively photographed than in most films of this sort. The Animals' "We Gotta Get Out Of This Place" is a highlight -- Not to mention beautiful sunny locales and lots of bright, 1960s colors. If you enjoy beach party films, give this one a shot!
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3/10
Stop This World, I Want To Get Off!
rstef19 November 2005
As a fan of the original beach party flicks, it was sad and disappointing to discover this rarely seen bit of cinematic fluff. By the time it was released, the genre had run its course and this was in no way going to revive it. It took the original pairing of Frankie Avalon and Annette Funicello to resuscitate it in Back To the Beach, a fond look back at the genre.

Deborah Walley, who co-starred in some of the original beach party movies gets to star here along with Disney alum Tommy Kirk, who really should have hit the gym before running around with his shirt off. The movie has a poverty row feel about it. The jokes fall flat and the hipster lingo and characters are just embarrassing, as they probably were in the late 60's.

The only reasons to see this are for an early film appearance by Sid Haig who has recently had a career resurgence of sorts with his turn as Captain Spaulding in Rob Zombie's House of 1,000 Corpses and its sequel The Devil's Rejects; and of course for the music and the groups. They are still pretty cool, and the only way this film got 3 stars from me.

Stick with the original beach party movies, they are way more fun.
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3/10
We Just Live in It
wes-connors16 July 2009
Skateboarding champion Tommy Kirk (as Mike Samson) poses as his own bookworm brother "Herbert" in order to woo pretty bikinied Deborah Walley (as Delilah Dawes). "It's a Bikini World" begins with a great instrumental opening and graphics sequence, which was usually a strong suit in American International's "Beach Party" movies. That series was sputtering to an end, and this film follows the formula well enough, but audiences were moving on...

The Animals, The Toys, The Gentrys, and The Castaways are lip-syncing highlights...

Although Mr. Kirk performs well fully clothed, he is obviously not in shape to play the muscle-toned, athletic "Samson" on the beach. As his "Delilah", Ms. Walley (still) fills her bikini well. Kirk and Walley had appeared in original "Beach Party" spin-offs. The second-tiered players fall in line: Bobby "Boris" Pickett (as Woody) provides Kirk with a foolish-looking, older beach pal. Suzie Kaye (as Pebbles) is a shapely sidekick for Walley.

*** It's a Bikini World (4/14/67) Stephanie Rothman ~ Tommy Kirk, Deborah Walley, Bobby Pickett
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2/10
It's a bikini bore
Chase_Witherspoon14 April 2012
Tail-end Beach Party franchise starring one-time Gidget Deborah Walley and the terminally bland Tommy Kirk. Kirk plays a shameless, arrogant womaniser trying to dupe feminist Walley into going out with him by donning a nerd costume. After she exposes the ruse the pair contest a series of challenges (power boat race, running, skateboarding et al) to determine who is the dominant gender. Bobby Pickett and Suzie Kaye watch from the sidelines throughout as their best mates.

Overall, it's right down there with the abominable "Catalina Caper" for corniness and mediocrity, even by Beach Party standards. The only highlight is the early and prominent appearance of Sid Haig as "Daddy" a bee-hive bearded entrepreneur, a role that does anything but pre-empt his subsequent bikie image in the years ahead. Walley is bubbly and attractive, but her feminist leanings are managed very conservatively by director Rothman, a Roger Corman stable-hand whose credits also include the first "Student Nurses" instalment.

The often overcast conditions and Walley's hypothermic looking complexion do little to raise the temperatures of this tepid tale, with little to recommend except for some interesting personnel. If Walley, Haig or director Rothman hold no interest for you, and Bobby Pickett's "Monster Mash" isn't on your I-Pod, then doubtful there'll be much at all to keep you awake.
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4/10
More skateboards (and yawns) than bikinis...
moonspinner5531 December 2008
It's Christmas in Los Angeles, and yet there are still kids hitting the beach in the early morning hours! Brrrr. Tommy Kirk plays the local Lothario who gets put down by the new girl on the block; he dons nerdy glasses and attempts to woo her Clark Kent-style, but she's more interested in showing up his alter-ego at skateboarding and speedboat racing. Stephanie Rothman directed, and though she doesn't cut back on the cheesecake factor, neither does she seem to know where exactly to point the camera. We get glimpses of behinds and legs and exposed tummies, but without faces and personalities it's all a beach blur. The skateboard race around local side streets is fun, and Deborah Walley twinkles and giggles pleasantly enough, but the quasi-pop art look is scuttled by the low budget and the musical numbers are lethargic. In fact, nearly everyone here seems to be dragging their feet, as if benumbed by the whole enterprise. *1/2 from ****
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1/10
We've Come a Long Way...
whynot26 June 2008
Warning: Spoilers
Having actually watched this (while doing other stuff!), I was left to wonder: who really watched these movies when they first came out? I was in elementary school through the 'beach movie era', and found them lame and vapid then… I found sharper wit, and more emotive acting, in my Saturday morning Bugs/RoadRunner/Sylvester cartoons.

I'd really love to know how "It's a Bikini World" got written, made, and put together. There's just so much that's wrong.

I'm not looking for gritty realism, but the jokes are so, so bad…if one understands the difference between a joke and groaner, these are groaners. The slapstick is awkward and clumsy: check out the 'cake in the face' segment. These are supposed to be teens…or, at least, the target audience for a magazine called 'Teen Scream' but Pickett was 29 in 1967. And, I might add, a mature 29.

The race segments, especially the 'cross-country' segment, were interminable and devoid of either humor or excitement, with the possible exception of the appearance of a camel-race segment.

So why did I even start to watch this? I was curious to see the musical acts. Now, remember, this movie was released in 1967, a time when a whole new sense of cool was evolving. And you really can't help but feel that the acts appearing in this movie knew that all to well. Each of them has something approaching a teeth-clenched "We've got to get new management…" look about them. Except for The Animals. Now remember, the Monterey Pop Fest was held in 1967…Jimi Hendrix and Janis Joplin and The Who were the cutting edge, and time has told us that's definitely where Eric Burdon wanted to go. The Animals were unraveling, and it was a substantially revised line-up that released the fairly psychedelic "Winds of Change" album only a few months later. All this just to lead into: with all due respect to the other reviewer, I have never seen a performer so stoned and so looking like he wanted to be somewhere else than Eric Burdon when singing "We Gotta Get Out Of This Place."
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7/10
Cheesy 60s Fun
breezyturtle10 December 2005
I caught this movie on cable one day and actually really enjoyed it. I even looked for the movie to buy but I'm assuming it's not out on DVD.

Mike is your stereotypical male chauvinist. He has to be the best at everything and when a girl comes along and challenges him at different events, he feels he must beat her. He also ends up falling for her and pretends to have a dweeby twin brother named Herbert. The girl falls for Herbert and Mike has to figure out how to tell her who he actually is.

There is also a cameo by The Animals and a groovy skateboard race scene.
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2/10
Just don't
dw-film25 June 2020
I think of all the worthy silent films that have probably disappeared forever, and wonder if we could arrange for some sort of hostage deal with the malevolent deity that fostered this object's presence in the world.
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8/10
Watch it for the great songs (The Animals) and the vintage cars - two (2) thumbs up
Ed-Shullivan30 June 2020
When Eric Burdon and the Animals get up on the stage and sing their hit song "We Gotta Get out of This Place" with girls in bikinis on the dance floor I didn't need anymore persuading to give this beach flick a big two (2) thumbs up!

Yes of course it is silly camp, but what else should we expect from a title like "It's a Bikini World" eh? It is light entertainment that covers all the bases. Boy chases hot looking babe, boy pretends to be somebody else (fake nerdy brother) to win the girl over. A triathlon chase of sorts, between the male and female co-stars (Deborah Walley, and Tommy Kirk) who drag race cars, swim laps in a pool, and finish off with a real live camel race.

It's camp man, nothing more, and nothing less. Oh wait... there is less, that is less bikini for the boys to ogle. I give this fun film an 8 out of 10 IMDB rating.
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7/10
Interesting outing
tforbes-213 June 2017
Warning: Spoilers
"It's a Bikini World" isn't Oscar-caliber material, but it's hardly the worst beach movie out there. If there's anything to be said about it, the movie has a certain atmospheric charm about it.

Judging from its appearance, it looks like it was shot in very late 1965, when it would be cloudier in Los Angeles. Granted, when the movie came out in April 1967, it was already dated just from the bands that it featured, but it had the dated thing in common with Warner Brothers' "The Cool Ones," released the same month.

And I hate to be disrespectful toward the memory of Annette Funicello, but I liked seeing Deborah Walley in the lead female role. Tommy Kirk does a decent job, and I love seeing Sid Haig as well.

Yeah, I admit it, I enjoy watching this.
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4/10
Tommy Kirk, the big ole' jerk.
mark.waltz5 May 2020
Warning: Spoilers
This weird little beach party movie (apparently the last) features Deborah Walley and Tommy Kirk as both adversaries and friends. Walley hates Kirk's smug womanizing beach bum who is pretty rude to her when he encounters her on the beach, but then she meets his similar look alike brother, a nerdy quiet type who is as polite as his brother is assanine. Little does she realize that both are actually one and the same, with Kirk simply trying to make some time with her by pretending to be gentler and sweeter. It culminates with a marathon of contests between the two when the gig is up and he is exposed. That leads to the longest conclusion in "beach party" movie history, an unfunny marathon of different contests where the two are trying to out with each other to win. The unfunny Sid Haig hosts this and every time he flashes a marathon number, it's like here we go again!

Along the way, there's several performances from second-rate rock bands of the time (pretty much anybody who was available for a day job at American International), and some are definitely better than others. Walley and Kirk seem to be in a contest as actors to see who can give the silliest performance with the goofiest grins, and at times it seems that they are just teenagers playing dress-up rather than actors trying to make a film. It's sweet and charming and spots, and valley locations are obvious. Basically, it's an inoccculus time passer that won't test your brain and will probably not stick there either after it is all over.
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Beach Games
hillari18 December 2000
Deborah Walley and Tommy Kirk compete against each other in this battle of the sexes played out on sunny California beaches. When Walley initially rejects him, Kirk takes on a disguise and pretends to be the kind of guy that she claims she really likes. As usual in beach movies, there are popular music acts of the day, including the Toys and Eric Burdon and the Animals. Silly plot, yet one of the better non-Frankie and Annette beach movies as far as the fun quotient goes.
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5/10
I Enjoyed This One
mammamia70125 June 2020
I enjoyed this one, but not as much as the Frankie and Annette beach movies. This one has The Animals singing one of their hits, so that made it worth watching to go back to a different era. Lots of bikinis and Tommy Kirk just seemed older than I expected...lol. I guess it's my memories of him from the Disney movies. Anyway, this movie delves into how women can do whatever men can do...Deborah Walley, whom I always thought was so cute, trying to successfully complete and beat Tommy Kirk's character...and of course doesn't because at the time women were still considered "the weaker sex". However, she did manage to outsmart him, proving women are smarter than men...lol.

I just found this cheesy film enjoyable to watch, as I had never seen it before. I wouldn't rank this as one of my favorites. It simply cannot compare to the earlier, more carefree and fun loving beach movies. IMO it's worth watching....once. If you enjoy beach movies, stick to the earlier ones and Elvis movies.
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5/10
Ending was so stale.
cwolf1027 June 2020
Warning: Spoilers
I feel like it was going on great until it got to that ending. Everything is all right with Delilah just because Mike let her win? Director gave too much screen time to those 10 different competitions. Should have been just one huge one.

Rating would be worse if it weren't for all the musical spotlights given.
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4/10
One of the Last of the 60's Beach Movies
Uriah4315 February 2019
"Mike Samson" (Tommy Kirk) has a reputation in his area of being both the best athlete and the most notorious womanizer on the local beach. Women find him irresistible and he has four or five of them around him at all times. Then one day a new girl by the name of "Delilah Dawes" (Deborah Walley) arrives and upon recognizing his conceited opinion of himself she deliberately refuses his advances. However, rather than feeling turned off by this it only increases Mike's desire to capture her heart as well. Of course, fully aware that his standard routines won't work in this particular case, he decides a little subterfuge is in order and to that end reinvents himself as Mike's nerdy brother "Herbert Samson". Unfortunately, that presents itself with all kinds of challenges for him from that point on. Now rather than reveal any more I will just say that, having enjoyed a successful 4-year run, the "beach movies" were pretty much played out by this time and this film did nothing to revive this particular sub-genre. Not only was the plot rather predictable but neither of the main characters were that impressive either. Likewise, the comedy was somewhat lacking as well. That being said, although this wasn't necessarily a bad film by any means, it just wasn't as good as it could have been and for that reason I have rated it accordingly. Slightly below average.
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8/10
Silly Beach Party Fun
moonmonday16 March 2014
Warning: Spoilers
It's a Bikini World seems to be one of those films that viewers either love or hate. For me, it was definitely 'love', with Tommy Kirk and Deborah Walley returning as the leads. Or were they debuting as the leads? Well, that's a bit of a story, since sources indicate that Bikini World was filmed in 1965 but not released until 67 for some reason, and The Ghost in the Invisible Bikini, which also featured Tommy and Deborah as the leads, was 66. Either way, they're good together and more than capable of carrying an enjoyable film.

It's a Bikini World is well-directed, with striking shots and elements that really are artistic and interesting, well-acted and framed, and while there are some odd points (such as the autumnal foliage and holiday decorations at times), it's a fun film that really grabbed me when I turned it on to pass the time. I ended up drawn in by the plot and wanting to see more. I actually find the later 'beach party' films to be much more engaging than the earlier ones, because they tended to be more imaginative and diverse with interests, as well as somewhat more mature in their depiction of interpersonal relationships. Tommy Kirk is also much more believable and likable in the sort of role that, in the hands of Frankie Avalon, tended to be obnoxious and puerile.

The two leads are both strong-willed and stubborn, and their ambitions and deceptions soon end up getting the better of them. There's a lesson to be learned, but it's not hammered into viewers. The plot is much more driven than most of the beach party fare, but it's still ultimately a film that will relax and amuse and not require all that much mental investment. It's silly, light, and it has some really superb musical numbers, although I will confess the Gentrys and their song were not to my taste; it still got in my head though! It's a real time capsule of a film, and there are elements that make it really far ahead of its time, such as the prominent inclusion of skateboarding.

Most of its detractors focus on things that make me wonder if they understood what kind of film this was from the start. If you like the beach party type of film, light and silly and full of hijinks, you'll most likely enjoy this. I must admit that I found some of the humour especially good and laughed out loud at some of the jokes. And as for snide comments about Tommy Kirk's physique -- give me a break! He looks perfectly athletic. Real athletes don't always have bodies sculpted like Greek statues. I get the feeling some of the people making the comments don't understand how muscles and bodies work.

It's a Bikini World is worth watching. It's a pity that it hasn't seen much in the way of formal releases. We can hope that perhaps, one day, it will. It's an entertaining film that also does a great job of presenting a time capsule of a time long past.
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This beach party is rained out
Wizard-823 May 2012
"It's A Bikini World" was a production of famed B movie studio American- International Pictures, but was released under their Trans American Films label. A.I.P. used that label on movies they handled that they thought might tarnish their reputation, and it's easy to see why they were probably uneasy about this movie. Unlike their other beach party movies, this movie is sorely lacking in energy. Scene after scene goes by that immediately falls on the ground with a thud. There's also not much of a story on display here, resulting in a lot of padding. Even the music (save for when The Castaways perform their hit "Liar, Liar") is nothing special. Sid Haig is kind of fun in his scenes, but he doesn't get a lot of screen time. A beach blanket bomb!
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10/10
Deborah Walley in a Bikini!
RogerMooreTheBestBond25 June 2020
I recorded this movie years ago on TNT or TBS when they actually showed good old movies from the past. I miss those days. Tommy Kirk and Deborah Walley star. It's one of the last beach films. There are a lot of songs thrown in that really don't add much to it. I did like the story. Deborah Walley really looked sexy in all the bikini's she wore. Suzie Kaye also fills out the bikini's very well. It's just a fun film with some sexy chicks. What more could you ask for?
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A Different Beach Flick
Sargebri14 March 2003
This is a different kind of flick because it doesn't have Frankie Avalon and Annette Funicello. Also, the score is probably more different than the ones used in the Avalon/Funicello epics. However, this film is not on the same league with those films. The only thing that I really enjoyed was watching the Castaways perform their garage/punk anthem "Liar, Liar". You pretty much can tell that this film was done on even more of a shoestring budget than the AIP films. Tommy and Deborah are sure no Frankie and Annette.
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