Cool Hand Luke (1967)

A man refuses to conform to life in a rural prison.

Director:

Stuart Rosenberg

Writers:

Donn Pearce (screenplay), Frank Pierson (screenplay),

Stars:

Paul Newman, George Kennedy, Strother Martin

Top 250 #134 | Won 1 Oscar. Another 4 wins & 6 nominations.

Cast

Cast overview, first billed only:
Paul Newman	...	Luke
George Kennedy	...	Dragline
J.D. Cannon	...	Society Red
Lou Antonio	...	Koko
Robert Drivas	...	Loudmouth Steve
Strother Martin	...	Captain
Jo Van Fleet	...	Arletta
Clifton James	...	Carr
Morgan Woodward	...	Boss Godfrey
Luke Askew	...	Boss Paul
Marc Cavell	...	Rabbitt
Richard Davalos	...	Blind Dick
Robert Donner	...	Boss Shorty
Warren Finnerty	...	Tattoo
Dennis Hopper	...	Babalugats

Storyline

Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks.

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Plot Keywords:

Prison | Escape | Prisoner | Chain | Guts | 

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Taglines:

"What we've got here is failure to communicate."

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Genres:

Crime | Drama

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Certificate:

GP

Details

Country:

USA

Language:

English

Release Date:

1 November 1967 (USA)

Also Known As:

La leyenda del indomable

Filming Locations:

Jacksonville, Florida, USA

Company Credits

Production Co:

Jalem Productions

Technical Specs

Runtime:

126 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The opening scene, where Luke is cutting off the heads of parking meters, was filmed in Lodi, California. After the filming, the city did not replace the meters, and for many years afterward, you could go there and see a block long row of metal posts, sans meters.

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Goofs

When the Walking Boss shoots the snake, it appears to be a western diamondback rattler. This species is not found in the deep south where the film takes place.

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Quotes

Captain, Road Prison 36: What we've got here is... failure to communicate. Some men you just can't reach. So you get what we had here last week, which is the way he wants it... well, he gets it. I don't like it any more than you men.

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Connections

Referenced in Born to Ride (2011)
mentioned in dialogue

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Soundtracks

"Midnight Special"
Performed by Harry Dean Stanton

User Reviews

real cool

Now that it has become sort of fashionable to speak or write badly about the films of the 60s and 70s, saying that people stopped going to the movie theatres during that fruitful period (which is not true), we must -more than ever-rate a flick as "Cool Hand Luke" as it really deserves. The rebel spirit of the lead character (played to perfection by the excellent Paul Newman) against that brutal and -most of the times- unfair "establishment" represented by the prison guards is a subject that remains as topical as ever. If this picture had been made today, it could also probably be good, but it would undoubtedly be much more unpleasant and filled with four-letter words. Besides, who could match the performances of Newman, George Kennedy (the deservedly Oscar-winner who has kept on making a brilliant career -do you remember him as "The Blue Knight"?), Strother Martin, J.D.Cannon, etc.? Jo Van Fleet´s character as Luke´s mother seems a sort of slightly-aged version of her role as James Dean´s mum in "East Of Eden", and it is really worthwhile. The scene of the hard-boiled eggs is a classic and a gem, but my favourite scene in the movie is that of the car-washing girl so wonderfully played by Joy Harmon (who is really a Joy for any man´s eyes); that character truly says a lot of things without speaking -her gorgeous body speaks for her! I must say that it´s not only one of the sexiest scenes I´ve ever seen in a film but also a very significative one: there is an enormous contrast between the image of the lass moving and shaking in complete and absolute freedom (even in her way of dressing) and the imprisoned men-at-work who watch her as something extremely desirable but, alas, completely out of reach. (The viewer can really feel like a prisoner too!). All in all, this is a fine film of the 60s, but also of the 70s, the 80s, the 90s, the 21st century and whatever God wants it to come.