IMDb > La collectionneuse (1967)
La collectionneuse
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La collectionneuse (1967) More at IMDbPro »

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Overview

User Rating:
7.1/10   1,105 votes
MOVIEmeter: ?
Up 39% in popularity this week. See why on IMDbPro.
Director:
Writers:
Patrick Bauchau (dialogue)
Haydée Politoff (dialogue)
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Contact:
View company contact information for La collectionneuse on IMDbPro.
Release Date:
2 March 1967 (France) more
Genre:
Plot:
Adrien goes to a villa on the Mediterranean. He is in vacation, and wants to do absolutely nothing. He has to share the villa with a friend... more | add synopsis
Awards:
2 wins & 1 nomination more
User Comments:
Razor-sharp and light-footed analysis of emotional vanity more (9 total)

Cast

  (Complete credited cast)

Patrick Bauchau ... Adrien
Haydée Politoff ... Haydee
Daniel Pommereulle ... Daniel
Alain Jouffroy ... Writer
Mijanou Bardot ... Carole (as Mijanou)
Annik Morice ... Amie de Carole
Dennis Berry ... Charlie
Seymour Hertzberg
Néstor Almendros
Patrice De Bailliencourt ... Homme dans l'auto
László Benkö
Anne Dubot
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Additional Details

Also Known As:
Six contes moraux IV: La Collectionneuse
The Collector
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Runtime:
89 min
Country:
Language:
Colour:
Colour (Eastmancolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:
Filming Locations:

Fun Stuff

Movie Connections:
Referenced in De fem benspænd (2003) more

FAQ

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17 out of 17 people found the following comment useful.
Razor-sharp and light-footed analysis of emotional vanity, 28 November 1998
Author: Joep Leerssen (j.th.leerssen@hum.uva.nl) from Amsterdam, Netherlands

Art dealer, in need of serenity, finds that the holiday villa is shared by a hedonistic young woman. He becomes obsessed with ignoring her and pretends to himself that she wants to seduce him while he remains unaffected. The holiday thus turns into a love triangle between the indifferent but flirtatious girl, the man's unacknowledged desire, and his incessant, pompous self-rationalizations (the best cinematic use of voice-over EVER!). A sunny, witty, and deeply ironic "moral tale" that explores, like most of Rohmer's work, the uneasy vacillation between intellect and eroticism.

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