Dracula: Prince of Darkness (1966)

User Rating:

6.6/10   

Director:

Terence Fisher

Writers:

Anthony Hinds (story)
Jimmy Sangster (writer)

Release Date:

12 January 1966 (USA)

Genre:

Horror

Tagline:

The Greatest All New Fright Show In Town!

Plot:

Dracula is resurrected, preying on four unsuspecting visitors to his castle.

Plot Keywords:

Dracula | Castle | Sequel | Vampire | Tourist

Cast

Christopher Lee	...	Count Dracula
Barbara Shelley	...	Helen Kent
Andrew Keir	...	Father Sandor
Francis Matthews	...	Charles Kent
Suzan Farmer	...	Diana Kent
Charles 'Bud' Tingwell	...	Alan Kent (as Charles Tingwell)
Thorley Walters	...	Ludwig
Philip Latham	...	Klove
Walter Brown	...	Brother Mark
George Woodbridge	...	Landlord
Jack Lambert	...	Brother Peter
Philip Ray	...	Priest
Joyce Hemson	...	Frau Koenig (mother)
John Maxim	...	Coach Driver

Also Known As:

Disciple of Dracula
Dracula 3
Revenge of Dracula
The Bloody Scream of Dracula

Runtime:

90 min | Spain:86 min (DVD edition)

Country:

UK

Language:

English

Colour:

Colour (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Norway:16 (1972) | Norway:(Banned) (1966 - 1972) | Germany:16 (DVD release) | West Germany:12 (f) (re-rating) | West Germany:16 (f) (original rating) | Australia:M | Finland:(Banned) (1966) | Spain:13 | Sweden:15 | UK:15 (video rating) (1992) | UK:X (original rating) | USA:Unrated

Filming Locations:

Bray Studios, Down Place, Oakley Green, Berkshire, England, UK

Company:

Hammer Film Productions

Trivia:

In the scene where Dracula is being "resurrected" from a coffin into which his ashes have been spread, from blood dripping down from a poor victim (provided by Klove) Dracula is made to "manifest himself" over a period of about a minute. This was achieved by overlapping "dissolves" of a series of twelve locked-down camera shots, involving first the ashes, then a skeleton, then some body-fat on the skeleton, etc., along with swirling mist, till we finally perceive the full form of Dracula. He doesn't appear fully dressed as is usually the case - the shot moves to outside the coffin and a bare arm reaches out. The vampire's clothes were seen in earlier scenes awaiting his return.

Goofs:

Continuity: When Dracula opens his shirt for Diana Kent to taste the blood on his chest, he is interrupted and has to leave by kicking open a door. He picks Diana up and takes her to a horse carriage, and in the very next shot, Dracula's shirt is closed, completely buttoned back up. He couldn't have done this while carrying Diana's body.

Quotes:

Alan Kent: You forget about all of this in the morning, you'll see.
Helen Kent: There'll be no morning for us.

Movie Connections:

Spoofed in Disco Beaver from Outer Space (1978) (TV)

Enjoyable albeit shallow revisit to Transylvania.

Dracula (Christopher Lee) rides again in yet another Hammer entry in the Dracula franchise. This film is enjoyable horror hokum, but it has an awfully shallow story, fleshed out with a slow opening stretch and some amusing vampire lore in between the sporadic vampire attacks.

Four British travellers are journeying through the Carpathian Alps in the 1800s. They are repeatedly cautioned to steer clear of Carlsbad Castle but, being typically stuffy and stubborn, they end up going there anyway. The castle is deserted apart from a rather zombified manservant. During the night, one of the travellers is slain by the manservant, and his blood is used to resurrect the long-dead Count Dracula. Time for another bout of blood-sucking mayhem....

Christopher Lee has a small role this time around, but gets across a good performance due to his commanding presence in the title role. Andrew Keir is also good as a priest-cum-vampire-slayer, though he has to overcome some dumb dialogue. The slow build-up is rather damaging, as it generates more tedium than chills. The opportunities for real terror are somewhat fudged too, since most would-be "shock" moments are telegraphed too far in advance. However, Hammer buffs and vampire addicts will doubtless feel more than satisfied.