First entry in the Girl Boss series, “Queen Bee's Counterattack” seems to embody all the elements of both the series, and of the Japsploitation of the 70s, with fanservice being the key word here.
The story takes place in the 1970s, where Reiko is the head of Athena, an all-girls gang, trying to survive among the yakuza, motorcycle gangs, and essentially the world, following a set of simple rules, with the most important being not falling in love with a particular man. Reiko, as much as the rest of the girls, frequently have sex with men, but they keep the rule intact, while their leader's ways and particularly her will to help any of the group in trouble have inspired unwavering loyalty by the rest of the members. The appearance of a newcomer, Mayumi, however, as much as of a previous boss that has just been released from prison, Jun,...
The story takes place in the 1970s, where Reiko is the head of Athena, an all-girls gang, trying to survive among the yakuza, motorcycle gangs, and essentially the world, following a set of simple rules, with the most important being not falling in love with a particular man. Reiko, as much as the rest of the girls, frequently have sex with men, but they keep the rule intact, while their leader's ways and particularly her will to help any of the group in trouble have inspired unwavering loyalty by the rest of the members. The appearance of a newcomer, Mayumi, however, as much as of a previous boss that has just been released from prison, Jun,...
- 1/5/2024
- by Panos Kotzathanasis
- AsianMoviePulse
The concept of “the prostitute” has been fascinating directors all over the world for quite some time, with the psychosynthesis of the sex professionals drawing as much interest as the opportunity to use the concept as a metaphor for various sociopolitical comments. Despite the fact that such themes always had issues with censorship, an abundance of movies about the subject can be also found in Asian cinema, and particularly in countries like Japan, S. Korea and India.
In this list, we will present 20 of the greatest Asian films about prostitutes in chronological order, with a focus on diversity regarding countries, directors and style of presentation.
1. Gate of Flesh
Mini-militias of prostitutes create their own code to survive in “Gates Of Flesh”, by selling themselves in an organised gang fashion, protecting their turf, of bombed out Tokyo, viciously. This was no time for romanticism, frivolity or even love; this is a brutal game of survival.
In this list, we will present 20 of the greatest Asian films about prostitutes in chronological order, with a focus on diversity regarding countries, directors and style of presentation.
1. Gate of Flesh
Mini-militias of prostitutes create their own code to survive in “Gates Of Flesh”, by selling themselves in an organised gang fashion, protecting their turf, of bombed out Tokyo, viciously. This was no time for romanticism, frivolity or even love; this is a brutal game of survival.
- 3/9/2021
- by Panos Kotzathanasis
- AsianMoviePulse
In the mid-1960s, Seijun Suzuki would go on to make a trilogy of features, now called the “Flesh Trilogy”, that would depict a degraded post-war Japan and people’s poor living standards in it. These depictions were put forth in the form of stories that featured women that trade in their own flesh. The first of these would be “Gate of Flesh”, a production based on a novel by Taijiro Tamura that would go on to stand tall as one of the best in Suzuki’s fantastic and lengthy oeuvre.
Heavily bombed, post-war Tokyo is a dog-eat-dog city where a living is hard to come by and people are still exploited on a daily basis. The city lies in ruin and so do the lives of its inhabitants. In one such bombed building live five prostitutes, all working without any support from any males and taking...
Heavily bombed, post-war Tokyo is a dog-eat-dog city where a living is hard to come by and people are still exploited on a daily basis. The city lies in ruin and so do the lives of its inhabitants. In one such bombed building live five prostitutes, all working without any support from any males and taking...
- 3/5/2021
- by Rhythm Zaveri
- AsianMoviePulse
During the late 60s and early 70s, famed screenwriter and director Kaneto Shindō wrote a series of scripts about World War II’s legacy on Japan and the Japanese psyche for a few of those decades’ greatest directors. These included one story about the war’s lingering pains and injustices with Kenji Fukasaku’s solemn and politically fiery 1972 “Under the Flag of the Rising Sun”, another set during the thick of the conflict with Kihachi Okamoto’s graphic and harrowing (if messy) “Battle of Okinawa” and the earliest of them, Seijun Suzuki’s 1966 “Fighting Elegy” which is starkly opposite from from the rest in not being serious at all — at least outwardly.
“Fighting Elegy” screened at Japanese Avant-Garde and Experimental Film Festival 2019
1935 Okayama. A militarized boys’ middle school. Catholic student Kiroku (Hideki Takahashi) finds himself sharing the same Catholic boarding house with the sweet and innocent Michiko (Junko Asano), who...
“Fighting Elegy” screened at Japanese Avant-Garde and Experimental Film Festival 2019
1935 Okayama. A militarized boys’ middle school. Catholic student Kiroku (Hideki Takahashi) finds himself sharing the same Catholic boarding house with the sweet and innocent Michiko (Junko Asano), who...
- 9/22/2019
- by Wally Adams
- AsianMoviePulse
Review by Roger Carpenter
Director Yasuharu Hasebe was a well-known director in Japan right up until his death in 2009. He directed most of the Stray Cat Rock series of films in the early 1970s as well as the final installment of the Female Prisoner Scorpion series, Female Prisoner Scorpion: #701’s Grudge Song. He became known as the “Father of Violent Pink,” after directing a series of graphically violent and sexually sadistic films for Nikkatsu Studios with titles such as Rape!; Assault! Jack the Ripper; Rape! 13th Hour; and Secret Honeymoon: Rape Train. These films proved to be both highly controversial and very lucrative for Hasebe and Nikkatsu but, typical of Nikkatsu, the studio execs got cold feet after much bad press and began toning down their series of violent pink films.
But before all this, Hasebe cut his teeth as an assistant director for the great Seijun Suzuki, himself a...
Director Yasuharu Hasebe was a well-known director in Japan right up until his death in 2009. He directed most of the Stray Cat Rock series of films in the early 1970s as well as the final installment of the Female Prisoner Scorpion series, Female Prisoner Scorpion: #701’s Grudge Song. He became known as the “Father of Violent Pink,” after directing a series of graphically violent and sexually sadistic films for Nikkatsu Studios with titles such as Rape!; Assault! Jack the Ripper; Rape! 13th Hour; and Secret Honeymoon: Rape Train. These films proved to be both highly controversial and very lucrative for Hasebe and Nikkatsu but, typical of Nikkatsu, the studio execs got cold feet after much bad press and began toning down their series of violent pink films.
But before all this, Hasebe cut his teeth as an assistant director for the great Seijun Suzuki, himself a...
- 1/3/2018
- by Movie Geeks
- WeAreMovieGeeks.com
“Who was it that turned me into this kind of woman?”
-Song from Gate of Flesh
Welcome to post-World War II Tokyo. The Occupied City. It’s a crime-fest. Aside from yakuza-run markets, gang wars, gambling, and seemingly everybody on the grift, prostitution is so utterly widespread, there’s even a governmental department named The Raa (Recreation and Amusement Association) specifically established to relieve the occupying troops of pent-up libidinal urges that could possibly be exorcised in even less wholesome ways. The ensuing fuckfest is prodigious. So prodigious that the moat around the Imperial Palace becomes “so clogged with used condoms” it has to be “cleaned out once a week with a big wire scoop.” 1
This is the world of the classic Gate of Flesh.
We open:
MPs drag a gaggle of women away, while other, luckier, women scream obscenities at their foreign occupiers. Thieves, looting from Us barracks, are shot in the back.
-Song from Gate of Flesh
Welcome to post-World War II Tokyo. The Occupied City. It’s a crime-fest. Aside from yakuza-run markets, gang wars, gambling, and seemingly everybody on the grift, prostitution is so utterly widespread, there’s even a governmental department named The Raa (Recreation and Amusement Association) specifically established to relieve the occupying troops of pent-up libidinal urges that could possibly be exorcised in even less wholesome ways. The ensuing fuckfest is prodigious. So prodigious that the moat around the Imperial Palace becomes “so clogged with used condoms” it has to be “cleaned out once a week with a big wire scoop.” 1
This is the world of the classic Gate of Flesh.
We open:
MPs drag a gaggle of women away, while other, luckier, women scream obscenities at their foreign occupiers. Thieves, looting from Us barracks, are shot in the back.
- 4/14/2012
- by Cameron Ashley
- Boomtron
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