Overview
Release Date:
5 June 1962 (UK)
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Plot:
Classic 1960s British comedy series about a middle aged man and his elderly father who run an unsuccessful...
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User Comments:
Classic comedy with a heart of truth
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| Jack Sudic | .... | sound (6 episodes, 1974) |
| Norman Greaves | .... | sound supervisor (2 episodes, 1962-1965) |
| Buster Cole | .... | grams operator (2 episodes, 1963-1964) |
| Michael McCarthy | .... | sound supervisor (1 episode, 1970-1972) |
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| Mark Howell | .... | grams operator (unknown episodes, 1962) |
| Patrick Heigham | .... | grams operator (unknown episodes, 1965) |
| Brian Hiles | .... | sound supervisor (unknown episodes, 1965) |
| Laurie Taylor | .... | grams operator (unknown episodes, 1965) |
| Dave Thompson | .... | grams operator (unknown episodes, 1970-1972) |
| Mike Barclay | .... | grams operator (unknown episodes, 1970) |
| John Lloyd | .... | grams operator / sound supervisor (unknown episodes, 1970) |
| Ian Tomlin | .... | grams operator (unknown episodes, 1974) |
| Ron Blight | .... | sound recordist (unknown episodes) |
| Liam Donnelly | .... | grams operator (unknown episodes) |
| Mike Felton | .... | grams operator (unknown episodes) |
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| Dave Havard | .... | visual effects / visual effects supervisor (2 episodes, 1974) |
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| Mike Crisp | .... | production assistant (6 episodes, 1974) |
| Elizabeth Cranston | .... | production secretary (2 episodes, 1963-1964) |
| Joan Duncan | .... | assistant floor manager (1 episode, 1962-1963) |
| Gordon Pert | .... | floor manager (1 episode, 1964-1972) |
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| Ken Howard | .... | floor assistant (unknown episodes, 1962) |
| Sydney Lotterby | .... | production assistant (unknown episodes, 1962) |
| Trevor Beckett | .... | floor assistant (unknown episodes, 1965) |
| Tony James | .... | assistant floor manager (unknown episodes, 1965) |
| John Kilby | .... | assistant floor manager (unknown episodes, 1970) |
| John Van Duyken | .... | floor assistant (unknown episodes, 1970) |
| Heather Gilder | .... | assistant to producer (unknown episodes, 1972) |
| Tony Newman | .... | floor assistant (unknown episodes, 1972) |
| Paul Jackson | .... | assistant floor manager (unknown episodes, 1974) |
| Carol Scott | .... | floor assistant (unknown episodes, 1974) |
| Clive Swan | .... | floor assistant (unknown episodes, 1974) |
| George Clarke | .... | production assistant (unknown episodes) |
| John Hughes | .... | production assistant (unknown episodes) |
| Frank Mullen | .... | assistant floor manager (unknown episodes) |
| Penny Thompson | .... | assistant to producer (unknown episodes) |
| Laurence Vulliamy | .... | floor assistant (unknown episodes) |
| Bill Weston | .... | fight arranger (unknown episodes) |
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Additional Details
Runtime:
29 min (55 episodes) | 45 min (2 episodes)
Aspect Ratio:
1.33 : 1
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MOVIEmeter: 
1% since last week
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Fun Stuff
Quotes:
Harold Steptoe:
[
trying to convince Albert to change the channel of the partitioned TV set] We had an agreement, we shook hands. I have got the law of contract on my side.
Albert Edward Ladysmith Steptoe:
I have the knobs on my side.
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You may add a new episode for this TV series by clicking the 'add episode' button
Although Steptoe and Son ran on British TV for twelve years it is one of those rare (maybe unique) examples of an idea which continued to develop and evolve rather than slide into stale repetition.
In its early years the series emphasised broad comedy. One well-remembered episode features Albert eating a meal while sitting in his bath, earning a rebuke from his son which became a national catchphrase: "You dirty old man!"
As time went by the characters became established and the writing began to emphasise the mutual dependency of two basically lonely men (Harold the batchelor and Albert the widower). Harold dreams of a better quality of life away from his father and constantly makes attempts to achieve something in his own right. His attempts are thwarted by his own lack of social standing and his father's scheming: if Harold joins a local theatre group, Albert joins too and becomes the star of the show.
Albert, for his part, fears losing his son and being abandoned in his old age. He will use any means (especially moral blackmail) to keep Harold at his side. More importantly he is far more realistic than Harold and sees that his attempts at social ambition are doomed.
In one of the most moving episodes an old girlfriend of Harold's reappears after many years. They still feel the same way about each other and plan to marry. Finally Harold can break away from the old man. Naturally Albert has other ideas, but at the climax of the show it is the girl who ends the relationship, telling Harold he is already married.
The performances of Wilfrid Brambell and Harry H Corbett never faltered through the show's run. Galton and Simpson produced scripts of wit and insight and they performed with great skill and subtlety. This is a show where you laugh while recognising the truth and basic sadness of the situation in which the characters live.