Doctor in Distress (1963) User Reviews

Emphasis here on Sir Lance!

[blanche-2 · 6/10 · 4 April 2010]

Released in 1963, Doctor in Distress marks the first time in six years that Dirk Bogarde takes the mantle of Simon Sparrow, once a naive medical student and now an experienced doctor with an eye for the ladies. However, the center of attention in this film is Dr. Lancelot Spratt (James Robertson Justice. Lance has fallen madly in love with his physical therapist. Meanwhile, Dr. S has a romance with a model (Samantha Eggar) and then becomes attracted to the woman (Myelene Demongot) who sublets her apartment when she goes to Rome. Spratt turns to Sparrow for advice on how to woo the object of his affections, while he stalks her and then hires a private detective to do the stalking for him. All great fun.

Justice is excellent in a role that he owns; Bogarde gives us a professional, confident, and sophisticated Simon. It was very interesting to watch his performance, since I had just seen the first Doctor movie a day or two earlier, when Sparrow was young and wide-eyed. Bogarde as Sparrow still maintains his gentle quality, which makes for a nice follow-through of the character.

Not the greatest film, but an amusing one.

Where't the other doctor ?

[dsewizzrd-1 · 5/10 · 1 November 2012]

Dirk Bogarde stars as a young doctor in this lightweight drama – comedy, light on situations and jokes even for this franchise, as it lacks the rivalry from the other junior doctor, who is absent completely in this film.

Leo McKern as a film producer and Dennis Price as a fashion agent are completed wasted in a subplot that peters out and goes nowhere. Most of the film follows the annoying chief surgeon Sir Lancelot Spratt pursuing a love interest with a physiotherapist which also finishes without a conclusion. Another love interest between Bogarde and a French physiotherapist also ends inconclusively.

It appears the film was made from a number of different plot lines from the book series which the studio didn't complete in order not to require an 18 certificate.

If he gets through that he's going to blow up!

[hitchcockthelegend · 7/10 · 9 April 2013]

Doctor in Distress is directed by Ralph Thomas and adapted to screenplay by Nicholas Phipps and Ronald Scott Thorn from the Doctor series of characters that feature in the novels written by Richard Gordon. It stars Dirk Bogarde, James Robertson Justice, Samantha Eggar, Donald Houston, Barbara Murray and Mylène Demongeot. Music is by Norrie Paramor and cinematography by Ernest Steward.

Sir Lancelot Spratt (Justice) injures his back and finds himself a patient at his own hospital. Falling in love with his physiotherapist Iris Marchant (Murray), Spratt turns to senior doctor Simon Sparrow (Bogarde) for some lady wooing advice when Iris blows him off. But Simon has his own matters of the heart to contend with, his relationship with aspiring actress Delia Mallory (Eggar) is about to be challenged by a acting assignment in Italy.

The fifth of seven "Doctor" movies, Distress sees Bogarde return after missing part four of the series. The truth is that as a series it was never high end comedy anyway, more a case of solid light entertainment and a chance to spend some time in the company of some fine British actors. The Box Office take in the UK was as usual very healthy, but as amiable as it all is, it feels tired, like an auto-pilot production, where really there's only enough good material to have filled out an extended TV episode (Spratt trying to lose weight and following Iris when he learns another man is in the frame for her affections).

The makers try to invigorate this instalment by shifting the focus from Bogarde's Dr. Sparrow to Justice's irascible Spratt. Which while it undoubtedly is no bad thing having more of Justice's bluster to enjoy, the film wastes Bogarde (who would not return for parts six and seven) and the central joke just isn't strong enough to carry a running time of an hour and forty minutes! The girls are lovely and sexy (Murray impressive), but in the case of Eggar and Demongeot they are short changed by a screenplay that asks practically nothing of them.

Is it a good afternoon by the fire movie? Yes, absolutely, the cast (and the ream of cameos by notable British stars of film and TV) ensure that is the case. But don't be surprised if you find yourself looking at your watch after the hour mark has passed. 6.5/10

Good fun as Sparrow leaves the nest

[david-697 · 1 October 2003]

This movie sees the return, after an absence of six years, of Dirk Bogarde to the role of Doctor Simon Sparrow. But for a change, the movie's main emphasis is not placed on the young, bungling medic, but, refreshingly, focuses on the wonderful James Robertson Justice as Sir Lancelot Spratt.

Because of this, 'Doctor In Distress' is my personal favourite of the 'Doctor' series. It's a joy to see James Robertson Justice take centre stage for a change, whether bashfully admitting his childhood nickname of 'Porker' or visiting a health farm; he never fails to raise a smile.

To be honest, Bogarde is largely wasted in this film; still it is nice to see Simon Sparrow for one final time. Indeed, 'Doctor In Distress' does have a feeling of closure to it, with Sparrow no longer a hapless young medic but instead an established colleague and friend of Sir Lancelot. It is a real pleasure to see these two fine actors reunited once again.

Sadly there would be eventually two more 'Doctor' movies made, of variable quality, but 'Doctor In Distress' sees out the classic 'Doctor' movies with style.

Not that funny, but oddly satisfying

[johnners11 · 4/10 · 24 July 2009]

I was given this film on DVD as a birthday present, so sat down and gave it a go. I had seen a few of the other Doctor films and thought them gentle, inoffensive but ultimately unfunny. This one is very similar.

James Robertson Justice's irritable surgeon Sir Lancelot Spratt is the central character, with Dirk Bogarde as Dr Stephen Sparrow hovering about. It's really James Robertson Justice's performance that makes this film, with his wonderful fruity bark, and seeing him given the chance to show off other sides of his acting ability, coming over as a rather affable chap now and again.

Like a lot of these British comedy films, the plot is wafer-thin, you really have to suspend your disbelief, and ultimately it isn't really very funny at all.

But for me I came away with a satisfied smile on my face, having enjoyed the film for other reasons. The supporting cast is a real who's who of British screen acting, with people like Timothy Bateson, John Bluthal, Donald Houston and many others. Being a fan of Flanders and Swan, it was a nice surprise to see Michael Flanders as the food writer at the health farm.

My favourite scene is at the railway station, where rail buffs can ooh and ahh at British Railways-era carriages and locos, the history buffs at the posters for milk and rail rovers. There's also lots of street shots full of classic British cars, black-and-white striped sign posts and cafés where you can get beans on toast for 10d and fried egg, beans, chips and fried bread for the princely sum of 2/6! Not a great film, you sometimes find yourself pushing the fast forward button. But for James Robertson Justice, and as a kind of time capsule of early 60s Britain it's perfect.

Dirk Bogarde's Last 'Doctor' Film

[richardchatten · 4/10 · 29 November 2020]

Bogarde returned one final time to the 'Doctor' series for old time's sake to maintain the box office clout he was otherwise happily squandering on his films with Joseph Losey; and the funniest moment in the film is probably the in-joke reference to Bogarde's previous film when Simon Sparrow stands in front of the huge round mirror "gentleman's gentleman" Barrett polished in 'The Servant' (I wonder were it is now?) and his head appears to be on a platter.

The opening credits reveal that Nicholas Phipps was still one of the scriptwriters (although that's hardly a recommendation); but the script was this time only "by arrangement with Richard Gordon", not based on any of his original novels (although that was never much of a recommendation either). Although prettily photographed in Eastmancolor with a huge cast of familiar faces (the tiny handful that are still alive looking heart-breakingly youthful); the reappearance over the final shot of Norrie Paramor's jaunty music from the opening sequence serves simply to remind one of how one's spirits had initially lifted only to be deflated by the dreary hundred minutes you'd then sat through.

Entry in the Doctor series

[Leofwine_draca · 5/10 · 8 March 2017]

DOCTOR IN DISTRESS is an entry in the long-running DOCTOR series of films which rivalled the success of the CARRY ONs in the early 1960s. The two series share some cast and crew members although for my money the CARRY ONs are the funnier of the two franchises. DOCTOR IN DISTRESS is a likable if slight effort that's better than it ought to be thanks to the actors involved.

The film sees Dirk Bogarde and James Robertson Justice playing friends and rivals working at a top hospital. Justice falls in love and much of the film follows his character as he attempts to make himself presentable for his love interest. Bogarde doesn't have a great deal to do other than romance a youthful Samantha Eggar. Most of the humour comes from the characters and has dated a bit although there are a few slapstick moments.

Much of the fun here comes from seeing the cameoing stars as there are a lot of them. Donald Houston is a wheelchair-bound patient and Joe Robinson a typically imposing boyfriend character. Fenella Fielding plays a frightened lady on a train. Leo McKern has a one scene cameo as a flamboyant artist. Dennis Price manages to be sinister in a couple of minutes. Amanda Barrie looks great in a bikini. The likes of Derek Fowlds, Richard Briers, and Johnny Briggs play medical students and Ronnie Barker has a little cameo at the train station. Watch out for the cafe scene featuring waitress Marianne Stone and a very hungry Ronald Lacey.

Gentle fun

[Penfold-13 · 8/10 · 4 December 1999]

We have Dirk Bogarde doing his gentle, sensible young doctor character again. He has a polite, gentle romance with Samantha Eggar amidst the medical high jinks.

This is my favourite of the Doctor In The House series, though, because it's the one which gives most screen time to James Robertson Justice as the impossible Professor Lancelot Spratt. He is, for most of the picture, a patient, and given how he behaves when he's a consultant surgeon, it is hardly surprising that he is the most unco-operative and demanding patient in the annals of medical science.

JRJ makes full use of the opportunities offered, playing every scene for all it is worth (but, thank goodness, *only* for what it is worth - he doesn't extravagantly overplay it) and with obvious relish.

The job of the rest of the movie is to provide the canvas for him to display on, so it's not as though it's anything difficult or consequential.

Enjoyable fare for a weekend afternoon.

This one surprised me...and not in a good way

[planktonrules · 4/10 · 14 August 2009]

I have seen most of Dirk Bogarde's films, so the fact that up until DOCTOR IN DISTRESS I haven't seen a single film in his Doctor series is unusual. I think perhaps the reason why is because I really like Bogarde's dramas--especially the dark ones--and the Doctor films seem about as far from that as you can find.

This installment finds Bogarde and his boss (James Robertson Justice) both having romantic problems. Bogarde is infatuated with a patient, Samantha Eggar, and Justice is infatuated with a masseuse who works at the hospital. I say 'infatuated' because at no point does the film give either doctor a chance to even know the women with which they are obsessed--a major shortcoming in this film. Another major shortcoming is that too often, the film is played for laughs--very, very broad and low-brow laughs. This is certainly NOT a sophisticated British comedy--there is no hint of Ealing Studios or any of the other clever British film makers in this one! Broad humor, broad performances and a film that is, at best, a minor trifle--this is NOT a must-see but is at best a time-passer and one that might occasionally make you cringe with its obvious and over-the-top writing. Frankly, this surprised me...I had expected more.

In hindsight, perhaps a 4 is being a tad generous--I sure hope the other Doctor films are better and less "kooky".

Spot the TV sitcom actor

[fiendishgames · 17 April 2000]

The usual formula for this series featuring the urbane Bogarde, the irascible Robertson-Justice and - pardon my political incorrectness - some top notch tottie.

Probably considered quite risque in its time but hardly likely to provoke an "ooh err, missus!" these days, it mostly raises smiles rather than laughs although the odd bits of slapstick made my 7 year old son laugh.

Perhaps the most fun is to be had spotting future starts down the cast list: Richard Briers (The Good Life), John Bluthal (Vicar of Dibley), the uncredited Denise Coffee (Do Not Adjust Your Set), Ronnie Barker (Two Ronnies) and Derek Fowlds (Yes, Minister) are all here, not to mention Frank Finlay (Casanova) and Leo McKern (Rumpole of the Bailey). No Richard Wattis or John Le Mesurier though - they must have been working on 5 other British comedies that week.

Slimline Spratt

[Prismark10 · 4/10 · 25 August 2015]

The Doctor films continue and like the Carry On films which were directed by Ralph Thomas's brother, it seemed that the film series would go on forever.

Dr Sparrow (Dirk Bogarde) is now a senior doctor at Hampden Cross Hospital in love with a model and aspiring actress.

The film focuses more on the irascible Spratt who injures his back and becomes a patient in his own hospital and falls for the charms of his physiotherapist. Dr Sparrow sends him to a health clinic to lose some weight but the Physio is also romantically pursued by another patient at the hospital.

The film is well worth seeing for early appearances for some future comedy legends such as Ronnie Barker and Richard Briers. The film itself did not maintain my interest or was very funny. In fact I felt that by the end of the movie some of the plot threads remain unresolved leaving you to think that the producers must have run out of money.

Bland and inoffensive enough for a wet Sunday afternoon stuff but will not do much beyond that

[bob the moo · 29 August 2006]

During a stone-laying ceremony for a new wing to the hospital, Sir Lancelot Spratt takes a fall and ends up with a slipped disk making him a patient in his own hospital. Unsurprisingly for such an old curmudgeon, Spratt is as difficult a patient as he is a surgeon and is determined to make life difficult for anyone daring to treat him. However when he is treated by physiotherapist Delia Mallory, he finds himself cured and a tad smitten by her. When he starts sleep-walking he turns to Dr Sparrow, who diagnoses a psychosomatic cause and advises Spratt to turn to Mallory for his cure!

I've never been that bothered by the Doctor series simply because they are a gentle affair that fall below the Carry On series in regards laughs and tone. Here the film focuses on Spratt rather than the usual character Sparrow. The latter is given a rather dull subplot while occasionally getting him to stick his head in with Spratt to keep some vague connection to the main story. This approach is good for those that like the character Spratt, which includes me because I have always found his gruff character a rather nice distraction from the bland humour that it mostly churns out. Although it is nothing special, this does make it quite a light and enjoyable film. The plot is contrived and generally dull but it does have a matinée feel to it that may satisfy some viewers.

Justice naturally dominates the film thanks to the material. He doesn't do anything new or exciting but having a bit of variation to his character seemed to give him something to work with. Bogarde sort of drifts around the edge of the film on his way out. He still has the same touch in his scenes as he always had in the series but for me personally that doesn't mean a great deal. Support is generally wasted from the few familiar faces there are and none of them (including the main female cast members) made enough of an impression on me to even stick in my memory even as far as this paragraph.

Overall this is a light matinée affair that has no real laughs, plot or interest. However this seems to be its intension and, if you like the light, slightly comic touch of the series then I see no reason why you will not like this. For most viewers though I imagine it will be frothy to the pointless of boredom and light to the point of not having a point. Wet Sunday afternoon stuff but will not do much beyond that.