8½ (1963)

Director:

Federico Fellini

Writers:

Federico Fellini (story) &
Ennio Flaiano (story) ...
(more)

Release Date:

25 June 1963 (USA)

Genre:

Drama | Fantasy

Tagline:

A picture that goes beyond what men think about - because no man ever thought about it in quite this way!

Plot:

A harried movie director retreats into his memories and fantasies.

Plot Keywords:

Director | Mistress | Spa | Childhood | Film Director

Awards:

Won 2 Oscars. Another 14 wins & 8 nominations

Cast

Marcello Mastroianni	...	Guido Anselmi
Claudia Cardinale	...	Claudia
Anouk Aimée	...	Luisa Anselmi (as Anouk Aimee)
Sandra Milo	...	Carla
Rossella Falk	...	Rossella
Barbara Steele	...	Gloria Morin
Madeleine Lebeau	...	Madeleine, l'attrice francese
Caterina Boratto	...	La signora misteriosa
Eddra Gale	...	La Saraghina (as Edra Gale)
Guido Alberti	...	Pace, il produttore
Mario Conocchia	...	Conocchia, il direttore di produzione
Bruno Agostini	...	Bruno - il secundo segretario di produzione
Cesarino Miceli Picardi	...	Cesarino, l'ispettore di produzione
Jean Rougeul	...	Carini, il critico cinematografico
Mario Pisu	...	Mario Mezzabotta
Yvonne Casadei	...	Jacqueline Bonbon
Ian Dallas	...	Il partner della telepata
Mino Doro	...	L'agente di Claudia
Nadia Sanders	...	Nadine, la Hostess (as Nadine Sanders)
Georgia Simmons	...	La nonna di Guido
Edy Vessel	...	L'indossatrice (as Hedy Vessel)
Tito Masini	...	Il cardinale
Annie Gorassini	...	L'amica del produttore
Rossella Como	...	Un'amica di Luisa
Mark Herron	...	Il corteggiatore di Luisa
Marisa Colomber	...	Una zia di Guido
Neil Robinson	...	L'agente dell'attrice francese
Elisabetta Catalano	...	Matilde, la sorella di Luisa
Eugene Walter	...	Il giornalista americano
Hazel Rogers	...	La negretta
Gilda Dahlberg	...	La moglie del giornalista americano
Mario Tarchetti	...	L'ufficio di stampa di Claudia
Mary Indovino	...	La telepata
Frazier Rippy	...	Il segretario laico
Francesco Rigamonti	...	Un'amico di Luisa
Giulio Paradisi	...	Un'amico
Marco Gemini	...	Guido da ragazzo
Giuditta Rissone	...	La madre di Guido
Annibale Ninchi	...	Il padre di Guido
rest of cast listed alphabetically:
Antonio Acqua	...	Bit Part (uncredited)
Gideon Bachman	...	Bit Part (uncredited)
Maria Antonietta Beluzzi	...	Bit Part (uncredited)
Agnes Bonfanti	...	Bit Part (uncredited)
Deena Boyer	...	Bit Part (uncredited)
Mathilda Calnan	...	Un'amica di Luisa (uncredited)
Giulio Calì	...	Un uomo ai fanghi (uncredited)
Franco Caracciolo	...	Young Priest (uncredited)
Anna Caramini	...	Bit Part (uncredited)
Olimpia Cavalli	...	Bit Part (uncredited)
Elisabetta Cini	...	Un cardinale (uncredited)
Alfredo De Lafeld	...	Bit Part (uncredited)
Sebastiano De Leandro	...	Bit Part (uncredited)
Dina De Santis	...	Dina, 'nipote' di Cesarino (uncredited)
Edward Fleming	...	Bit Part (uncredited)
Grazia Frasnelli	...	Bit Part (uncredited)
Sonia Gessner	...	Bit Part (uncredited)
Eva Gioia	...	Eva, 'nipote' di Cesarino (uncredited)
Riccardo Guglielmi	...	Guido da bambino (uncredited)
John Karlsen	...	L'uomo in auto (uncredited)
John Francis Lane	...	Bit Part (uncredited)
Valentina Lang	...	Bit Part (uncredited)
Annarosa Lattuada	...	Bit Part (uncredited)
Palma Mangini	...	La vecchia alla fattoria (uncredited)
Roberto Nicolosi	...	Bit Part (uncredited)
Polidor	...	Un pagliaccio (uncredited)
Maria Raimondi	...	Una zia di Guido (uncredited)
Nino Rota	...	Bit Part (uncredited)
Luciana Sanseverino	...	Bit Part (uncredited)
John Stacy	...	Il cassiere (uncredited)
Maria Tedeschi	...	La direttrice della scuola (uncredited)
Flaminia Torlonia	...	Bit Part (uncredited)
Roberta Valli	...	La ragazza alla fattoria (uncredited)
Maria Wertmuller	...	Bit Part (uncredited)
Vadim Wolkowsky	...	Bit Part (uncredited)

Directed by
Federico Fellini

Writing credits
Federico Fellini		(story) &
Ennio Flaiano		(story)
Ennio Flaiano		(screenplay) &
Tullio Pinelli		(screenplay) &
Federico Fellini		(screenplay) &
Brunello Rondi		(screenplay)

Produced by
Angelo Rizzoli	....	producer

Original Music by
Nino Rota

Cinematography by
Gianni Di Venanzo

Film Editing by
Leo Cattozzo		(as Leo Catozzo)

Production Design by
Piero Gherardi

Art Direction by
Piero Gherardi

Set Decoration by
Vito Anzalone

Costume Design by
Piero Gherardi
Leonor Fini		(uncredited)

Makeup Department
Otello Fava	....	makeup artist
Renata Magnanti	....	hair stylist

Production Management
Mario Basili	....	production manager
Clemente Fracassi	....	production manager
Nello Meniconi	....	production supervisor

Second Unit Director or Assistant Director
Francesco Aluigi	....	assistant director
Guidarino Guidi	....	second assistant director
Giulio Paradisi	....	assistant director
Alessandro von Norman	....	assistant director (as Alessandro Norman)
Lina Wertmüller	....	third assistant director (uncredited)

Art Department
Luciano Ricceri	....	assistant scenic designer
Brunello Rondi	....	artistic advisor

Sound Department
Alberto Bartolomei	....	sound
Mario Faraoni	....	sound

Camera and Electrical Department
Pasqualino De Santis	....	camera operator (as Pasquale De Santis)

Costume and Wardrobe Department
Orietta Nasalli-Rocca	....	assistant costume designer (as Orietta Nasalli Rocca)
Clara Poggi	....	tailor

Editorial Department
Adriana Olasio	....	assistant editor

Other crew
Mirella Gamacchio	....	script supervisor
Angelo Iacono	....	production assistant
Albino Morandini	....	production assistant (as Albino Morandin)
Mario Basili	....	production assistant (uncredited)
Mario Carotenuto	....	voice dubbing: Mario Conocchia (uncredited)
Renata Marini	....	voice dubbing: Anouk Aimée (uncredited)
Elio Pandolfi	....	voice dubbing: Frazier Rippy (uncredited)
Stefano Satta Flores	....	voice dubbing: Guido Alberti (uncredited)

Production Companies

• Cineriz
• Francinex

Distributors

• Columbia Films (1963) (Finland) (theatrical)
• Columbia (1963) (France) (theatrical)
• Embassy Pictures Corporation (1963) (USA) (theatrical) (subtitled)
• Corinth Films (1980) (USA) (all media)
• Vestron Video (1983) (USA) (VHS) (dubbed)
• Vestron Video (1988) (USA) (video)
• Medusa Home Entertainment (2003) (Italy) (DVD)
• Umbrella Entertainment (2004) (Australia) (DVD)
• Cinema Mondo (2004) (Finland) (theatrical)
• Criterion Collection, The (2004) (USA) (DVD)
• Homescreen (2004) (Netherlands) (DVD)
• Zazie Films (2008) (Japan) (theatrical)
• Kinowelt Home Entertainment (2007) (Germany) (DVD) (Special Edition)
• Vii Pillars Entertainment (2008) (Hong Kong) (DVD)
• Imagica TV (2008) (Japan) (DVD)
• Altomedia. Co. Ltd. (????) (Korea) (DVD)
• Altomedia. Co. Ltd. (????) (Korea) (VHS)
• Criterion Collection, The (2010) (USA) (DVD)
• Emerald (2006) (Argentina) (DVD)
• Kino International (USA)
• LK-TEL Vídeo (Brazil) (VHS)
• Versátil Home Vídeo (Brazil) (DVD)

Also Known As:

"Federico Fellini's 8 1/2" - USA
"Federico Fellini's 8½" - USA (complete title)

Runtime:

138 min

Country:

Italy | France

Language:

Italian | English | French | German

Colour:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Singapore:PG | Portugal:M/12 | Australia:M (DVD rating) | Netherlands:12 (DVD rating) | South Korea:15 (DVD rating) (2003) | Italy:T | USA:Not Rated | Argentina:13 | Australia:PG | Chile:14 | Finland:S | Norway:16 | Peru:14 | Sweden:15 | UK:15 (re-rating) (1989) | UK:A (original rating) | Norway:15 (2004)

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Company:

Cineriz

Trivia:

Was the basis for the Broadway Musical "Nine", which won the Tony for best musical in 1982 and for best musical revival in 2003.

Goofs:

Continuity: When Guido visits Carla during her illness, a strap of her slip disappears in the close shot after she rolls over, but is apparent in longer shots both prior and after.

Quotes:

Guido:My Dears... Happiness consists of being able to tell the truth without hurting anyone.

Movie Connections:

Referenced in "The Nostalgia Chick: Freddy Got Fingered w/ Oancitizen (#5.13)" (2012)

Soundtrack:

Overture

A Masterpiece

Frederico Fellini's masterwork 8 ½ is difficult to approach largely because of its reputation. Many critics also state that the film is so complex that it requires multiple viewings to understand, and this is likely to intimidate many viewers. But in truth, and in spite of its surrealistic flourishes, 8 ½ is more straight-forward than its reputation might lead you to believe.

The storyline itself is very simple. A famous director is preparing a new film, but finds himself suffering from creative block: he is obsessed by, loves, and feels unending frustration with both art and women, and his attention and ambition flies in so many different directions that he is suddenly incapable of focusing on one possibility lest he negate all others. With deadlines approaching the cast and crew descend upon him demanding information about the film--information that the director does not have because he finds himself incapable of making an artistic choice.

What makes the film interesting is the way in which Fellini ultimately transforms the film as a whole into a commentary on the nature of creativity, art, mid-life crisis, and the battle of the sexes. Throughout the film, the director dreams dreams, has fantasies, and recalls his childhood--and this internal life is presented on the screen with the same sense of reality as reality itself. The staging of the various shots is unique; one is seldom aware that the characters have slipped into a dream, fantasy, or memory until one is well into the scene, and as the film progresses the lines between external life and internal thought become increasingly blurred, with Fellini giving as much (if not more) importance to fantasy as to fact.

The performances and the cinematography are key to the film's success. Even when the film becomes surrealistic, fantastic, the actors perform very realistically and the cinematography presents the scene in keeping with what we understand to be the reality of the characters lives and relationships. At the same time, however, the film has a remarkably poetic quality, a visual fluidity and beauty that transforms even the most ordinary events into something slightly tinged by a dream-like quality. Marcello Mastroianni offers a his greatest performance here, a delicate mixture of desperation and ennui, and he is exceptionally well supported by a cast that includes Claudia Cardinale, Anouk Aimee, and a host of other notables.

I would encourage people not to be intimidated by the film's reputation, for its content can be quickly grasped. When critics state the film requires repeated viewing what they actually seem to mean is that the film holds up extremely well to repeated viewing; each time it is seen, one finds more and more to enjoy and to contemplate. Even so, I would be amiss if I did not point out that people who prefer a cinema of tidy plot lines and who dislike ambiguity or the necessity of interpreting content will probably dislike 8 ½ a great deal. For all others: strongly, strongly recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer