8½ (1963)

A harried movie director retreats into his memories and fantasies.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story),

Stars:

Marcello Mastroianni, Anouk Aimée, Claudia Cardinale

Top 250 #194 | Won 2 Oscars. Another 14 wins & 8 nominations.

Cast

Cast overview, first billed only:
Marcello Mastroianni	...	Guido Anselmi
Claudia Cardinale	...	Claudia
Anouk Aimée	...	Luisa Anselmi (as Anouk Aimee)
Sandra Milo	...	Carla
Rossella Falk	...	Rossella
Barbara Steele	...	Gloria Morin
Madeleine Lebeau	...	Madeleine, l'attrice francese
Caterina Boratto	...	La signora misteriosa
Eddra Gale	...	La Saraghina (as Edra Gale)
Guido Alberti	...	Pace, il produttore
Mario Conocchia	...	Conocchia, il direttore di produzione
Bruno Agostini	...	Bruno - il secondo segretario di produzione
Cesarino Miceli Picardi	...	Cesarino, l'ispettore di produzione
Jean Rougeul	...	Carini, il critico cinematografico
Mario Pisu	...	Mario Mezzabotta

Storyline

Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.

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Plot Keywords:

Director | Mistress | Spa | Childhood | Film Director | 

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Taglines:

A picture that goes beyond what men think about - because no man ever thought about it in quite this way!

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Genres:

Drama | Fantasy

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Certificate:

Not Rated

Details

Official Sites:

Official site Zazie Films [jp]

Country:

Italy France

Language:

Italian English French German

Release Date:

25 June 1963 (USA)

Also Known As:

Federico Fellini's 8 1/2

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Box Office

Opening Weekend:

$11,947 (USA) (9 April 1999)

Gross:

$50,690 (USA) (23 April 1999)

Company Credits

Production Co:

Cineriz, Francinex

Technical Specs

Runtime:

138 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Was the basis for the Broadway Musical "Nine", which won the Tony for best musical in 1982 and for best musical revival in 2003.

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Goofs

When Guido and Claudia go out for their drive, they stop near some springs. Guido exits the passenger side of the car (off camera); we hear the door open and close. But when Claudia, who was driving, steps out moments later (also off camera), we never hear her door open or close.

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Quotes

Guido: I thought my ideas were so clear. I wanted to make an honest film. No lies whatsoever. I thought I had something so simple to say. Something useful to everybody. A film that could help bury forever all those dead things we carry within ourselves. Instead, I'm the one without the courage to bury anything at all. When did I go wrong? I really have nothing to say, but I want to say it all the same.

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Connections

Referenced in Veillées d'armes (1994)

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Soundtracks

"Danse des Mirlitons"
From "The Nutcracker"
Composed by Pyotr Ilyich Tchaikovsky

User Reviews

A Five Martini Cinematic Experience

Intellectuals have written volumes on this strange film by Italian New Wave director, Federico Fellini. I am not an intellectual, so my review will be brief. At its most basic, "8 1/2" (a.k.a. "Otto e mezzo") concerns Guido, a film director (supposedly a surrogate for Fellini himself), who is having what amounts to a midlife crisis. Guido is frustrated in his film-making, and by his relations with other people in his life. But the film's story does not proceed in a traditional, linear fashion. Fellini more or less abandons logical narration, in favor of "open form" narration, wherein the story's causal chain of events is broken.

Thus, trying to figure out what is going on in this film can be hard. Guido's fantasies, memories, dreams, and reality co-mingle in a kind of cinematic stew. Fellini presents viewers with a kaleidoscope of surreal B&W images of ordinary objects and eccentric, chattering characters which interact with Guido and with each other, in ways that defy logic, and give breathtaking meaning to the term symbolism. Followers of psychologist Carl Jung would have a field day. In style, the film is flamboyant. In substance, the film is maddeningly subliminal. And yet, even the most metallic cynic, Pauline Kael notwithstanding, must surely appreciate the rareness of Fellini's probing introspection.

Given the bizarre, unstructured content of "8 1/2", I wonder about the issue of necessity. Suppose Fellini had added an extra ten minutes to the screenplay, or deleted ten minutes. Would that have made any difference? Apart from Guido, if this or that character had been deleted, how would that have changed the story's significance? And if, as some have suggested, the film is a mirror image of Fellini's own confused psyche, can the story be construed as an intuition of his future film-making?

"Otto e mezzo" is not for everyone. Like a Zen koan, "8 1/2" invites frustration. It is above all else a celebration of ambiguity and abstraction, a cinematic experience to ponder, especially on the heels of four or five martinis ... or 8 1/2, if you really want to induce immense intellectual insight. Cheers.