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IMDb > Quattro giornate di Napoli, Le (1962)

Quattro giornate di Napoli, Le (1962) More at IMDb Pro »


Overview

User Rating:
7.8/10   111 votes
Director:
Nanni Loy
Writers:
Carlo Bernari (writer)
Pasquale Festa Campanile (writer)
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Release Date:
16 November 1962 (Italy) more
Genre:
Drama | War more
Plot:
The film shows the history of the Neapolitan popular revolt against the invading Germans, during the second world war... more | add synopsis
Awards:
Nominated for 2 Oscars. Another 3 wins & 2 nominations more
User Comments:
Cream of the Crop more

Cast

 (Cast overview, first billed only)
Regina Bianchi ... Concetta Capuozzo (as Régina Bianchi)
Aldo Giuffrè ... Pitrella
Lea Massari ... Maria
Jean Sorel ... Livornese
Franco Sportelli ... Prof. Rosati
Charles Belmont ... Sailor
Gian Maria Volontè ... Stimolo
Frank Wolff ... Salvatore
Luigi De Filippo ... Cicillo
Pupella Maggio ... Arturo's Mother
Georges Wilson ... Reformatory Director
Raffaele Barbato ... Ajello
Dominico Formato ... Gennaro Capuozzo
Curt Lowens ... Sakau
Enzo Turco ... Valente
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Additional Details

Also Known As:
The Four Days of Naples (USA)
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Runtime:
124 min
Country:
Italy
Language:
Italian
Sound Mix:
Mono
Certification:
Finland:K-16
MOVIEmeter: ?
^ 22% since last week why?
Company:
Titanus more

FAQ

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5 out of 5 people found the following comment useful:-
Cream of the Crop, 5 April 2005
10/10
Author: SgtSlaughter from St. Davids, Pennsylvania, USA

A cast of virtual then-unknowns re-enacts the German takeover of Naples following the Italian Army's surrender to the Allies, and the peasant uprising which ensued. "The Four Days of Naples" was released in 1962 and is shown occasionally on Turner Classic Movies, in Italian with English subtitles.

What's most interesting about this film is that director Loy follows many characters and subplots, and often fails to resolve them because they become lost in the chaos of the house-to-house battle within the city. Frank Wolff ("Desert Assault") is Salvatore, who loves Maria (Lea Massari) even though she has married a rich man. The two wind up fighting along side one another; Gian Maria Volonte is the Captain who helps organize a partisan resistance; Aldo Giuffre (The Good, the Bad and the Ugly) is one member of an Italian artillery unit which becomes embroiled in the siege; and Enzo Turco ("Anzio") is a Black-shirt who is taken prisoner despite his Fascist convictions. Every member of the ensemble cast is passionate and utterly convincing. Many were virtually unknown at the time of production, and became big stars in Italy within the next few years.

Director Loy shoots his film with a documentary style. Some shots are well-crafted, though, and give the audience a new perspective on the action. One long pan from a rooftop from which partisans are firing on the Germans shows how the men move from street to street without any cutting at all. The black-and-white cinematography is utterly fantastic. Close-ups of faces deliver all of the drama that dialog simply cannot convey.

The film brings the viewer inside what occupation and resistance do the civilian population of a city. At one point, the Germans drive the citizens out of one quarter so that they can occupy it, forcing people to move in with strangers on the other side of the city. Later, they attempt to conscript Italian men into their labor force, which is what sparks the uprising. The camera follows us into individual homes and family situations, which are ripped apart by the affects of war. He then takes us to massive crowds as they riot in the streets. The scope of battle is excellently captured, as are the cramped alleys and rooms from which the citizens must fight.

There a number of standout vignettes: the Neapolitans throwing furniture from their windows atop the heads of Nazi soldiers in a narrow alleyway; one sequence in which a number of teens escape a reform school to join the fight; a prisoner-negotiation scene in which things go unexpectedly and several Italian civilians are caught in a crossfire; the scene in which the Italian men are taken in trucks to be conscripted, only to have their wives overwhelm the German guards. All of these scenes convey a spirit of freedom, aided by Carlo Rustichelli's rousing score.

"The Four Days of Naples" is a well-crafted drama, intended to be taken seriously, unlike many Italian war films which would follow a few years later. This is an inspiring drama of courage and determination, definitely a must-see for any fan of war films or the Italian cinema.

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