Richard Morris (writer)
Winifred Wolfe (novel)
10 October 1962 (USA) more
Rich socialite, Sandra Dee meets and marries photographer Bobby Darin and attempts to "train" him to be the perfect husband... more | add synopsis
Nominated for 2 Golden Globes. Another 1 nomination more
Over the top, blatantly contrived silliness didn't work for me. more (16 total)
| Sandra Dee | ... | Chantal Stacy | |
| Bobby Darin | ... | Eugene Wright | |
| Micheline Presle | ... | Germaine Stacy | |
| John Lund | ... | John Stacy | |
| Cesar Romero | ... | Robert Swan / Adam Wright | |
| Stefanie Powers | ... | Tina | |
| Christopher Knight | ... | Richard | |
| Ted Thorpe | ... | Florist | |
| Roger Bacon | ... | Messenger | |
| John Bleifer | ... | Mr. Riordan, Tobacconist | |
| Pamela Searle | ... | Model | |
| Warrene Ott | ... | Rita | |
| Dani Lynn | ... | Bunny | |
| Charlene Holt | ... | Lisa, Model | |
| Gloria Camacho | ... | Model | |
| Edmay Van Dyke | ... | Model | |
| Rosalee Calvert | ... | Model | |
| rest of cast listed alphabetically: | |||
| Jeffrey Sayre | ... | Taxicab Driver (uncredited) | |
| Gladys Thornton | ... | Boston Maid (uncredited) | |
Directed by | |||
| Henry Levin | |||
Writing credits(in alphabetical order) | ||
| Richard Morris | writer | |
| Winifred Wolfe | novel | |
Produced by | |||
| Ross Hunter | .... | producer | |
Original Music by | |||
| Hans J. Salter | |||
Cinematography by | |||
| Russell Metty | |||
Film Editing by | |||
| Milton Carruth | |||
Art Direction by | |||
| Alexander Golitzen | |||
Set Decoration by | |||
| Howard Bristol | |||
Costume Design by | |||
| Jean Louis | (gowns) | ||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Edward Muhl | .... | executive in charge of production | |
| Ernest B. Wehmeyer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Phil Bowles | .... | assistant director | |
Sound Department | |||
| Waldon O. Watson | .... | sound | |
| Frank H. Wilkinson | .... | sound | |
Music Department | |||
| Joseph Gershenson | .... | music supervisor | |
Other crew | |||
| Frank Somper | .... | furrier | |
| Norman Stuart | .... | dialogue coach | |
| David Webb | .... | jewels | |
USA:102 min
Colour (Eastmancolor)
1.66 : 1 more
Mono (Westrex Recording System)
Germaine Stacy: Men develop appetites when they are twelve, muscles when they are sixteen, and principles only after they are married. more
References Flower Drum Song (1961) more
A True, True Love more
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
This movie didn't work for me on any level. The script is blatantly silly, corny, and contrived, with no pretensions of any kind of realism. Because of that you can't take it as a drama, and it's not funny enough for a comedy, so it's just amusing silliness. The overtly contrived, corny ending was just way too silly. Overall, this style of movie is over the top and therefore distasteful. It features explicit sexual references, a refreshing change from the Doris Day style goodie-goodie veneer that's really all sexual innuendo, but still falls flat having long since lost any shock value. Darin doesn't come across well, he just has no sizzle. Dee doesn't appeal to me, neither as cute, beautiful, funny, charming, nor talented. I like the wardrobe and the tiny waist. The chemistry between them didn't work for me. I didn't feel that they really liked or loved each other. Partly that's because of the ludicrous script and situations. The mom might have been OK but I couldn't get over the lame, almost not even there French accent. The script is crude, using obviously contrived devices to move so effortless among the plot points. They fall in love, marry, argue, and connive with the silliest motivations. The foghorn was ineffective and incomprehensible. Even on repeated play of the cartoon opening and pausing it to study and discuss it, I still feel that the meaning of the foghorn was not obvious enough. It might have been OK for then, but it's only good for nostalgia now.