Yojimbo (1961)

User Rating:

8.3/10   

Director:

Akira Kurosawa

Writers:

Akira Kurosawa (story)
Akira Kurosawa (screenplay) ...

Release Date:

13 September 1961 (USA)

Genre:

Action | Comedy | Crime | Drama | Thriller

Plot:

A crafty ronin comes to a town divided by two criminal gangs and decides to play them against each other to free the town.

Plot Keywords:

Samurai | Bodyguard | Escape | Ronin | Dark Humor

Awards:

Nominated for Oscar. Another 3 wins & 1 nomination

Cast

Toshirô Mifune	...	Sanjuro Kuwabatake / The Samurai
Tatsuya Nakadai	...	Unosuke, gunfighter
Yôko Tsukasa	...	Nui
Isuzu Yamada	...	Orin
Daisuke Katô	...	Inokichi, Ushitora's rotund brother
Seizaburô Kawazu	...	Seibei, brothel operator
Takashi Shimura	...	Tokuemon, sake brewer
Hiroshi Tachikawa	...	Yoichiro
Yosuke Natsuki	...	Kohei's Son
Eijirô Tôno	...	Gonji, tavern keeper
Kamatari Fujiwara	...	Tazaemon
Ikio Sawamura	...	Hansuke
Atsushi Watanabe	...	The Cooper (Coffin-Maker)
Susumu Fujita	...	Homma, instructor who skips town
Kyû Sazanka	...	Ushitora

Also Known As:

Yojimbo (UK) (USA)
The Bodyguard (International: English title) (literal title)
Yôjinbô (International) (modified Hepburn romanization)
Yojimbo the Bodyguard (USA)

Runtime:

110 min | USA:75 min

Country:

Japan

Language:

Japanese

Colour:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Perspecta Stereo (Westrex Recording System)

Certification:

Germany:12 | Netherlands:12 | New Zealand:M | USA:TV-MA (cable rating) | Argentina:16 | Australia:PG | Finland:K-16 | Norway:16 | Spain:13 | Sweden:15 | USA:Unrated | UK:PG (video rating) (1993) | UK:A (original rating)

Filming Locations:

Toho Studios, Tokyo, Japan

Company:

Kurosawa Production Co.

Trivia:

"Yojimbo" means "bodyguard" in Japanese.

Goofs:

Revealing mistakes: The interval between the noise of the gunshot, and the ringing of bell is too long.

Quotes:

Sanjuro: [family he has just saved is crying with gratitude] Stop. Stop crying. It’s pathetic.
[they keep crying]
Sanjuro: I hate pathetic people. I'll have to kill you.

Movie Connections:

Referenced in "Nova: Secrets of the Samurai Sword (#35.1)" (2007)

The epitome of cinema cool.

If you ever watched Pulp Fiction and thought: movie cool was born here, or maybe you saw any single Sergio Leone movie and thought: this guy invented movie-cool (if you haven't, i thoroughly recommend it - Kill Bill is nothing to his Good, the Bad and the Ugly or Once Upon a Time in the West), then experience Yojimbo, or The Bodyguard. Kurosawa's camera sits behind Toshiro Mifune's man-with-no-name, inviting us to look up at the back of his head as he walks the earth, inviting us to be in awe of this man. And as he walks, super-cool walking-the-earth music plays. Later on, when he's taunted and asked to prove himself, he slices a guy's arm off and plays the petty, money-grabbing rival factions in the town he wanders into off each other.

If you have it in your mind that a guy called Kurosawa couldn't make movies that would impress you, that the cultural gap would be too great - be assured that Kurosawa's movies are rife with Western values. Sure, they are rife with Japanese values (i am told), but Kurosawa had a great appreciation of Western culture. He based many of his movies on Western texts, like Shakespeare, Dostoyevsky, or American gangster fiction and film. Yojimbo is one of the latter - inspired by the Dashiell Hammet novel Red Harvest (Hammett's novel The Maltese Falcon was put onscreen moment for moment by John Huston in the movie of the same name which immortalised Humphrey Bogart).

Actually, the history of the story of the lone wolf, the wanderer with a weapon, who rides into town to play off two warring factions against each other - is quite a story itself. Dashiell Hammett, an American, wrote a novel with an American private eye as the stranger. In 1961, Akira Kurosawa transposed this story to medieval Japan, after the fall of a dynasty, where a Samurai finds himself with no place to go (at the beginning, we see him throw a branch up in the air and walk the direction it falls), and no master to serve. A bodyguard with no-one to protect. In 1964, Sergio Leone transposed the screenplay of Yojimbo (nearly word for word) to the spanish desert, and he brought along a young television actor named Clint Eastwood, and together they revolutionised the western with Fistfull of Dollars, and created an entire genre, the Spaghetti Western, which sported among its attributes a gritty, desolate landscape, and a cynical, postmodern lack-of-values ideology (traditional American westerns had quite plush landscapes and were always black and white (good and evil) in their value system. Despite the massive influence of Fistfull of Dollars, it pales in comparison to both its predecessor Yojimbo, and its sequals, For a Few Dollars More and The Good the Bad and the Ugly. But still, both Yojimbo and Fistful are iconic movies, and very cool movies.

With cool music, a cool anti-hero, a fun script, and a visually spectacular canvas of an image, painted by the eye of an artist (it is said that Kurosawa storyboarded his movies in full-scale paintings), Yojimbo is one of the coolest movies ever made.