IMDb > West Side Story (1961)
West Side Story
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West Side Story (1961) More at IMDbPro »

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Overview

User Rating:
7.8/10   27,514 votes
MOVIEmeter: ?

Up 1% in popularity this week. See why on IMDbPro.

Writers:

Ernest Lehman (screenplay)
Arthur Laurents (book)
(more)

Contact:

View company contact information for West Side Story on IMDbPro.

Release Date:

23 December 1961 (Japan) more

Genre:

Musical | Romance | Drama more

Tagline:

"BEST PICTURE!" Winner of 10 Academy Awards! - 1961 (post-Oscar) more

Plot:

Musical about two youngsters from rival NYC gangs who fall in love. full summary | full synopsis

Plot Keywords:

more

Awards:

Won 10 Oscars. Another 15 wins & 6 nominations more

User Comments:

It could hardly have failed more (261 total)


Cast

  (in credits order) (verified as complete)

Natalie Wood ... Maria
Richard Beymer ... Tony
Russ Tamblyn ... Riff

Rita Moreno ... Anita

George Chakiris ... Bernardo
Simon Oakland ... Lt. Schrank
Ned Glass ... Doc
William Bramley ... Officer Krupke

Tucker Smith ... Ice
Tony Mordente ... Action
David Winters ... A-rab
Eliot Feld ... Baby John
Bert Michaels ... Snowboy
David Bean ... Tiger
Robert Banas ... Joyboy
Anthony 'Scooter' Teague ... Big Deal (as Scooter Teague)
Harvey Evans ... Mouthpiece (as Harvey Hohnecker)
Tommy Abbott ... Gee-Tar
Susan Oakes ... Anybodys
Gina Trikonis ... Graziella
Carole D'Andrea ... Velma
Jose De Vega ... Chino
Jay Norman ... Pepe
Gus Trikonis ... Indio
Eddie Verso ... Juano
Jaime Rogers ... Loco
Larry Roquemore ... Rocco
Robert E. Thompson ... Luis (as Robert Thompson)
Nick Navarro ... Toro (as Nick Covacevich)
Rudy Del Campo ... Del Campo
Andre Tayir ... Chile
Yvonne Wilder ... Consuelo (as Yvonne Othon)
Suzie Kaye ... Rosalia
Joanne Miya ... Francisca
rest of cast listed alphabetically:

John Astin ... Glad Hand (uncredited)
Jimmy Bryant ... Tony (singing voice) (uncredited)

Christopher Culkin ... Dancer (uncredited)
Elaine Joyce ... Dancer (uncredited)
Priscilla Lopez ... Child extra (uncredited)
Marni Nixon ... Maria (singing voice) (uncredited)
Lou Ruggiero ... Police Officer #3 (uncredited)
Penny Santon ... Madam Lucia (uncredited)
Lee Theodore ... Dancer (uncredited)
Betty Wand ... Anita (songs 'A Boy Like That' and 'I Have a Love') (singing voice) (uncredited)
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Directed by
Jerome Robbins 
Robert Wise 
 
Writing credits
Ernest Lehman (screenplay)

Arthur Laurents (book)

Jerome Robbins  conception &
William Shakespeare  uncredited (play "Romeo and Juliet")

Produced by
Saul Chaplin .... associate producer
Robert Wise .... producer
Walter Mirisch .... executive producer (uncredited)
 
Original Music by
Leonard Bernstein 
 
Cinematography by
Daniel L. Fapp (director of photography)
 
Film Editing by
Thomas Stanford 
 
Production Design by
Boris Leven 
 
Set Decoration by
Victor A. Gangelin  (as Victor Gangelin)
 
Costume Design by
Irene Sharaff 
 
Makeup Department
Emile LaVigne .... makeup artist (as Emile La Vigne)
Alice Monte .... hair stylist
 
Production Management
Allen K. Wood .... production manager
Hubert Fröhlich .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Robert E. Relyea .... assistant director
Jerome M. Siegel .... second assistant director
 
Art Department
Sam Gordon .... property master
Maurice Zuberano .... production artist (as M. Zuberano)
Leon Harris .... production illustrator (uncredited)
William Maldonado .... construction coordinator (uncredited)
 
Sound Department
Fred Lau .... sound
Gilbert D. Marchant .... sound editor
Murray Spivack .... sound
Vinton Vernon .... sound
Richard Gramaglia .... sound mixer (uncredited)
Fred Hynes .... sound recording supervisor (uncredited)
Gordon Sawyer .... sound supervisor (uncredited)
 
Visual Effects by
Saul Bass .... visual consultant
Linwood G. Dunn .... photographic effects (as Linwood Dunn)
 
Stunts
Eli Bo Jack Blackfeather .... stunts (uncredited)
 
Camera and Electrical Department
Linwood G. Dunn .... title photographer (uncredited)
John Finger .... camera operator: title sequence (uncredited)
Ernst Haas .... still photographer (uncredited)
Louis Kulsey .... dolly grip: title sequence (uncredited)
 
Costume and Wardrobe Department
Bert Henrikson .... wardrobe
 
Editorial Department
Marshall M. Borden .... assistant editor
 
Music Department
Richard Carruth .... music editor
Saul Chaplin .... music supervisor
Johnny Green .... conductor
Johnny Green .... music supervisor
Irwin Kostal .... music supervisor
Irwin Kostal .... orchestrator
Sid Ramin .... music supervisor
Sid Ramin .... orchestrator
Stephen Sondheim .... lyricist
Robert Tucker .... vocal coach (as Bobby Tucker)
Betty Walberg .... music assistant
Pete Candoli .... musician (uncredited)
Jack Dumont .... musician (uncredited)
Walter A. Gest .... production music playback operator (uncredited)
Shelly Manne .... musician (uncredited)
Red Mitchell .... musician (uncredited)
Albert T. Viola .... musician (uncredited)
 
Other crew
Tommy Abbott .... dance assistant
Margaret Banks .... dance assistant
Saul Bass .... title designer
Robert E. Griffith .... stage producer
Howard Jeffrey .... dance assistant
Tony Mordente .... dance assistant
Harold Prince .... stage producer (as Harold S. Prince)
Jerome Robbins .... choreographer
Stanley Scheuer .... script supervisor (as Stanley K. Scheuer)
Roger L. Stevens .... produced by arrangement with
Hal Bell .... assistant choreographer (uncredited)
John Flynn .... script supervisor (uncredited)
Gerald Freedman .... assistant: Mr. Robbins (uncredited)
Peter Gennaro .... co-choreographer (uncredited)
Eliot Hyman .... production executive (uncredited)
Howard Jeffrey .... assistant choreographer: Mr. Robbins (uncredited)
George Lake .... assistant stage manager: stage production (uncredited)
Harold Mirisch .... production executive (uncredited)
Marvin Mirisch .... production executive (uncredited)
Howard Newman .... press representative (uncredited)
Arthur Rubin .... assistant stage manager: stage production (uncredited)
Wallace Siebert .... assistant: Mr. Gennaro (uncredited)
Ray Stark .... production executive (uncredited)
Lee Theodore .... assistant choreographer (uncredited)
 
Crew verified as complete


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Additional Details

Runtime:

152 min

Country:

USA

Language:

English | Spanish

Colour:

Colour (Technicolor)

Aspect Ratio:

2.20 : 1 more

Sound Mix:

4-Track Stereo (35 mm magnetic prints) | 70 mm 6-Track (Westrex Recording System) (70 mm prints) | Mono (35 mm optical prints)

Certification:

USA:Approved (certificate #19949) | West Germany:12 | Portugal:M/12 | Netherlands:MG6 | Brazil:Livre | Finland:K-12 | Sweden:11 (re-rating) (1970) | Sweden:15 (original rating) | Ireland:PG | Argentina:Atp | Australia:PG | Peru:PT | UK:A (original rating) | UK:PG (video rating) (1986)


Fun Stuff

Trivia:

The second highest grossing film of 1961, coming in just behind One Hundred and One Dalmatians (1961). more

Goofs:

Continuity: Riff changes position in his chair between shots when the Jets and Sharks are sitting down for the War Council. more

Quotes:

[first lines]
[the Jets dance across the streets of New York, eventually coming to a playground where they toss around a basketball. The ball is intercepted by Bernardo, leader of the Sharks]
Riff: [snaps fingers at Bernardo] Come on.
[Bernardo drops the ball, Riff picks it up]
Riff: Beat it.
more

Movie Connections:

Referenced in "Ugly Betty: East Side Story (#1.23)" (2007) more

Soundtrack:

One Hand, One Heart more


FAQ

How old were Maria and Tony?
How much sex, violence, and profanity are in this movie?
Is this movie based on a novel?
more
55 out of 83 people found the following comment useful.
It could hardly have failed, 23 July 1999
10/10
Author: Spleen from Canberra, Australia

Note the opening credits. I use the term "credits" loosely, because there aren't any. There's just a reddish orangish title card which changes colour ever so slowly while they play the overture. Now THAT takes courage. Obviously Wise was certain that Bernstein's music provides so much interest on its own that it would have been redundant to do anything but play it. And he was right. Bernstein simply wrote better music than any other Broadway composer of his day - much better music - and whether or not "West Side Story" contains his very best music, it's his very best musical. It would take a special effort to make a bad movie out of it.

In fact Wise handles things very well. We get the same silent sweep over New York that he later gave us over Austria in "The Sound of Music" - the sweep that says, "I'm going to show you New York" (or Austria, as the case may be). The filming and the colours are stark and intentionally artificial: it does feel as if we are being shown a city. Performances are all fine.

Of course, most of what makes this film great was already present in the musical. But what's wrong with that? Surely Wise shouldn't HAVE to spin straw into gold. A wise man - sorry - just accepts it with good grace when he is handed gold to begin with.

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