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Strongroom (1962) More at IMDbPro »

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6 out of 6 people found the following review useful:
Tension and Claustrophobia in black and white, 25 April 2006
7/10
Author: Craig Chappell from Preston

This is not a good film to watch if you suffer from claustrophobia. It's a little gem produced in the early sixties and usually tucked away in the early hours of the morning. There were many of these B movies produced in the 50s and 60s and most are quickly forgotten. However this one stands out. Derren Nesbitt makes for a convincing baddie bringing his particular brand of menace to the role. Colin Gordon plays it with a very stiff upper lip and Ann Lynn provides the glamour. Despite being just over an hour long it packs a useful punch and sustains the tension through to the end. Watch it with the door open and a glass of cold water to hand.

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7 out of 8 people found the following review useful:
excellent b-movie, 4 September 1999
8/10
Author: dave-346 from stockton, england

i came across this old gem a couple of years back and taped it off the t.v. It's an old black and white bank robbery film. The robbers plan a one-off bank robbery, but it doesn't quite go to plan after they lock two hostages in a safe. Their guilty consciences get the better of them, and they return to the scene. Simple, exciting tale that i can watch time and again.

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1 out of 1 people found the following review useful:
Excellent yet underrated ***SPOILERS***, 16 June 2009
10/10
Author: naseby (naseby@lycos.co.uk) from London, England

*** This review may contain spoilers ***

This crime or film noir from the golden days of British film-making (Yes, the '50's/'60's B-flicks), proves good plot and script, however lesser-known a movie is, is still effective even today.

The two crooks, played by Nesbitt and Faulkner and another hold up a bank - they're not vicious in any real way, however wrong they are. The stuffy bank Manager, Colin Gordon and his secretary played by Ann Lynn are locked in the 'Strongroom' or vault if you want to call it that, by the two crooks, with the intent that they will hand the keys in at a police station and let the cops know the two bank workers are in there - all the time running out of air - but that's excused as it's done and dusted, isn't it, that they will soon be released? Wrong! Faulkner's brother, also a member of the gang is tasked with this - he's seen driving off to do just that, but of course - he has an accident and dies! Faulkner and Nesbitt receive a knock on the door from the police - unknowing of what's happened at this stage, panicking slightly. But then the news of Faulkner's brother's death is given. A little panic of both his brother's death and what'll happen to the bank workers by Faulkner surfaces but he knows he has to keep his mouth shut.

Faulkner has tried to retrieve his brother's belongings angrily as he's promptly told by the police the dead brother's items can't be returned not for weeks - which of course includes the Strongroom keys! The remaining duo decide to get hold of the usual bank busting equipment, Oxycetelene gear etc., and try their best to break through to the suffocating bank workers. In the meantime, an astute person has noted that part of the dead brother's belongings are a Strongroom key, after Faulkner's rantings lead them to suspect something was wrong.

The police then hurry to the bank after contacting an experienced locksmith as to what bank/door it belongs to.

They're about to make their pinch, when the boys tell them that they're trying to free the workers. Reluctant at first, they understand and let them continue - they get the door open - a huge look of relief from them is shown at what appears as the very last scene but at this point their relief is shattered as a police officer states :'This one is DEAD sir!' The look from Nesbitt and Faulkner sums up the impending doom for the pair, as hanging is still a capital offence at that time in the UK. However, it beckons from us up to and after the credits still a legal position that they may get a manslaughter charge - but the film doesn't give them the chance they thought they had.

Excellent and good performances all round and sadly not shown enough.

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1 out of 1 people found the following review useful:
At last out on DVD!, 11 April 2009
10/10
Author: steven-87

*** This review may contain spoilers ***

Seriously underrated little noir and, in some ways, a repeat of the 1960 movie "The Man In The Back Seat" which also starred Nesbitt and Faulkner as two crooks for whom fate deals a dirty hand. Both movies are excellent (and both directed by the equally underrated Sewell) and both have very neat twists in the tail. These two linked movies are unusual in that, given the era they were made in, the viewer is NOT subjected to "happy endings". As "Strongroom" was made in 1962, it might make for an interesting legal discussion as to whether either or both of the miscreants would hang or not......once again, Faulkner plays the conscience to Nesbitt's more hard-headed felon. I doubt whether that would count for too much with a contemporary criminal court jury, however. Faulkner is a fine foil to Nesbitt - they make a fine team in both movies...not sure why he gave up films. If anyone does, let me know...

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0 out of 2 people found the following review useful:
Small Back Room-Lite, 17 August 2007
4/10
Author: Michael (IHateTomatoJuice@aol.com) from Bridgend, South Wales

*** This review may contain spoilers ***

A trio of crooks plan "one last job" that results in them unintentionally sealing a bank manager and a humble secretary in a time-locked vault, with sweaty cross-cutting moral-dilemma results.

Unfortunately the production as a whole is less hermetically sealed, resulting in a distinct lack of consistent tension. Unaided by listless direction from Sewell, the intrigue comes in the intense playing of Gordon and Lynn as the incarcerated couple who start off with nothing in common, but come to wring a credible denouement out of a genuinely unpredictable situation.

This is achieved through admirably unhysterical script and dialogue, in a way only the British could ever have achieved in second-feature quality material.

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