| Leslie Phillips | ... | Jimmy Fox-Upton | |
| Peggy Cummins | ... | Sally | |
| Hattie Jacques | ... | Gudgeon | |
| James Booth | ... | Bob Skeffington | |
| Dick Bentley | ... | Mr. Peddle | |
| Colin Gordon | ... | Dean | |
| Joan Heal | ... | Mrs. Peddle | |
| Esma Cannon | ... | Mrs. Raikes | |
| Fenella Fielding | ... | Miss Fordyce | |
| Richard Goolden | ... | Mr. Ribart | |
| Joan Hickson | ... | Miss Gibbs | |
| Vida Hope | ... | Mrs. Crabtree | |
| rest of cast listed alphabetically: | |||
| Judith Furse | ... | Massage Woman | |
| Jacqueline Jones | ... | Rita | |
| Harry Locke | ... | Grocer | |
| Lance Percival | ... | Policeman | |
| Kynaston Reeves | ... | Colonel | |
| Patsy Rowlands | ... | Barmaid | |
| Peggy Thorpe-Bates | ... | Mrs. Muswell | |
| Joan Young | ... | Middle-Aged Woman | |
| Sally Douglas | ... | Hairdresser (uncredited) | |
| Hugh Lloyd | ... | Man at Bar (uncredited) | |
Directed by | |||
| Darcy Conyers | |||
Writing credits(in alphabetical order) | ||
| Michael Pertwee | writer | |
Produced by | |||
| Hugh Stewart | .... | producer | |
Original Music by | |||
| Philip Green | |||
Cinematography by | |||
| Alan Hume | |||
Film Editing by | |||
| Roger Cherrill | |||
Art Direction by | |||
| Maurice Carter | |||
Set Decoration by | |||
| Arthur Taksen | |||
Costume Design by | |||
| Joan Ellacott | |||
| John Hilling | |||
Makeup Department | |||
| George Blackler | .... | makeup artist | |
| Biddy Chrystal | .... | hairdresser | |
| Eddie Knight | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Charles Orme | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jimmy Komisarjevsky | .... | assistant director | |
| Anthony Waye | .... | second assistant director | |
| Terence A. Clegg | .... | third assistant director (uncredited) | |
Art Department | |||
| Bert Davey | .... | chief draughtsman (uncredited) | |
Sound Department | |||
| Bill Daniels | .... | sound recordist | |
| Harry Miller | .... | sound editor | |
| C.C. Stevens | .... | sound recordist | |
| Gus Lloyd | .... | boom operator (uncredited) | |
| Vivian Temple-Smith | .... | assistant boom operator (uncredited) | |
Camera and Electrical Department | |||
| Dudley Lovell | .... | camera operator | |
| Steve Claydon | .... | focus puller (uncredited) | |
| Norman Gryspeerdt | .... | still photographer (uncredited) | |
| Manny Yospa | .... | focus puller (uncredited) | |
Editorial Department | |||
| Jack Gardner | .... | assistant editor (uncredited) | |
Music Department | |||
| Philip Green | .... | conductor | |
Other crew | |||
| Gladys Goldsmith | .... | continuity | |
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| Naked Evil | Keep Off My Grass! | Alpha Beta | Anne Frank Remembered | The Lion in Winter |
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| Full cast and crew | Company credits | External reviews |
| IMDb UK section | Add this title to MyMovies |
Leslie Phillips plays a newly qualified vet with a heart of gold when it comes to animals. When he takes over an old practice he becomes rivals with his roguish fellow student (James Booth), foils a cruel horse meat racket with the help of an R.S.P.C.A. inspector (Hattie Jacques) and eventually finds romance with a glamorous nightclub performer (Peggy Cummins).
In the Doghouse is similar to many British comedies of the period, mainly relying on slapstick and a climactic comedy chase for laughs, with some mild, inoffensive smut thrown in for good measure. It's at it's best when the animals are on screen: a lion rampaging through a church fete and a runaway chimp (and Phillips) causing havoc in a ladies' sauna.
Phillips plays the lead very nicely, developing his character from the unlucky blunderer of the films earlier vet school scenes to become a kind-hearted and capable vet, which comes across well in his scenes with a lonely old lady and a little girl with a sick bird. His first day sees him turning away pet owners who want their animals put down for cruel and selfish reasons, but keeping the animals in his garage so he can find them new homes. These scenes are touching without being over sentimental, especially playing against Esma Cannon as the old lady, when he craftily helps her overcome the loss of her beloved dog with an unwanted puppy.
This is in contrast to James Booth as his rival, a womanising con-man who cheats during his vet school exam and is only in the profession to make money by scamming the rich and gullible pet owners who come to his fancy and ludicrously over-decorated practice. His accidental hypnotising of a poodle owner leads him into a partnership with her husband in setting up a racket illegally selling horses to France to be turned into meat.
It's irresistibly good natured with several good laughs, and although the pace occasionally flags slightly fans of British comedy tv and film can spot several familiar faces in small parts, including an uncredited Lance Percival as a bobby and Carry On regular Patsy Rowlands as a barmaid.
And how can anyone resist a chimp riding a bike?