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IMDb > Ukigusa (1959)
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Overview

User Rating:
8.0/10   1,805 votes
MOVIEmeter: ?
Up 2% in popularity this week. See rank & trends on IMDbPro.
Director:
Yasujiro Ozu
Writers:
Kôgo Noda (screenplay) and
Yasujiro Ozu (screenplay)
Contact:
View company contact information for Floating Weeds on IMDbPro.
Release Date:
24 November 1970 (USA) more
Genre:
Drama more
Plot:
A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe... more | add synopsis
NewsDesk:
From 1922-1979: Get Your Film School Starter Pack Now
 (From Rope Of Silicon. 23 November 2008, 10:07 PM, PST)

User Comments:
Seemingly Simple, But Quite Satisfying more

Cast

  (Cast overview, first billed only)
Ganjiro Nakamura ... Komajuro Arashi
Machiko Kyô ... Sumiko
Ayako Wakao ... Kayo
Hiroshi Kawaguchi ... Kiyoshi Homma
Haruko Sugimura ... Oyoshi
Hitomi Nozoe ... Aiko
Chishu Ryu ... Theatre Owner
Koji Mitsui ... Kichinosuke
Haruo Tanaka ... Yatazo
Yosuke Irie ... Sugiyama
Hikaru Hoshi ... Kimura
Mantarô Ushio ... Sentaro
Kumeko Urabe ... Shige
Toyo Takahashi ... Aiko no haha
Mutsuko Sakura ... O-Katsu
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Additional Details

Also Known As:
Drifting Weeds
Floating Weeds (USA)
more
Runtime:
119 min
Country:
Japan
Language:
Japanese
Colour:
Colour (Eastmancolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
Finland:K-12 | UK:PG (re-release)
Company:
Daiei Studios more

Fun Stuff

Trivia:
Roger Ebert picks this film as one of his all-time 10 favourites. more
Goofs:
Continuity: Near the end, sandals disappear or move around: after Kiyoshi argues with his father, he runs upstairs, first slipping out of his sandals and leaving them at the bottom (center) of the stairs. Moments later, Kayo goes up to him. We see that she, too, removes her sandals at the bottom of the stairs. But Kiyoshi's sandals have now suddenly disappeared: we see only Kayo's sandals at the bottom of the stairs. Moments later, Kiyoshi comes back downstairs to go after his father. He goes to put on his sandals, which have now suddenly reappeared, but in a different location from where he took them off. A moment later, Kayo also comes down the stairs and puts on her sandals, which are approximately where she had removed them and placed them, moments earlier. more
Movie Connections:
Referenced in Les triplettes de Belleville (2003) more

FAQ

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11 out of 11 people found the following comment useful:-
Seemingly Simple, But Quite Satisfying, 18 November 2004
Author: Snow Leopard from Ohio

While seemingly rather simple, "Floating Weeds" is quite a satisfying film that combines Ozu's usual thoughtful tone with characters and atmosphere convincing enough that they almost immediately make you feel as if you know both the principals and their surroundings. Much of the running time is spent on apparently routine activities, but each scene serves a useful purpose in developing the themes, settings, and characters.

The story ties together the fortunes of a traveling troupe of kabuki actors with, in the forefront, a crucial point in the relationships of Komajuro, their leader. The setting in a seaside village offers a suitably languid atmosphere that sets off both plot lines very appropriately. One of the things that is so interesting about Ozu's films is that the settings are so definitively Japanese, with plenty of well-conceived details, and yet the way that he approaches the story and characters makes his movies seem universal, confined neither by time nor place.

The characters here are an interesting assortment of theatrical types and villagers. Many of them are relatively one-dimensional, but they are portrayed with skill and sensitivity, making even the simplest of them seem worth knowing. Especially good is Machiko Kyô as Sumiko, who is also the most interesting of the characters. Ganjiro Nakamura is good too as Komajuro, but Kyô usually gets the best of their scenes together.

Two particularly good scenes between the two are the tense dispute in the rain and the encounter in the train station. In the former scene, Ozu's setup for the scene is a perfect complement for the characters' dialogue and actions. In the latter, the characters convey deep feelings with the most economical and satisfying of means.

This is the kind of movie for which subsequent viewings might even be more enjoyable than the first, in the way that coming back to a familiar place can give you an odd sense of peace or security. And it leaves you with the feeling that it would be nice to come back again sometime.

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