Some Like It Hot (1959)

Director:

Billy Wilder

Writers:

Robert Thoeren (story) and
Michael Logan (story) ...

Release Date:

29 March 1959 (USA)

Genre:

Comedy | Crime | Drama | Music | Romance

Tagline:

The movie too HOT for words!

Plot:

When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.

Plot Keywords:

Bryn Mawr College | Quirky | Ulcer | Pursuit | All Girl Orchestra

Awards:

Won Oscar. Another 10 wins & 8 nominations

US TV Schedule:

Mon. July 28

12:00 PM

TCM

Cast

Marilyn Monroe	...	Sugar Kane Kowalczyk
Tony Curtis	...	Joe - 'Josephine' / 'Junior'
Jack Lemmon	...	Jerry - 'Daphne'
George Raft	...	Spats Colombo
Pat O'Brien	...	Det. Mulligan
Joe E. Brown	...	Osgood Fielding III
Nehemiah Persoff	...	Little Bonaparte
Joan Shawlee	...	Sweet Sue
Billy Gray	...	Sig Poliakoff
George E. Stone	...	Toothpick Charlie
Dave Barry	...	Beinstock
Mike Mazurki	...	Spats' henchman
Harry Wilson	...	Spats' henchman
Beverly Wills	...	Dolores
Barbara Drew	...	Nellie

Also Known As:

Not Tonight, Josephine! (USA) (working title)

Runtime:

120 min

Country:

USA

Language:

English

Colour:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Mexico:A | Canada:A (Nova Scotia) | Canada:G (Quebec) | South Korea:15 | USA:Approved (PCA #19281) | Singapore:PG | USA:PG-13 (DVD version) | Canada:PG (Manitoba/Ontario) | Finland:K-16 (1959) | Finland:S (1987) | Brazil:Livre | Argentina:13 | Australia:PG | Chile:14 | France:-12 (original rating) | France:U (re-rating) | Spain:13 | Sweden:11 (re-release) | Sweden:15 | UK:A (original rating) | UK:U (video rating) (1989) | West Germany:16

Filming Locations:

Coronado Beach, Coronado, California, USA

Company:

Ashton Productions

Trivia:

Voted #14 on the AFI's List of 100 Greatest Movies.

Goofs:

Continuity: It is supposed to be night when Joe slips out of the hotel, but a daytime sky is visible.

Quotes:

[first lines]
Mulligan: All right, Charlie; that the joint?
Toothpick Charlie: Yes, sir.
Mulligan: Who runs it?
Toothpick Charlie: I already told you.
Mulligan: Refresh my memory.
Toothpick Charlie: Spats Columbo.
Mulligan: That's very refreshing; what's the password?
Toothpick Charlie: "I've come to Grandma's funeral." Here's your admission card.
[he gives Mulligan a mourning armband]
[...]

Movie Connections:

Spoofed in White Chicks (2004)

Soundtrack:

Randolph Street Rag

A gender-bending comedy ahead of its time

What Jack Lemmon and Tony Curtis do in "Some Like it Hot" would be par for the course in modern movies – every other month, similar fish-out-of-water movies premiere with men posing as women ("Tootsie"), women posing as men ("The Associate"), black people posing as white people ("White Chicks"), and on and on. What makes "Some Like it Hot" different is two things: the strength of its comedy, and the presence of Marilyn Monroe, then at the height of stardom.

Lemmon and Curtis turn in admirable performances both as Joe and Jerry, and as Josephine and Daphne. Tony Curtis does Lemmon one better by creating a third identity, "Junior", in order to woo Sugar Kane (Monroe).

Tying the pair's story into the Chicago Valentine's Day Massacre, where a gang war spilled over into a parking garage, leaving a number of people lined up against the wall and shot, is a deft touch (though the serious tone of these gang sequences contrasts sharply with the bulk of the movie).

The movie does an excellent job building the far-fetched stakes of the movie ever-higher, from their finding refuge from vengeful gangs in a women's jazz band, to their showdown in the Florida hotel, to the eventual revealing of Curtis' and Lemmon's identities. The movie's surprisingly suggestive and risque content is at odds with the time frame of the movie, and even with the period of the movie's creation. The many smart double-entendres and plays on words are very well-written, and alternate between lowbrow and highbrow comedy,

The films only fault might be a couple of overlong musical numbers, performed either by the whole band or soloed by Sugar Kane. Though to be expected in a Marilyn Monroe film, these musical acts are literal "show stoppers" that bring the comedic momentum of the film to a screeching halt. However, it is easy to over look these minor defects in the movie as a whole, because by and large it is quite funny – no wonder it s considered a classic – and after all, "nobody's perfect".