Los Angeles TimesMichael Wilmington
The film has a marvelous first half. All of Zinnemann's best qualities -- tact, taste, integrity, quiet intellect and idealism -- shine through in the convent scenes, as does the acting. However, good as Peter Finch is (as an agnostic doctor), the second half seems hurried, over-reticent. [25 Mar 1988, p.22]