| Photos (see all 54 | slideshow) | Videos (see all 5) |
| Charlton Heston | ... | Judah Ben-Hur | |
| Jack Hawkins | ... | Quintus Arrius | |
| Haya Harareet | ... | Esther | |
| Stephen Boyd | ... | Messala | |
| Hugh Griffith | ... | Sheik Ilderim | |
| Martha Scott | ... | Miriam | |
| Cathy O'Donnell | ... | Tirzah | |
| Sam Jaffe | ... | Simonides | |
| Finlay Currie | ... | Balthasar / Narrator | |
| Frank Thring | ... | Pontius Pilate | |
| Terence Longdon | ... | Drusus | |
| George Relph | ... | Tiberius Caesar | |
| André Morell | ... | Sextus | |
| rest of cast listed alphabetically: | |||
| Les Ballets Africains | ... | Dancers at Roman Banquet (uncredited) | |
| Ady Berber | ... | Malluch (uncredited) | |
| Marina Berti | ... | Flavia (uncredited) | |
| Hugh Billingsley | ... | Mario (uncredited) | |
| Jerry Brown | ... | The Corinthian (uncredited) | |
| Robert Brown | ... | Chief of Rowers (uncredited) | |
| Lando Buzzanca | ... | Jewish Slave in the Desert (uncredited) | |
| Joe Canutt | ... | Sportsman (uncredited) | |
| Otello Capanna | ... | The Byzantine (uncredited) | |
| Emile Carrer | ... | Rower No. 28 (uncredited) | |
| Richard Coleman | ... | Metellus (uncredited) | |
| Michael Cosmo | ... | Raimondo (uncredited) | |
| Alfredo Danesi | ... | The Armenian (uncredited) | |
| David Davies | ... | Quaestor (uncredited) | |
| Princess Carmen de Hohenlohe | ... | Guest at Banquet (uncredited) | |
| Victor De La Fosse | ... | Galley Officer (uncredited) | |
| Liana Del Balzo | ... | Guest at Banquet (uncredited) | |
| Mino Doro | ... | Gratus (uncredited) | |
| Michael Dugan | ... | Seaman (uncredited) | |
| Dino Fazio | ... | Marcello (uncredited) | |
| Enzo Fiermonte | ... | Galley Officer (uncredited) | |
| Giuliano Gemma | ... | Roman in the Baths (uncredited) | |
| John Glenn | ... | Rower No. 42 (uncredited) | |
| José Greci | ... | Mary (uncredited) | |
| Richard Hale | ... | Gaspar (uncredited) | |
| Claude Heater | ... | Jesus - The Christ (uncredited) | |
| John Horsley | ... | Spintho (uncredited) | |
| Eddie Juaregui | ... | The Athenian (uncredited) | |
| Bill Kuehl | ... | Soldier (uncredited) | |
| Duncan Lamont | ... | Marius (uncredited) | |
| Howard Lang | ... | Hortator (uncredited) | |
| Stevenson Lang | ... | Blind Man (uncredited) | |
| Lord Layton | ... | Good Thief on Cross (uncredited) | |
| John Le Mesurier | ... | Doctor (uncredited) | |
| Tutte Lemkow | ... | Leper (uncredited) | |
| Cliff Lyons | ... | The Lubian (uncredited) | |
| Luigi Marra | ... | The Syrian (uncredited) | |
| Ferdy Mayne | ... | Captain of Rescue Ship (uncredited) | |
| Nona Medici | ... | Guest at Banquet (uncredited) | |
| Tiberio Mitri | ... | Roman at Bath (uncredited) | |
| Aldo Mozele | ... | Barca (uncredited) | |
| Thomas O'Leary | ... | Starter at Race (uncredited) | |
| Remington Olmstead | ... | Decurian (uncredited) | |
| Laurence Payne | ... | Joseph (uncredited) | |
| Aldo Pial | ... | Cavalry Officer (uncredited) | |
| Aldo Pini | ... | Bad Thief on Cross (uncredited) | |
| Diego Pozzetto | ... | Villager (uncredited) | |
| Edwin Richfield | ... | Supplier to Leper Colony (uncredited) | |
| Hector Ross | ... | Officer (uncredited) | |
| Maxwell Shaw | ... | Rower No. 43 (uncredited) | |
| Noel Sheldon | ... | Centurion (uncredited) | |
| Aldo Silvani | ... | Man in Nazareth (uncredited) | |
| Reginald Lal Singh | ... | Melchior (uncredited) | |
| Pietro Tordi | ... | Pilate's Servant (uncredited) | |
| Giuseppe Tosi | ... | Chariot Driver (uncredited) | |
| Ralph Truman | ... | Aide to Tiberius (uncredited) | |
| Raimondo Van Riel | ... | Old Man (uncredited) | |
| Stella Vitelleschi | ... | Amrah (uncredited) | |
| Dervis Ward | ... | Jailer (uncredited) | |
| Irina Wassilchikoff | ... | Guest at Banquet (uncredited) | |
| Joe Yrigoyen | ... | The Egyptian - Chariot Racer (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits | ||
| Lew Wallace | (novel) (as General Lew Wallace) | |
| Karl Tunberg | (screenplay) | |
| Maxwell Anderson | contributing writer (uncredited) | |
| S.N. Behrman | contributing writer (uncredited) | |
| Christopher Fry | contributing writer (uncredited) | |
| Gore Vidal | uncredited | |
Produced by | |||
| Sam Zimbalist | .... | producer | |
| J.J. Cohn | .... | producer (uncredited) | |
| Sol C. Siegel | .... | executive producer (uncredited) | |
| Joseph Vogel | .... | executive producer (uncredited) | |
| William Wyler | .... | producer (uncredited) | |
Original Music by | |||
| Miklós Rózsa | (as Miklos Rozsa) | ||
Cinematography by | |||
| Robert Surtees | (director of photography) (as Robert L. Surtees) | ||
Film Editing by | |||
| John D. Dunning | |||
| Ralph E. Winters | |||
| Margaret Booth | (uncredited) | ||
Casting by | |||
| Irene Howard | (uncredited) | ||
Production Design by | |||
| Vittorio Valentini | (uncredited) | ||
Art Direction by | |||
| Edward C. Carfagno | (as Edward Carfagno) | ||
| William A. Horning | |||
Set Decoration by | |||
| Hugh Hunt | |||
Costume Design by | |||
| Elizabeth Haffenden | |||
Makeup Department | |||
| Gabriella Borzelli | .... | hair styles | |
| Charles E. Parker | .... | make-up (as Charles Parker) | |
Production Management | |||
| Edward Woehler | .... | unit production manager | |
| J.J. Cohn | .... | production manager (uncredited) | |
| Dave Friedman | .... | production manager (uncredited) | |
| Henry Henigson | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Gus Agosti | .... | assistant director | |
| Yakima Canutt | .... | second unit director | |
| Alberto Cardone | .... | assistant director | |
| Andrew Marton | .... | second unit director | |
| Sergio Leone | .... | second unit director (uncredited) | |
| Mario Soldati | .... | second unit director (uncredited) | |
| Richard Thorpe | .... | third unit director (uncredited) | |
Art Department | |||
| Ken Adam | .... | assistant art director (uncredited) | |
| Mentor Huebner | .... | primary conceptual artist and production illustrator (uncredited) | |
| Harold Michelson | .... | storyboard artist (uncredited) | |
| Italo Tomassi | .... | head scenic painter (uncredited) | |
Sound Department | |||
| Sash Fisher | .... | sound recordist | |
| Franklin Milton | .... | recording supervisor | |
| William Steinkamp | .... | sound recordist | |
| Van Allen James | .... | co-supervising sound editor (uncredited) | |
| Milo B. Lory | .... | special sound effects (uncredited) | |
| Mauro Zambuto | .... | sound engineer (uncredited) | |
Special Effects by | |||
| Doug Hubbard | .... | special effects (uncredited) | |
Visual Effects by | |||
| A. Arnold Gillespie | .... | special photographic effects | |
| Robert R. Hoag | .... | special photographic effects | |
| Lee LeBlanc | .... | special photographic effects | |
| Robert MacDonald | .... | visual effects (uncredited) | |
| Cliff Shirpser | .... | special photographic effects (uncredited) | |
| Matthew Yuricich | .... | matte artist (uncredited) | |
Stunts | |||
| Bill Babcock | .... | stunts (uncredited) | |
| Jerry Brown | .... | stunts (uncredited) | |
| Joe Canutt | .... | stunt double: Charlton Heston (uncredited) | |
| Joe Canutt | .... | stunts (uncredited) | |
| Tap Canutt | .... | stunts (uncredited) | |
| Michael Dugan | .... | stunts (uncredited) | |
| Mickey Gilbert | .... | stunts (uncredited) | |
| Eddie Juaregui | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Glenn Randall Jr. | .... | stunts (uncredited) | |
| Boyd Stockman | .... | stunts (uncredited) | |
| Joe Yrigoyen | .... | stunt double: Stephen Boyd (uncredited) | |
| Ian Yule | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Piero Portalupi | .... | additional photography (as Pietro Portalupi) | |
| Harold E. Wellman | .... | additional photography | |
| Eric Carpenter | .... | still photographer (uncredited) | |
| Nino DiGiovanni | .... | still photographer (uncredited) | |
| Edward Phillips | .... | assistant camera (uncredited) | |
| Piero Portalupi | .... | camera operator: second unit (uncredited) | |
| John Schmitz | .... | camera operator (uncredited) | |
| Edward Wahrman | .... | assistant camera (uncredited) | |
| Harold E. Wellman | .... | camera operator: third unit (uncredited) | |
Costume and Wardrobe Department | |||
| Jack Martell | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Joan Bridge | .... | color consultant: costumes | |
| Charles K. Hagedon | .... | color consultant: settings | |
| Fredric Steinkamp | .... | associate editor (uncredited) | |
Music Department | |||
| Eugene Zador | .... | orchestrator (uncredited) | |
Other crew | |||
| Oscar Doob | .... | publicist (uncredited) | |
| Morgan Hudgins | .... | unit publicist (uncredited) | |
| Ralph McCutcheon | .... | horse trainer (uncredited) | |
| Glenn H. Randall Sr. | .... | horse trainer (uncredited) | |
| Howard Strickling | .... | publicity director: MGM (uncredited) | |
| Dan S. Terrell | .... | publicist (uncredited) | |
| Mauro Zambuto | .... | set engineer (uncredited) | |
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| Gone with the Wind | The Silver Chalice | Gladiator | Andrey Rublyov | Something of Value |
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It's hard to deny that William Wyler's lavish version of "Ben-Hur" is sometimes a bit overdone, but it nevertheless remains an entertaining and worthwhile classic. The material does justify the big-budget approach, since the story contains several interesting themes as well as plenty of action sequences. While some parts could have been stream-lined with little loss, in order to make the movie as a whole flow more smoothly, in general the film as it is keeps a good balance between action and substance. There are some very good dramatic moments in addition to the action highlights.
Charlton Heston is well-cast as Ben-Hur, a role that plays right to his strengths. The strained relations between Ben-Hur and Messala provide one set of themes for the story, as well as driving much of the action. Heston handles his end of it pretty well, although Stephen Boyd could have been a little less static in his portrayal of Messala. Jack Hawkins works very well as Quintus Arrius, and his scenes with Heston are used well in establishing some of the inner workings of Heston's character. Hugh Griffith also has a couple of good scenes as Sheik Ilderim.
The chariot race and other action sequences usually get most of the attention, but there are also some worthwhile ideas in the story (which are really the focus of the original novel) that are developed well enough. There is also a very good silent movie version of "Ben-Hur" from 1925, which at times takes a different approach from this version, and which is well worth seeing in itself for those who like the story.