In the early part of the film where Lancaster meets Gable, who is pruning a tree, in the background you see the same half dozen cars driving back and forth constantly.
Amongst the vehicles appears to be a '49 Buick convertible.
In the first attack in the opening scenes the range to the target is given verbally as 1,500 yards. The range to target on the TDC (Torpedo Data Computer, an electromechanical analog computer) is shown a few seconds later as 4,400 yards.
Torpedo tubes on submarines are numbered odd on the port side and even on the starboard side. When they fire #1, it comes out the starboard side from # 2 tube. In fact, all the shots come out of the same tube.
At approximately 1 hour and 17 minutes, the submarine breaches the surface at a steep angle. The periscope is fully 90 degrees to the surface of the water. The submarine begins to level off and the periscope does not change angle.
In the protracted scene between Capt Richardson and Mueller where Mueller is on report, Richardson pulls out a pack of cigarettes and lights one. The next several close up shots of him do not show him with a cigarette, he is playing with a model of a ship, or smoke from a lit cigarette. Near the end of the scene we see smoke from the cigarette rising.
A depth charge is seen rolling off the sub's deck and exploding directly under the keel. And later, three depth charges explode one after the other, all around the stern of the boat.
A depth charge exploding that close under the middle of the keel would have broken the sub's back and sent it to the bottom, let alone three close in nearly simultaneous detonations. These images were meant to build tension, but are totally unrealistic.
A submarine operating in hostile territory never 'pings', or uses its active sonar. The pings can be picked up by enemy submarines and surface ships and homed in on, similar to calling out or making other noise on land.
After sinking the Akikazi, the American sub dove to 120 feet. In the next shot, the depth gauge on the Japanese submarine also shows 120. This is incorrect because Japan uses the metric system.
When the USS Nerka encountered the Japanese sub early in their patrol they remained on the surface watching it as they continued on course. This was counter to the accepted procedure when encountering an unexpected submarine. Typical response was to immediately go to general quarters, dive, and call for a change in direction once submerged. And prior to detecting the Japanese sub the Nerka would have been "Zig-Zagging" (altering their course starboard & port) to avoid a submarine attack.
During the sequence where the submarine comes under Japanese air attack the one shot we have that shows the Japanese planes up-close is clearly stock footage of the American SDB Dauntless dive bomber, to the point that the American insignia have been obviously airbrushed out.
There's a black man on the sub, though in WWII the armed forces weren't yet fully integrated; however, black men did serve as mess cooks and stewards on submarines.
In several underwater scenes, the bottom of the tank the film is being shot in can be seen - it has a very flat, level bottom, and light can be seen reflected on it.
Near the end of the film, when they finally realize that there is a Japanese submarine nearby shooting torpedoes at them, the first time we see inside the Japanese sub, a close-up of its periscope shows that it has an air outlet plug marked "air-out." (There are drying inlet and outlet plugs on periscopes that are used during maintenance to force dry nitrogen through the mechanism to dry out the interior of the periscope.) It's a Japanese sub, so the words would not be in English.
In one underwater shot you can see the side of the water tank.
At various times they shoot torpedoes, all from the forward tubes, saying, "fire one," "fire two," "fire three," "fire four," "fire five" or "fire six," but from the underwater camera shots, the submarine clearly has only four forward tubes, not six.
The depth gauge on the Japanese sub is identical to the one on the USS Nerka, only Japanese characters have been added.
During the time Cmdr. Richardson is bedridden, when the sub fires torpedoes no movement of the boat is seen, even though all the previous times a torpedo was fired, the whole boat moved. Cmdr. Richardson's stateroom should have been seen to shudder when the torpedoes were fired.
In some attack scenes, the view from Clark Gable's binoculars shows masses of land beyond the target ships, although they're supposed to be in the middle of the ocean.
When torpedoes hit a ship and explode, the target ship doesn't explode unless it's carrying ammunition and that ammunition is directly hit. In most cases, all that's seen is a geyser where the hit occurs. The target ship may or may not slow down, stop, or begin to 'list', or tip over, towards the side where the hit or hits occurred.
In the opening scene the U.S. sub is detected by a Japanese Destroyer. The order is given to dive. Then an explosion, and the captain and some crew are seen among the wreckage. Japanese depth charges could only do such catastrophic damage if detonated within 15 or so so feet from a subs hull. Also Japanese depth charges before 1943 only had two depth settings, 100, and 200 feet. So any such destruction of a sub at 100 feet would mean none of the crew would survive.
The action of the film takes place in 1943, but the song "It's Been a Long, Long Time" featured in one of the scenes was written and copyrighted by Jule Styne and Sammy Cahn in 1945.
At Pearl Harbor in Clark Gable's office is a keyed Continental 500 desk set telephone. Those were not in use yet. The earlier Continental 300 is correct for 1943.
When Gable and Warden are playing sink "Bungo Pete" in Gable's office, a model battleship is on Gable's desk. This was obviously a Revell kit, likely a model of the USS Missouri, that dates from the mid 50's.
At the 16:45 mark when the submarine is in the process of taking a dive, Clark Gable's character closes the hatch and as he faces his crew, he asks "what's the depth?" His mouth doesn't match the line.