| Videos (see all 3 NEW) |
| Gregory Peck | ... | James McKay | |
| Jean Simmons | ... | Julie Maragon | |
| Carroll Baker | ... | Patricia Terrill | |
| Charlton Heston | ... | Steve Leech | |
| Burl Ives | ... | Rufus Hannassey | |
| Charles Bickford | ... | Maj. Henry Terrill | |
| Alfonso Bedoya | ... | Ramón Guiteras | |
| Chuck Connors | ... | Buck Hannassey | |
| Chuck Hayward | ... | Rafe Hannassey | |
| Buff Brady | ... | Dude Hannassey | |
| Jim Burk | ... | Blackie / Cracker Hannassey | |
| Dorothy Adams | ... | Hannassey woman | |
| Chuck Roberson | ... | Terrill cowboy | |
| Bob Morgan | ... | Terrill cowboy | |
| John McKee | ... | Terrill cowboy | |
| Slim Talbot | ... | Terrill cowboy (as Jay Slim Talbot) | |
| rest of cast listed alphabetically: | |||
| Richard Alexander | ... | Party guest (Oceans) (uncredited) | |
| Harry Cheshire | ... | Party guest (uncredited) | |
| Jay W. Jensen | ... | Cowboy (uncredited) | |
| Donald Kerr | ... | Liveryman (uncredited) | |
| Carey Paul Peck | ... | Boy (uncredited) | |
| Jonathan Peck | ... | Boy (uncredited) | |
| Stephen Peck | ... | Boy (uncredited) | |
| Ralph Sanford | ... | Party guest (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits | ||
| Donald Hamilton | (novel) | |
| Jessamyn West | (adaptation) & | |
| Robert Wyler | (adaptation) | |
| James R. Webb | (screenplay) & | |
| Sy Bartlett | (screenplay) and | |
| Robert Wilder | (screenplay) | |
Produced by | |||
| Gregory Peck | .... | producer | |
| Robert Wyler | .... | associate producer | |
| William Wyler | .... | producer | |
Original Music by | |||
| Jerome Moross | |||
Cinematography by | |||
| Franz Planer | (as Franz F. Planer) | ||
Film Editing by | |||
| Robert Belcher | |||
| John Faure | |||
Casting by | |||
| Dorothy Whitney | |||
Art Direction by | |||
| Frank Hotaling | |||
Set Decoration by | |||
| Edward G. Boyle | |||
Costume Design by | |||
| Emile Santiago | |||
| Yvonne Wood | |||
Makeup Department | |||
| Dan Greenway | .... | makeup artist | |
| Harry Maret | .... | makeup artist (as Harry Maret Jr.) | |
| Joan St. Oegger | .... | hair stylist | |
Production Management | |||
| Tom Andre | .... | production manager | |
Sound Department | |||
| Del Harris | .... | sound effects editor | |
| Roger Heman Sr. | .... | sound recordist (as Roger Heman) | |
| John K. Kean | .... | sound recordist (as John Kean) | |
Stunts | |||
| Bill Babcock | .... | stunts (uncredited) | |
| Jim Burk | .... | stunts (uncredited) | |
| Martha Crawford | .... | stunt double: Carroll Baker (uncredited) | |
| Martha Crawford | .... | stunt double: Jean Simmons (uncredited) | |
| Donna Hall | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
| John McKee | .... | stunts (uncredited) | |
| Bob Morgan | .... | stunts (uncredited) | |
| Hal Needham | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Wallace Chewning | .... | director of photography: second unit | |
Costume and Wardrobe Department | |||
| Eddie Armand | .... | costumer | |
| Neva Rames | .... | costumer | |
Editorial Department | |||
| Robert Swink | .... | supervising editor | |
| Hal Ashby | .... | assistant editor (uncredited) | |
Music Department | |||
| Lloyd Young | .... | music editor | |
| Alexander Courage | .... | orchestrator (uncredited) | |
| Gil Grau | .... | orchestrator (uncredited) | |
| Bernard Mayers | .... | orchestrator (uncredited) | |
| Conrad Salinger | .... | orchestrator (uncredited) | |
Other crew | |||
| Saul Bass | .... | title designer | |
| Carl P. Benoit | .... | location manager | |
| Sam Freedle | .... | script supervisor | |
| Clarence Marks | .... | assistant: William Wyler | |
|
|
|
|
|
| Giant | Gone with the Wind | The Searchers | Ben-Hur | Shane |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
As a rule, I don't like westerns. This isn't because I'm a city slicker (though now, I do live in a city). I grew up in rural Eastern Oregon where "real" cowboys still herd their cattle through the center of town in John Day, Oregon. My stepfather owned a 10,170 acre cattle ranch. After being raised among "real" cowboys, the Hollywood versions tend to leave me flat. The Big Country was an exception.
Jim McKay (Gregory Peck) introduced us to a different kind of man, far different than most stereotypical men of the Wild West. If I were to compare McKay's character to any other film character, it would be Ghandi. He's a man who doesn't feel obliged to seek the approval of others ... a man who believes that violence doesn't need to be used to solve problems. His secret ride of Old Thunder, making Ramon (Alfonso Bedoya) swear to keep quiet regardless of the outcome, set the tone for McKay's character. His later secret fight with Steve Leech (Charleton Heston), making him swear to keep quiet regardless of the outcome, cemented that tone. This was a REAL man whose opinion of himself was not dependent upon anyone else's opinion ... in stark contrast to anyone else in the film outside of Julie Maragon (Jean Simmons). As Ramon said, "Such a man is very rare."
Outside of McKay, my #2 favorite character in the film was Rufus Hannassey (Burl Ives). I found nothing about him distasteful considering he was a character whose back was against the wall ... whose livelihood was threatened. The things he did make perfect sense in such a situation. His only flaw was his obvious poor parenthood. He really blew it with Buck (Chuck Connors) and Buck's siblings were of the same ilk.
I'm so glad that MGM/UA finally released the widescreen version in 2001. This is a film that deserves such a presence. It may not be playing in theaters anymore but seeing it in any other display size takes so much away from it. I've seen the pan/scan version before and will never go back.
One note. The full listing of writing credits for the film adaptation is lacking. "Ambush In Blanco Canyon," originally serialized in a magazine, was later novelized into "The Big Country" by Donald Hamilton ... and Hamilton also worked on the adaptation as well as Leon Uris ("Topaz," "Exodus," "Gunfight At the OK Corral," etc.).
This epic film was not lacking for anything. It had the best writers, the best actors, the best musical score, and the best scenery of any other film of its time ... western or otherwise. And the film remains one of my favorite films of all time.