"Donna Price" (Gloria Castillo) is a teenage girl who lives with her Aunt Rita (Claire Carlton). The problem is that the man Rita has married, "Mr. Horvath" (Jack Kruschen) is always trying to make a play for Donna. So when Donna decides to get away from Mr. Harvath, by going joy-riding with a young man she hardly knows things begin to take an immediate turn for the worst. She soon realizes that "Vince" (Ed Byrnes) is a violent, hot-headed thug who has stolen the car she is riding in. To complicate matters, Vince kills a pedestrian while trying to evade the law leaving Donna alone to face charges. Fearing for her life if she testifies against Vince, she remains silent and is subsequently sent to a reform school for juvenile delinquents. But even there things begin to get out-of-control. At any rate, rather than reveal what happens next I will just say that this turned out to be a pretty good movie. The acting was decent and there were some attractive young ladies like Yvette Vickers (as "Roxy") and Luana Anders ("Josie") which certainly didn't hurt the overall scenery. I also liked the 50's slang the girls tossed around at every opportunity. Even so, this film may not suit everyone's taste. Slightly above average.
12 Reviews
Its OK
AAdaSC12 July 2009
David (Edward Bymes) steals a car and collects his friends for a night out. However, he runs over a man and then escapes from the scene of the killing leaving Donna (Gloria Castillo) behind. She is warned not to squeal by David and she is sent to Reform School. However, David does not trust that she will keep quiet and is put under pressure to kill Donna by a gangster acquaintance. He sets up Josie (Luana Anders) to be sent to the same Reform School in the belief that her former friend, Donna, has reported her to the police for car-stripping. The idea is for Josie to get even with her former pal and once inside, Josie leads the persecution of Donna .......... Meanwhile, David also takes it upon himself to quieten Donna for good......
The film has some good scenes, eg, when Donna is in her solitary cell and 4 inmates are coming to get her.....you get a sense of imminent danger........suddenly Josie's face appears at the grill staring back at her......Donna is moments away from a serious beating. However, the next part of the scene is a cop-out. The film ends abruptly leaving the audience with unanswered questions, most notably, what are the relationships between the girls and why has the governess gone back on her word and staged another party? There are some funny attempts at acting tough, eg, Roxy (Yvette Vickers) and David's amusing mouth gestures, but the cast act it out well.
Its entertaining while you watch it.
The film has some good scenes, eg, when Donna is in her solitary cell and 4 inmates are coming to get her.....you get a sense of imminent danger........suddenly Josie's face appears at the grill staring back at her......Donna is moments away from a serious beating. However, the next part of the scene is a cop-out. The film ends abruptly leaving the audience with unanswered questions, most notably, what are the relationships between the girls and why has the governess gone back on her word and staged another party? There are some funny attempts at acting tough, eg, Roxy (Yvette Vickers) and David's amusing mouth gestures, but the cast act it out well.
Its entertaining while you watch it.
Entertaining juvenile delinquency melodrama
Red-Barracuda23 January 2015
Donna is a girl who got in with the wrong crowd; so much so that a car she was a passenger in kills an unlucky pedestrian. The driver, a young hoodlum acquaintance of hers, escapes justice and loyal Donna takes the rap, refusing to implicate him she is sent to a reformatory school.
Reform School Girl was released by the B-movie kings AIP in the high days of the drive-in, when the baby boomers were getting old enough to create a large market for teen exploitation schlock. This one was one of the movies that looked at the dangers that those teens faced if they pursued wayward directions in life. It's a juvenile delinquency melodrama that is an early example of a women in prison film. From the late 60's onwards, these types of pictures became staples of the sexploitation genre. Reform School Girl, obviously is considerably tamer than those given it was released in the more innocent 50's. All we get here are a few cat fights, implied lesbianism and a little bit of moderate violence such as an arm stabbed by scissors and a girl smacked on the head by flying baseball bat. But in the main, it's very understated by subsequent standards of the genre; although admittedly the heroine does have to put up with the borderline incestual advances of her aunt's boyfriend earlier on in the movie.
Once the plot-line kicks in, it focuses on the code of silence practiced in the school, with Donna being the victim of group bullying as a result of them wrongly thinking that she is a police informer. It's a pretty serviceable story-line with a reasonable amount of drama. It does end in a somewhat rushed manner though, with Donna escaping a beating by her antagonists on account of them merely being unable to find the right key! The film ties up the loose ends of the plot immediately afterwards in an abrupt and not especially impressive way. But hey ho, it was good while it lasted. The only actor on show that I recognised was Luana Anders, who played one of Donna's tormentors, she appeared a few years later to great effect in Francis Ford Coppola's debut feature Dementia 13.
Reform School Girl was released by the B-movie kings AIP in the high days of the drive-in, when the baby boomers were getting old enough to create a large market for teen exploitation schlock. This one was one of the movies that looked at the dangers that those teens faced if they pursued wayward directions in life. It's a juvenile delinquency melodrama that is an early example of a women in prison film. From the late 60's onwards, these types of pictures became staples of the sexploitation genre. Reform School Girl, obviously is considerably tamer than those given it was released in the more innocent 50's. All we get here are a few cat fights, implied lesbianism and a little bit of moderate violence such as an arm stabbed by scissors and a girl smacked on the head by flying baseball bat. But in the main, it's very understated by subsequent standards of the genre; although admittedly the heroine does have to put up with the borderline incestual advances of her aunt's boyfriend earlier on in the movie.
Once the plot-line kicks in, it focuses on the code of silence practiced in the school, with Donna being the victim of group bullying as a result of them wrongly thinking that she is a police informer. It's a pretty serviceable story-line with a reasonable amount of drama. It does end in a somewhat rushed manner though, with Donna escaping a beating by her antagonists on account of them merely being unable to find the right key! The film ties up the loose ends of the plot immediately afterwards in an abrupt and not especially impressive way. But hey ho, it was good while it lasted. The only actor on show that I recognised was Luana Anders, who played one of Donna's tormentors, she appeared a few years later to great effect in Francis Ford Coppola's debut feature Dementia 13.
Poster art much more tantalizing than sub-par product...
moonspinner554 March 2009
Low-budget crud with a great, campy title and a marvelously-designed graphic poster, instantly calling up nostalgic memories for baby-boomers of the drive-in movie era. Sleazy, hilariously awful melodrama from A.I.P. stars Gloria Castillo as a harried young woman, pawed at by all men, who gets sent to a girls' home where she fights with the other teenagers. Edward Byrnes, 'Kookie' to his "77 Sunset Strip" fans, is odious as a windbreaker-wearing delinquent, although a very green Sally Kellerman (in her debut) isn't too bad as one of the inmates (watch out for those scissors!). Supporting players Jack Kruschen and Luana Anders look properly embarrassed. Remade (sort of) in 1994 for cable TV. *1/2 from ****
Solid, undiscovered drama that sticks to you!
Coventry3 February 2004
A little word in advance: since this producer sadly passed away in 2001, several of his film received a re-release on DVD under the group name `The Samuel Z. Arkoff Library'. Which is actually a good thing because otherwise, many of his productions would be lost and undiscovered forever. The largest part of his film is extremely low-budget horror (The Undead, The war of the colossal beast, Voodoo Women
) and at first sight, this Reform School Girl seems to be a misfit in that collection. Nonetheless, it's a film definitely worth checking out.
Reform School Girl is a raw and intense social drama, which portrays the lesser attractive aspects of humanity. Some of the main topics of the film include betrayal, egocentrism, blackmail, abuse, jealousy and juvenile violence. It's about a young girl who's sent to a reform-institution after being involved in a car accident. The guy she was with threatened to kill her if she would tell his name to the police. Therefore, her lips are sealed and she brought to a closed institution. Yet, even there she has to face that the code' doesn't allow her to speak freely. Disappointed by the whole world, Donna turns into an anti-social and hostile girl who has to rediscover her trust in mankind. Even though the film obviously suffers from a lack of budget and professionalism, it still manages to touch you and leave a huge impression behind. The script contains a few illogical elements (like the uncle who's scared to death because of a phone call by a youngster) but overall, it's fascinating and a much bigger triumph than most overbudgetted drama's that are only out to bring tears to eyes of the viewer by using cheap sentiment and morality lessons. The message' in Reform School Girl is kept limited and the entire atmosphere is strictly dramatic. The acting is surprisingly good considering most cast members are young and inexperienced actresses. Certainly a film worth a look whenever you have the chance of seeing it. It was re-made for the TV-screen in 1994 by Jonathan Kaplan starring Matt Friends' LeBlanc, among other familiar faces.
Reform School Girl is a raw and intense social drama, which portrays the lesser attractive aspects of humanity. Some of the main topics of the film include betrayal, egocentrism, blackmail, abuse, jealousy and juvenile violence. It's about a young girl who's sent to a reform-institution after being involved in a car accident. The guy she was with threatened to kill her if she would tell his name to the police. Therefore, her lips are sealed and she brought to a closed institution. Yet, even there she has to face that the code' doesn't allow her to speak freely. Disappointed by the whole world, Donna turns into an anti-social and hostile girl who has to rediscover her trust in mankind. Even though the film obviously suffers from a lack of budget and professionalism, it still manages to touch you and leave a huge impression behind. The script contains a few illogical elements (like the uncle who's scared to death because of a phone call by a youngster) but overall, it's fascinating and a much bigger triumph than most overbudgetted drama's that are only out to bring tears to eyes of the viewer by using cheap sentiment and morality lessons. The message' in Reform School Girl is kept limited and the entire atmosphere is strictly dramatic. The acting is surprisingly good considering most cast members are young and inexperienced actresses. Certainly a film worth a look whenever you have the chance of seeing it. It was re-made for the TV-screen in 1994 by Jonathan Kaplan starring Matt Friends' LeBlanc, among other familiar faces.
Bad girls
BandSAboutMovies1 April 2021
Warning: Spoilers
Released on a double feature with Shake, Rattle and Rock, Reform School Girl is the story of Donna Price (Gloria Castillo, whose song Joshua Kadison wrote the song "Mother's Arms" about her), a girl in the wrong place who went on the wrong date with the wrong man at the wrong time. He leaves the scene of a hit and run, telling her that he'll kill her if she tells the cops he was there. This leads her to, you know it, reform school.
Meanwhile, that wrong man remains convinced that Donna is going to tell the police what really happened, so he makes it seem like she's a police informant. This leads to a girl on girl battle over a pair of scissors with even badder girl Roxy (Yvette Vickers, whose Playboy Playmate of the Month centerfold for July of 1959 was shot by Russ Meyer).
Reform School Girls is an American-International Pictures film directed by veteran Edward Bernds, who started his career with Three Stooges shorts (he struggled with the first few, as Curly's health was in bad shape and it was difficult to work around) and films in the Blondie, Gasoline Alley and Bowery Boys series. He'd go on to direct Queen of Outer Space, Return of the Fly and 59 episodes of the new Stooges TV show and two of their full-length movies, The Three Stooges Meet Hercules and The Three Stooges In Orbit.
Keep an eye out for Luana Anders (Easy Rider), Diana Darrin (The Incredible Shrinking Man), Edd Byrnes (Vince Fontaine!) and Sally Kellerman in her first acting role.
Meanwhile, that wrong man remains convinced that Donna is going to tell the police what really happened, so he makes it seem like she's a police informant. This leads to a girl on girl battle over a pair of scissors with even badder girl Roxy (Yvette Vickers, whose Playboy Playmate of the Month centerfold for July of 1959 was shot by Russ Meyer).
Reform School Girls is an American-International Pictures film directed by veteran Edward Bernds, who started his career with Three Stooges shorts (he struggled with the first few, as Curly's health was in bad shape and it was difficult to work around) and films in the Blondie, Gasoline Alley and Bowery Boys series. He'd go on to direct Queen of Outer Space, Return of the Fly and 59 episodes of the new Stooges TV show and two of their full-length movies, The Three Stooges Meet Hercules and The Three Stooges In Orbit.
Keep an eye out for Luana Anders (Easy Rider), Diana Darrin (The Incredible Shrinking Man), Edd Byrnes (Vince Fontaine!) and Sally Kellerman in her first acting role.
Not bad at all.
KrystelClaire23 August 2009
I expected a really bad film. The cheesy photograph in the cover of the DVD package didn't announce any great findings. Obviously, the film is low-budget, but this time it didn't equal with terribly bad.
I liked the script. The film had good rhythm, the characters were either extremely good or bad, the action was interesting, there were touches at the psychology of the girls... Many scenes take place at the reform school, but Donna's flat, the courtroom, the flat of Vince's girlfriend, there is even a very short scene at the workplace of the aunt's boyfriend... make it more varied for my taste. I also liked outdoors scenes: the run-over, Vince asking for directions when he's after Jack... I liked them because I don't usually appreciate films which look like theatre plays and all the action happens in just one location.
It's an interesting and probably an underestimated film, which in fact I liked. I didn't know the director, the script-writer, the main actress (Gloria del Castillo, which sadly didn't have much success in Hollywood), but some other actresses would become well-known with time, Luana Anders and especially Sally Kellerman. Maybe they are not at their best here, because they were just beginning their careers, and they'd become much better but everybody has to begin somewhere, and this was a flick to be proud of.
I liked the script. The film had good rhythm, the characters were either extremely good or bad, the action was interesting, there were touches at the psychology of the girls... Many scenes take place at the reform school, but Donna's flat, the courtroom, the flat of Vince's girlfriend, there is even a very short scene at the workplace of the aunt's boyfriend... make it more varied for my taste. I also liked outdoors scenes: the run-over, Vince asking for directions when he's after Jack... I liked them because I don't usually appreciate films which look like theatre plays and all the action happens in just one location.
It's an interesting and probably an underestimated film, which in fact I liked. I didn't know the director, the script-writer, the main actress (Gloria del Castillo, which sadly didn't have much success in Hollywood), but some other actresses would become well-known with time, Luana Anders and especially Sally Kellerman. Maybe they are not at their best here, because they were just beginning their careers, and they'd become much better but everybody has to begin somewhere, and this was a flick to be proud of.
What can we learn from this film?
scsu197524 November 2022
Before getting into a car with Edd "Kookie" Byrnes, ask if it's stolen. Before getting into your bed, check to make sure Yvette Vickers has not placed a snake in it. Before turning your back on Sally Kellerman, make sure she is not holding a baseball bat. Before getting beaten up by everyone for squealing, ask if you're going to get beat up whether you squeal or not. (If the answer is yes, you may as well squeal.) Before signing on to do this picture, fire your agent.
Gloria Castillo plays the title character, a nice girl living with her beyotch of an aunt and step-uncle, played creepily by Jack Kruschen (the uncle, not the aunt). Castillo goes out for a drive with her friends, unaware that the driver (Byrnes) is a thief, a scumbag, a cad, and future sidekick of Efrem Zimbalist Jr. And Roger Smith. After Byrnes tosses Luana Anders and Castillo's date out of the car, he proceeds to mow down a pedestrian. He heads for the hills, leaving Castillo holding the bag.
Speaking of bags (in particular, old ones), Castillo is sent off to the Hastings School for Girls, run by some of the oldest and/or chubbiest dames you will ever see. The school's head is played by Helen Wallace, and the "matron" is played by Dorothy Crehan. I have no idea if Crehan is related to the character actor Joseph Crehan - then again, Dorothy Crehan may be Joseph Crehan in drag.
Castillo more or less manages to fit in. Meanwhile, the new teacher, played by Ross Ford, who is also a practicing psychologist, has some difficulty adjusting to the school. Let's see - a school full of girls (well, there are about ten anyway, including one who looks like Jane Powell) and one man - what could possibly go wrong here? He asks his class to name the decisive battle of the Civil War. "Bunker Hill," is the snide reply. Close. At least they have the country correct. This would earn an A+ in today's classroom.
After Castillo and another girl are caught smooching with a couple of locals in a barn, Ford suggests that the school sponsor a dance, so everything will be out in the open. This is not one of Ford's better ideas. Meanwhile, back at 77 Sunset Strip, Byrnes, who wants to make sure Castillo keeps her trap shut, gets one of his bimbos (a woman listed in the credits as "Blonde") to drop a dime on Anders. Anders winds up at the school and blames Castillo for turning her in. This development suddenly makes the film interesting, even though it's almost over. Castillo is put in solitary after stabbing Kellerman on the arm with scissors. Anders manages to sneak a call out to Byrnes, saying Castillo is ready to spill everything. Byrnes heads for the school, determined to shut Castillo up for good.
The supporting cast is interesting, I must admit. Besides Kellerman (who towers over everyone) and Anders in their film debuts, we get to see perennial town tramp Yvette Vickers without much makeup, and veteran Thomas Jackson (the guy who gunned down Little Caesar ) in a bit part as a judge. The Statue of Liberty appears unbilled. And if you've been dying to see Jack Kruschen in an undershirt and suspenders, your wish has come true.
Gloria Castillo plays the title character, a nice girl living with her beyotch of an aunt and step-uncle, played creepily by Jack Kruschen (the uncle, not the aunt). Castillo goes out for a drive with her friends, unaware that the driver (Byrnes) is a thief, a scumbag, a cad, and future sidekick of Efrem Zimbalist Jr. And Roger Smith. After Byrnes tosses Luana Anders and Castillo's date out of the car, he proceeds to mow down a pedestrian. He heads for the hills, leaving Castillo holding the bag.
Speaking of bags (in particular, old ones), Castillo is sent off to the Hastings School for Girls, run by some of the oldest and/or chubbiest dames you will ever see. The school's head is played by Helen Wallace, and the "matron" is played by Dorothy Crehan. I have no idea if Crehan is related to the character actor Joseph Crehan - then again, Dorothy Crehan may be Joseph Crehan in drag.
Castillo more or less manages to fit in. Meanwhile, the new teacher, played by Ross Ford, who is also a practicing psychologist, has some difficulty adjusting to the school. Let's see - a school full of girls (well, there are about ten anyway, including one who looks like Jane Powell) and one man - what could possibly go wrong here? He asks his class to name the decisive battle of the Civil War. "Bunker Hill," is the snide reply. Close. At least they have the country correct. This would earn an A+ in today's classroom.
After Castillo and another girl are caught smooching with a couple of locals in a barn, Ford suggests that the school sponsor a dance, so everything will be out in the open. This is not one of Ford's better ideas. Meanwhile, back at 77 Sunset Strip, Byrnes, who wants to make sure Castillo keeps her trap shut, gets one of his bimbos (a woman listed in the credits as "Blonde") to drop a dime on Anders. Anders winds up at the school and blames Castillo for turning her in. This development suddenly makes the film interesting, even though it's almost over. Castillo is put in solitary after stabbing Kellerman on the arm with scissors. Anders manages to sneak a call out to Byrnes, saying Castillo is ready to spill everything. Byrnes heads for the school, determined to shut Castillo up for good.
The supporting cast is interesting, I must admit. Besides Kellerman (who towers over everyone) and Anders in their film debuts, we get to see perennial town tramp Yvette Vickers without much makeup, and veteran Thomas Jackson (the guy who gunned down Little Caesar ) in a bit part as a judge. The Statue of Liberty appears unbilled. And if you've been dying to see Jack Kruschen in an undershirt and suspenders, your wish has come true.
Surprisingly good movie
xnet9530 January 2010
Warning: Spoilers
I was expecting some cheesy, low budget, morality infomercial, but this movie was very touching and did a great job of making me care about the main characters, especially Donna. I think Gloria Castillo was a good choice to play Donna. She came across as an all-American girl who found herself in bad situations that became overwhelming. Plus, she was very pretty and easy to look at. This role was similar to her part as Ruby in Night of the Hunter, where she was a lost, teenage orphan that needed to be loved. Anyway, Gloria Castillo's performance really sucked me into Donna's world and made me care about her.
Was this film perfect? No, of course not. Some of the problems I had with it: 1) Why would Donna's uncle be afraid of some young punk - not very realistic? 2) I found the "code of silence" thing to be very frustrating. It was acceptable up to a point, but when you are facing possible death, self-preservation would kick-in and make you say or do anything to stay alive. I couldn't believe that Donna or her friend didn't "squeal" after having a baseball bat thrown at them by Jethrine (Sally Kellerman - boy, did she look AWFUL!). Again, not very realistic. 3) The newspaper article that said Donna was the one who informed the authorities about the blond girl being involved with certain crimes is ridiculous! Think about it - a person tries to be a good citizen and reports a crime and then the newspapers tell the whole world you're an informant! I wasn't alive in 1957, but I seriously doubt this would happen. What would Joe Friday say about that!?!
Was this film perfect? No, of course not. Some of the problems I had with it: 1) Why would Donna's uncle be afraid of some young punk - not very realistic? 2) I found the "code of silence" thing to be very frustrating. It was acceptable up to a point, but when you are facing possible death, self-preservation would kick-in and make you say or do anything to stay alive. I couldn't believe that Donna or her friend didn't "squeal" after having a baseball bat thrown at them by Jethrine (Sally Kellerman - boy, did she look AWFUL!). Again, not very realistic. 3) The newspaper article that said Donna was the one who informed the authorities about the blond girl being involved with certain crimes is ridiculous! Think about it - a person tries to be a good citizen and reports a crime and then the newspapers tell the whole world you're an informant! I wasn't alive in 1957, but I seriously doubt this would happen. What would Joe Friday say about that!?!
Well-dressed cads
Jelevision17 September 2023
What I love about these teen movies from the 1950s:
It doesn't matter how much of a cad you are ... or how much of a criminal you are .. or how poor you are ... or that you're out stealing a car ... or that you are armed with a knife on a murderous mission of vengeance ... or that you're still in high school. ... None of that has to stop you from dressing smartly in a neat sport coat and tie.
This movie is not fine cinema, but it's a fun watch, and does tug at the heart strings.
My one suggestion for the folks who run the reform school: Give the male teacher an office with an interior window.
This film makes be want to travel back in time and see if people in the '50s really dressed that nicely and spent that much of their household income on suit jackets. Or maybe I'll watch this again with my mom and dad and ask them.
This movie is not fine cinema, but it's a fun watch, and does tug at the heart strings.
My one suggestion for the folks who run the reform school: Give the male teacher an office with an interior window.
This film makes be want to travel back in time and see if people in the '50s really dressed that nicely and spent that much of their household income on suit jackets. Or maybe I'll watch this again with my mom and dad and ask them.
"A stool pigeon is the lowest thing there is!"
classicsoncall11 April 2022
Warning: Spoilers
This film has a primarily good reaction from the few reviews of it posted here on IMDb. In the genre of classic cult and exploitation flicks it's probably one of the better ones in terms of story line and the acting isn't too bad. Seventeen year old Donna Price (Gloria Castillo) gets sent to the Hastings School For Girls for what I thought was a pretty flimsy but credible pretext, not ratting out the guy who ran over and killed a pedestrian while she was a passenger in his car. But given her abusive home background and generally uncooperative behavior, the judge who made the decision felt his hands were tied.
Once there, Donna is pretty much accepted by the other girls until a phone call by Vince (Edd Byrnes), the driver of the hit and run car, implicates her in squealing on a friend who was aware of the circumstances surrounding the death of the pedestrian. When Josie Brigg (Luana Anders) arrives at Hastings, Donna finds herself on the receiving end of a series of attacks, the most imaginative being a snake placed in her bed! For her trouble, Donna's only friend Ruth (Jan Englund) gets whacked with a baseball bat requiring stitches. To his credit, psychologist David Lindsay (Ross Ford) attempts a humanistic approach to resolve the issues confronting the troubled girls, but of all the characters in the story, he's the most wooden.
Considering the era, I found much of the dialog to border on the style of the beat generation. My favorite groan inducing line was uttered by Donna's suitor Jackie Dodd (Ralph Reed), who upon meeting her for the first time stated that "Anything I like on a hot day is a cool chick." The finale finds Jackie in a tussle with bad boy Vince when the hoodlum tries to crash his way into Hastings to 'take care of' the girls who could do him in. The resolution of the story absolves Donna of any wrongdoing and restores her reputation, but with no indication as to what lies ahead. A return to her sadistic aunt and abusive uncle would have been out of the question.
Perhaps notable by way of trivia is the first screen appearance of Sally Kellerman, unrecognizable as reform school girl Marcia who gets stabbed in the arm by Donna during one of many spirited confrontations. This was after the 'snake in the bed' trick, so you could understand Donna's nerves being on edge.
Once there, Donna is pretty much accepted by the other girls until a phone call by Vince (Edd Byrnes), the driver of the hit and run car, implicates her in squealing on a friend who was aware of the circumstances surrounding the death of the pedestrian. When Josie Brigg (Luana Anders) arrives at Hastings, Donna finds herself on the receiving end of a series of attacks, the most imaginative being a snake placed in her bed! For her trouble, Donna's only friend Ruth (Jan Englund) gets whacked with a baseball bat requiring stitches. To his credit, psychologist David Lindsay (Ross Ford) attempts a humanistic approach to resolve the issues confronting the troubled girls, but of all the characters in the story, he's the most wooden.
Considering the era, I found much of the dialog to border on the style of the beat generation. My favorite groan inducing line was uttered by Donna's suitor Jackie Dodd (Ralph Reed), who upon meeting her for the first time stated that "Anything I like on a hot day is a cool chick." The finale finds Jackie in a tussle with bad boy Vince when the hoodlum tries to crash his way into Hastings to 'take care of' the girls who could do him in. The resolution of the story absolves Donna of any wrongdoing and restores her reputation, but with no indication as to what lies ahead. A return to her sadistic aunt and abusive uncle would have been out of the question.
Perhaps notable by way of trivia is the first screen appearance of Sally Kellerman, unrecognizable as reform school girl Marcia who gets stabbed in the arm by Donna during one of many spirited confrontations. This was after the 'snake in the bed' trick, so you could understand Donna's nerves being on edge.
Poor Juvenile
Michael_Elliott8 March 2008
Reform School Girl (1957)
* 1/2 (out of 4)
A good but troubled girl gets into a car with a psycho who runs over a man, killing him. The girl refuses to give the psycho's name so she's sent to reform school where she gets into more trouble but thankfully there's a teacher there who wants to help her. There were countless juvenile films released during the 1950s due to the success of Rebel Without a Cause and this one here was one of the more popular ones but it hasn't aged too well. The film is stupid, pointless and rather boring from start to finish, although the film does contain a few campy moments. The performances are all rather bad but this adds a little charm to the film.
* 1/2 (out of 4)
A good but troubled girl gets into a car with a psycho who runs over a man, killing him. The girl refuses to give the psycho's name so she's sent to reform school where she gets into more trouble but thankfully there's a teacher there who wants to help her. There were countless juvenile films released during the 1950s due to the success of Rebel Without a Cause and this one here was one of the more popular ones but it hasn't aged too well. The film is stupid, pointless and rather boring from start to finish, although the film does contain a few campy moments. The performances are all rather bad but this adds a little charm to the film.
See also
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