| Photos (see all 5 | slideshow) |
| Machiko Kyô | ... | Mickey | |
| Aiko Mimasu | ... | Yumeko | |
| Ayako Wakao | ... | Yasumi | |
| Michiyo Kogure | ... | Hanae | |
| Kumeko Urabe | ... | Otane | |
| Yasuko Kawakami | ... | Shizuko | |
| Hiroko Machida | ... | Yorie | |
| Eitarô Shindô | ... | Kurazô Taya | |
| Sadako Sawamura | ... | Tatsuko Taya | |
| Toranosuke Ogawa | ... | Mickey's Father | |
| Bontarô Miyake | ... | Nightwatch | |
| Daisuke Katô | ... | President of Brothel Owners' Association | |
| rest of cast listed alphabetically: | |||
| Kenji Sahara | |||
Directed by | |||
| Kenji Mizoguchi | |||
Writing credits(in alphabetical order) | ||
| Masashige Narusawa | writer | |
| Yoshiko Shibaki | novel "Susaki no Onna" | |
Produced by | |||
| Masaichi Nagata | .... | producer | |
Original Music by | |||
| Toshirô Mayuzumi | |||
Cinematography by | |||
| Kazuo Miyagawa | |||
Film Editing by | |||
| Kanji Sugawara | |||
Production Design by | |||
| Hiroshi Mizutani | |||
Second Unit Director or Assistant Director | |||
| Yasuzo Masumura | .... | assistant director | |
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| The White Countess | Tôkyô monogatari | Umberto D. | Tôkaidô Yotsuya kaidan | Nippon konchuki |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section | Add this title to MyMovies |
A film centering on a brothel in post war Japan, this is the story of the "girls" and how their job affects the rest of their lives. Of course, you're going to get scenes of utter sadness, death and misery, but this film is also, in a few places, darkly comic. Even the musical score is disconcerting, it is avant garde, actually reminding me of Frank Zappa's more esoteric compositions. The individual actresses are amazing, they truly make you wonder, dislike and, in a few quite brilliant exchanges, feel for them. This last film of the great Mizoguchi is a classic, but its a classic that is not always easy to watch. If you think you could become upset about a gritty film about prostitution and the inherent anger, fears and disappointments surrounding it, I would not recommend it. Otherwise, although probably not meant to be Mizoguchi's last film (he passed away fairly young, leaving a stunning body of work), I think you will find this film brilliant & more than likely authentic. A triumph for a director who, in Kurosawa, Ozu and Naruse's time, deserves the accolades afforded to him.