Yôkihi (1955)

User Rating:

7.6/10   

Director:

Kenji Mizoguchi

Writers:

Matsutarô Kawaguchi (writer)
Masashige Narusawa (writer)

Release Date:

17 September 1956 (USA)

Genre:

Drama | History | Romance

Plot:

In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to...

Plot Keywords:

Emperor | Court | Love | Power | China

Awards:

2 wins & 1 nomination

Cast

Machiko Kyô	...	Princess Yang Kwei-fei
Masayuki Mori	...	Emperor Xuan Zong
Sô Yamamura	...	An Lushan
Eitarô Shindô	...	Kao Li-hsi
Eitarô Ozawa	...	Yang Kuo-chung (as Saka Ozawa)
Haruko Sugimura	...	Princess Yen-chun
Yôko Minamida	...	Hung-tao
Bontarô Miyake	...	Chen-Hsuan-li
Tatsuya Ishiguro	...	Li Lin-fu
rest of cast listed alphabetically:
Michiko Ai	...	Honghua
Noboru Kiritachi	...	Cuihua
Osamu Maruyama	...	Li Kuei-nien
Sachiko Murase	...	Chengfei
Chieko Murata	...	Lu-hua
Kinzo Shin	...	Servant
Isao Yamagata	...	Yang Hsien

Also Known As:

Empress Yank Kwei Fei
Joeng Gwaifei (Hong Kong: Cantonese title)
Princess Yang Kwei-fei (USA)
The Empress Yang Kwei Fei

Runtime:

98 min | Argentina:100 min

Country:

Japan | Hong Kong

Language:

Japanese

Colour:

Colour (Eastmancolor)

Sound Mix:

Mono

Certification:

UK:U (2008) | Argentina:13

Company:

Daiei Studios

Movie Connections:

Referenced in Aru eiga-kantoku no shogai (1975)

Sacrifice in Living Colour

Sometimes its a good idea not to read up on a movie before watching it, it can set up an expectation (or lack of it) that interferes with viewing pleasure. In the newly released Masters of Cinema version the critic Tony Raines is highly dismissive in the introduction - calling it dramatically inert and making a few rather pompous and pedantic points about the translation. Donald Richie in his 'Hundred Years of Japanese Film' is similarly dismissive. It is certainly not Mizoguchi's best, it lacks the flair of Ugetsu and the character development of his more contemporary dramas, but I think this movie is far better than the dismissive comments suggest. Maybe its just that Japanese cinema of the period is so fabulously rich that even very good movies can be discounted.

The story is taken from an ancient Chinese legend - of the beautiful concubine of a great emperor, sacrificed for the sins of her family. No doubt the Chinese setting looks rather ludicrous to Chinese viewers (it was originally a co-production with HK based company, but they seem to have had no artistic input), but thats hardly new - even Crouching Dragon, Hidden Tiger was hated by most mandarin speakers I know. And its probably no worse that the Last Samurai or Memoirs of a Geisha appears to the Japanese.

It was Mizuguchi's first colour film - while some commentators have praised the beauty of the camera-work, I must admit I was left a big cold by it - not a patch on (for example) Ozu's first colour experiments. It may be that the blame is the digital colour transfer or just my poor quality screen, but I think its more than that - I get the strong impression the movie was shot on a very tight budget - some of the sets look very fake compared to most Mizoguchi' films I've seen. I don't think the film makers were totally aware of how colour can show up fakery in a way they could get away with using black and white. In fact, the whole movie has a slightly throw away feel, as if Mizoguchi didn't fully have his heart in it. There are lots of opportunities for the sort of big sweeping scene he specialised in, but which aren't taken up here - I would guess that he simply didn't have the time and budget for it.

But I don't mean to criticise this too much - while the script is occasionally clunky, it is usually very moving and beautifully acted. The characters are vivid and while its a little bit much to believe that a great Emperor could be quite such a sappy soul, Mori and Kyo do a reasonable job in making their characters believable - or as believable as possible when translating such an ancient story. Kyo as always is wonderfully watchable. Mori is slightly less successful - he doesn't quite show the steel that much have existed under the cultured exterior of a man who ran an empire.

So while this film is certainly not a masterpiece by Mizoguchi, or one of the best movies of the period, its certainly superior to most contemporary costume dramas and well worth having to while away a rainy Sunday afternoon.