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IMDb > Yôkihi (1955)
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Overview

User Rating:
7.6/10   403 votes
MOVIEmeter: ?
Up 1% in popularity this week. See why on IMDbPro.
Director:
Writers:
Ching Doe (writer)
Matsutarô Kawaguchi (writer)
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Contact:
View company contact information for Princess Yang Kwei-fei on IMDbPro.
Release Date:
17 September 1956 (USA) more
Genre:
Plot:
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to... more | add synopsis
Plot Keywords:
Awards:
2 wins & 1 nomination more
User Reviews:
Good film, beautifully shot and made, but with a typical story... more (5 total)

Cast

  (Credited cast)
Machiko Kyô ... Princess Yang Kwei-fei
Masayuki Mori ... Emperor Xuan Zong
Sô Yamamura ... An Lushan
Eitarô Shindô ... Kao Li-hsi
Eitarô Ozawa ... Yang Kuo-chung (as Saka Ozawa)
Haruko Sugimura ... Princess Yen-chun
Yôko Minamida ... Hung-tao
Bontarô Miyake ... Chen-Hsuan-li
Tatsuya Ishiguro ... Li Lin-fu
rest of cast listed alphabetically:
Michiko Ai ... Honghua
Noboru Kiritachi ... Cuihua
Osamu Maruyama ... Li Kuei-nien
Sachiko Murase ... Chengfei
Chieko Murata ... Lu-hua
Kinzô Shin ... Servant
Isao Yamagata ... Yang Hsien
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Additional Details

Also Known As:
Empress Yank Kwei Fei
Joeng Gwaifei (Hong Kong: Cantonese title)
Princess Yang Kwei-fei (USA)
The Empress Yang Kwei Fei
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Runtime:
98 min | Argentina:100 min
Country:
Language:
Colour:
Colour (Eastmancolor)
Sound Mix:
Certification:
Company:

Fun Stuff

Movie Connections:
Referenced in Aru eiga-kantoku no shogai (1975) more

FAQ

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4 out of 13 people found the following review useful.
Good film, beautifully shot and made, but with a typical story..., 10 February 2006
7/10
Author: ottffsse_sequence from United States

Like with 'Zangiku monogatari', Mizoguchi has made a very beautiful film. The long tracking shots, deep focus editing, and vibrant colors are gorgeous. Yet the story in 'Yang Kwei fei", just like in Mizo's 'Zangiku monogatari' and 'The Crucified Lovers', is very typical and unexceptional. Be prepared to see ideal archetypes of perfectly virtous self-sacrificing women, stupid greedy and cruel men, and did I mention?...the cruelties of feudalism. I think such a simple story set during feudalism is a weakness in this film. It leaves a viewer commonly thinking: feudalism sucks (boy that's new), it's good it's over,...what's next? This is a perfectly valid critique. Mizoguchi's vastly better films are his realistic masterworks from 1036: 'Osaka Elegy' and 'Sisters of the Gion', as well as his late more retrained masterpieces 'Ugetsu', 'Sansho Dayu', and 'Life of Oharu'.

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