Nuit et brouillard (1955)

Director:

Alain Resnais

Writer:

Jean Cayrol (writer)

Release Date:

21 October 1960 (Finland)

Genre:

Documentary | Short | History | War

Plot:

The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.

Plot Keywords:

Concentration Camp | Nazi | Death Camp | Poland | Violence

Awards:

1 win & 1 nomination

Cast

Michel Bouquet	...	Récitant / Narrator (uncredited)
Reinhard Heydrich	...	Himself (behind Hitler) (archive footage) (uncredited)
Heinrich Himmler	...	Himself (with Hitler) (archive footage) (uncredited)
Adolf Hitler	...	Himself (views parade) (archive footage) (uncredited)
Julius Streicher	...	Himself (makes speech) (archive footage) (uncredited)

Also Known As:

Night and Fog

Runtime:

32 min

Country:

France

Language:

French

Colour:

Black and White | Colour

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Brazil:18 | Iceland:16 | Portugal:M/12 | Singapore:NC-16 | Australia:M | Italy:T | Finland:K-16 | UK:15

Company:

Argos Films

Trivia:

The title refers to a strategy instigated by Himmler in December 1941 that helped propagate the fear of the Third Reich. Anyone caught resisting the Nazi occupiers would be arrested and then immediately whisked off to the camps in such a way that they would vanish without a trace, "into the night and fog".

Quotes:

Récitant/Narrator: Those of us who pretend to believe that all this happened at a certain time and in a certain place, and those who refuse to see, who do not hear the cry to the end of time.

Movie Connections:

Referenced in Kristina Talking Pictures (1976)

Devastating in its impact

Called the "greatest film of all time" by director Francois Truffaut, the documentary Night and Fog by Alain Resnais shows the holocaust tragedy in all its horror. Though only thirty minutes in length, the film is devastating in its impact, so approach with caution. Night and Fog refers to the arrival of prisoners in Auschwitz under the cover of darkness and also the ultimate failure of the Nazis at Nuremberg to take responsibility for it. Written by Jean Cayrol, a holocaust survivor, and poetically narrated by Michel Bouquet, its gruesome images seem like a surreal nightmare.

The film opens in 1955 with an image of a barren field of grass with lush romantic music in the background. The scene then abruptly shifts to wartime. We are in Auschwitz and the prisoners are arriving. We are shown scenes shot after liberation that are so shocking that they have never been made public outside of this film. Resnais does not spare us: the hair shaved off the heads of women piled high on the floor, bodies -- men -women - children -- are tossed in a garbage pit like so much rubbish, their fat used to make soap. The film only lasts a short time, but the images remain indelible. Unwillingness to acknowledge responsibility is depicted in brief scenes of the Nuremberg Trials. As we witness the conscious distortion of the past still going on today, we are left numb.