The Night of the Hunter (1955)

User Rating:

8.2/10   

Director:

Charles Laughton

Writers:

Davis Grubb (novel)
James Agee (screenplay)

Release Date:

24 November 1955 (Argentina)

Genre:

Drama | Film-Noir | Thriller

Tagline:

The wedding night, the anticipation, the kiss, the knife, BUT ABOVE ALL... THE SUSPENSE!

Plot:

A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid $10,000 he'd stolen in a robbery.

Plot Keywords:

Money | Widow | Children | Preacher | Religious Fanatic

Awards:

1 win

US TV Schedule:

Sat. Nov. 14

3:30 AM

TCM

Cast

Robert Mitchum	...	Harry Powell
Shelley Winters	...	Willa Harper
Lillian Gish	...	Rachel Cooper
James Gleason	...	Birdie Steptoe
Evelyn Varden	...	Icey Spoon
Peter Graves	...	Ben Harper
Don Beddoe	...	Walt Spoon
Billy Chapin	...	John Harper
Sally Jane Bruce	...	Pearl Harper
Gloria Castillo	...	Ruby (as Gloria Castilo)

Runtime:

92 min

Country:

USA

Language:

English

Colour:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Finland:K-16 (1959) (cut) | South Korea:15 (2003) | Brazil:14 | Argentina:13 | Australia:M | Canada:14A (video rating) | Finland:(Banned) (1955) | Norway:16 | Portugal:M/12 | Sweden:15 | UK:12 | USA:Approved (certificate #17385) | West Germany:12 | UK:X (original rating)

Filming Locations:

CBS Studio Center - 4024 Radford Avenue, Studio City, Los Angeles, California, USA

Company:

Paul Gregory Productions

Trivia:

So disappointed was he by the poor reception of this film on its initial release both critically and commercially, Charles Laughton vowed never to direct a film again, and he never did. The film he was planning to direct next was going to be a screen adaptation of "The Naked and the Dead."

Goofs:

Continuity: When Harry and Willa are talking on the riverside, he has his arms crossed, with his left hand touching his right arm and his right hand holding the hat leaned on his left folded leg. Between shots he appears with his left hand leaning on his leg and his right hand free holding the hat.

Quotes:

[Pearl reaches to touch Powell's switchblade]
Rev. Harry Powell: No, no! Don't you touch that, little lamb. Don't touch my knife, that makes me mad. That makes me very, very mad.

Movie Connections:

Featured in AFI's 100 Years... 100 Thrills: America's Most Heart-Pounding Movies (2001) (TV)

Soundtrack:

Dream, Little One, Dream

Very atmospheric thriller

Just before John Harper's father is captured by police, he tells his son where he has hidden the money. While in prison for his crime, he sleep talks and betrays himself to the religiously unhinged Rev Harry Powell. Powell leaves jail with Harper dead in his cell and sets out to infiltrate the family and get the money. However, when he kills John's mother, he and his sister go on the run from him.

One of these `hindsight is 20/20' films that gains a reputation with time, this film deserves the praise in gets in many areas and deserve to be very fondly remembered, or at least a lot more fondly than it was received by critics and audiences of the time. The plot is basic but full of religious imagery that works very well, whether it's Powell's twisted preacher or the runs of scripture that many of the characters cling to. The film presents itself with a very strong tone of foreboding and darkness that makes the material (and characters) feel more dangerous.

Most of the credit for this belongs with Laughton as director, who uses shadow really well and frames the film with clever shots. Some that come to mind is the shadow of Powell on his horse on the horizon, or the woman in the car underwater and so on. It stills feels clever and inventive now so it must have been seen as very different in the fifties. How he didn't win an Oscar, I'm not sure – wonder what else was up in this year.

Mitchum is tremendous in the title role, his role is larger than life and was also slightly playing with fire in it's portrayal as a reverend as corrupt or evil. Chapin is really wonderful as young John and has a much better character than some of the others in the cast. Winters is good in her performance. The only downside of the film is the 10 minutes at the end which feel like they are a happy ending that has just been tacked on and doesn't fit with the tone of the film.

Other than that, this is a very strong film in terms of theme, plot, acting and cinematography. It deserves more than it got at the time and I'm glad that modern audiences are finding this film all the time.