| Photos (see all 27 | slideshow) | Videos (see all 3) |
| Robert Mitchum | ... | Harry Powell | |
| Shelley Winters | ... | Willa Harper | |
| Lillian Gish | ... | Rachel Cooper | |
| James Gleason | ... | Birdie Steptoe | |
| Evelyn Varden | ... | Icey Spoon | |
| Peter Graves | ... | Ben Harper | |
| Don Beddoe | ... | Walt Spoon | |
| Billy Chapin | ... | John Harper | |
| Sally Jane Bruce | ... | Pearl Harper | |
| Gloria Castillo | ... | Ruby (as Gloria Castilo) | |
| rest of cast listed alphabetically: | |||
| Corey Allen | ... | Young Man in Town (uncredited) | |
| Paul Bryar | ... | Bart the Hangman (uncredited) | |
| Cheryl Callaway | ... | Mary (uncredited) | |
| Michael Chapin | ... | Ruby's Boyfriend (uncredited) | |
| Mary Ellen Clemons | ... | Clary (uncredited) | |
| Kathy Garver | ... | Child (uncredited) | |
| James Griffith | ... | District Attorney (uncredited) | |
| John Hamilton | ... | Townsman Who Greets Rachel (uncredited) | |
| Kay Lavelle | ... | Miz Cunninghan (uncredited) | |
| Gloria Pall | ... | Burlesque Dancer (uncredited) | |
| George Wallace | ... | (uncredited) | |
Directed by | |||
| Charles Laughton | |||
| Robert Mitchum | (uncredited) | ||
Writing credits | ||
| Davis Grubb | (novel) | |
| James Agee | (screenplay) | |
| Charles Laughton | screenplay contributor (uncredited) | |
Produced by | |||
| Paul Gregory | .... | producer | |
Original Music by | |||
| Walter Schumann | (music by) | ||
Cinematography by | |||
| Stanley Cortez | (photography by) | ||
Film Editing by | |||
| Robert Golden | |||
Casting by | |||
| Millie Gusse | (uncredited) | ||
Art Direction by | |||
| Hilyard M. Brown | (as Hilyard Brown) | ||
Set Decoration by | |||
| Alfred E. Spencer | (as Al Spencer) | ||
Makeup Department | |||
| Don L. Cash | .... | make-up (as Don Cash) | |
| Kay Shea | .... | hair stylist | |
Production Management | |||
| Ruby Rosenberg | .... | production manager | |
| Frank Parmenter | .... | production manager: second unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Milton Carter | .... | assistant director | |
| Frank Parmenter | .... | second unit director (uncredited) | |
| Terry Sanders | .... | second unit director (uncredited) | |
| Jack Sonntag | .... | first assistant director (uncredited) | |
Art Department | |||
| Joe LaBella | .... | property man (as Joe La Bella) | |
Sound Department | |||
| Stanford Houghton | .... | sound (as Stanford Naughton) | |
Special Effects by | |||
| Louis DeWitt | .... | special photographic effects (as Louis De Witt) | |
| Jack Rabin | .... | special photographic effects | |
Camera and Electrical Department | |||
| Seymour Hoffberg | .... | assistant camera (uncredited) | |
| Harold E. Wellman | .... | camera: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Jerry Bos | .... | wardrobe | |
| Evelyn Carruth | .... | assistant wardrobe | |
Music Department | |||
| Arthur Morton | .... | orchestrator (uncredited) | |
Other crew | |||
| Saul Bass | .... | publicist (uncredited) | |
| Robert Mitchum | .... | director: children (uncredited) | |
| Denis Sanders | .... | unspecified assistant (uncredited) | |
| Terry Sanders | .... | unspecified assistant (uncredited) | |
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| Gone with the Wind | Novecento | Die Blechtrommel | L'albero degli zoccoli | Deadly Is the Female |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
'The Night Of The Hunter' is recognized by most critics and hard core film buffs as one of the most extraordinary movies ever made, but sadly it's still frequently overlooked by the many movie fans, probably because it's so difficult to categorize. Yes, it's a thriller but it's also a child's nightmare. A Noir but also a fable. Robert Mitchum gives one of his very best performances as Harry Powell, the charming but evil preacher with "love" tattooed on one hand, "hate" on the other. Powell is one of the most memorable screen villains of all time, and 'The Night Of The Hunter' is worth watching just for Mitchum, who is mesmerizing. Shelley Winters is surprisingly effective as the widow Powell woos, Peter Graves has a small role at the beginning as her first husband, and Lillian Gish plays the saintly Ms. Cooper, guardian of unwanted children. Because this movie isn't set in isn't the "real world" many viewers don't know exactly how to react to it. Charles Laughton's small town America is a stylized, dreamlike place, in some ways not unlike David Lynch's twisted world depicted in 'Blue Velvet' and 'Twin Peaks'. It also reminds me of Flannery O'Connor's Gothic South in her classic novels 'Wise Blood' and 'The Violent Bear It Away'. Some of the scenes involving Powell menacing Winters' children deliberately invoke James Whale's 'Frankenstein', and the sequence depicting the children's journey down the river is charming but blatantly artificial. While I'm a big fan of "outsider" film makers like Russ Meyer, Coffin Joe and Alejandro Jodorowsky, I also greatly admire those who work within the system but still manage to subvert Hollywood with doses of surrealism. I'm thinking of movies such as 'Kiss Me Deadly', 'Shock Corridor' and 'The Manchurian Candidate'. Each of these films are unique but they also remind me of each other and of 'The Night Of The Hunter'. I highly recommend them all and wish that there were a lot more movies like them today. 'The Night Of The Hunter' is essential viewing for anybody interested in American movies!