Roman Holiday (1953)

User Rating:

8.1/10   

Director:

William Wyler

Writers (WGA):

Dalton Trumbo (story) (front Ian McLellan Hunter)
Ian McLellan Hunter (screenplay) ...

Release Date:

2 September 1953 (USA)

Genre:

Drama | Romance

Tagline:

Audrey Hepburn at her Oscar-winning best in an immortal comedy-romance!

Plot:

A bored and sheltered princess escapes her guardians and falls in love with an American newsman in Rome.

Plot Keywords:

Princess | American | Press Conference | Editor | Delivery Truck

Awards:

Won 3 Oscars. Another 5 wins & 11 nominations

Cast

Gregory Peck	...	Joe Bradley
Audrey Hepburn	...	Princess Ann
Eddie Albert	...	Irving Radovich
Hartley Power	...	Mr. Hennessy
Harcourt Williams	...	Ambassador
Margaret Rawlings	...	Countess Vereberg
Tullio Carminati	...	Gen. Provno
Paolo Carlini	...	Mario Delani
Claudio Ermelli	...	Giovanni
Paola Borboni	...	Charwoman
Alfredo Rizzo	...	Cab Driver
Laura Solari	...	Secretary
Gorella Gori	...	Shoe Seller
Heinz Hindrich	...	Dr. Bonnachoven
John Horne	...	Master of Ceremonies

Runtime:

118 min | Portugal:117 min (cut version)

Country:

USA

Language:

English | Italian

Colour:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

West Germany:12 (f) (original rating) | West Germany:6 (f) (re-rated) | South Korea:All | Argentina:Atp | Australia:G | Canada:G | Chile:TE | Finland:S | Sweden:Btl | USA:Approved (PCA #16114) | UK:U | USA:Passed

Filming Locations:

Bocca della Verita "Mouth of Truth", Church of Santa Maria in Cosmedin, Piazza Bocca della Verita, Rome, Lazio, Italy

Company:

Paramount Pictures

Trivia:

The story was originally optioned by Frank Capra in 1949, who had hoped to cast Cary Grant and Elizabeth Taylor in what would essentially amount to being a variation on his Oscar-winning classic, It Happened One Night (1934). However, Capra's Liberty Films production company was beset with financial problems and he was forced to sell the property to Paramount where a combination of political timidity (Capra discovered the involvement of blacklisted writer Dalton Trumbo) and a tight budget prompted him to withdraw from the project. William Wyler however had no compunctions whatsoever about working with Trumbo.

Goofs:

Audio/visual unsynchronized: After Joe rolls Ann out of his bed onto the couch, Ann mumbles, "So happy." However, her mouth doesn't move.

Quotes:

Irving Radovich: Hey, er, anybody ever tell you you're a dead ringer for...
[Joe kicks him under the table]
Irving Radovich: Ow! Well, I guess I'll be going!
Joe Bradley: Oh, don't do a thing like that, Irving. Sit down, join us, join us.
Irving Radovich: Well, just till Francesca gets here.
Princess Ann: Tell me, Mr. Radovich, what is a ringer?
Joe Bradley: Oh. Er, it's an American term, and it means anybody who has a great deal of charm.
Princess Ann: Oh. Thank you.
Irving Radovich: [confused] You're welcome.

Movie Connections:

Featured in Elizabethtown (2005)

Lyrical relic of a vanished civilization

This charming comedy is justly famous as the film that made the whole world fall in love with Audrey Hepburn and half the world want to run out and buy a Vespa scooter. Hepburn was always beguiling, but in some of her later roles she tended to overplay the winsomeness. Here every note she hits is just about perfect.

And speaking of notes, pay special attention to the score by the great Georges Auric. If the film had been produced in the manner of modern romantic comedies, the sound track would have been larded with pop hits by Perry Como, Dinah Shore, and Frankie Laine, which would have done an awful lot to destroy the magic. Instead Auric's complex, vibrant, evocative music complements the story's inherent lyricism without upstaging it. In an era of bombastic film scoring, this seems a miracle.

Someone once said that Audrey Hepburn's was the beauty of possibility and transformation -- she was always in motion, always becoming something else. "Roman Holiday" is very much of a piece with that notion. On the surface, the film is about a princess who disguises herself as a "commoner". But in truth she's actually pretending to be a princess, at least at first. She finally becomes authentic -- is transformed and prepared to deal with her destiny -- only through the ennobling power of love and sacrifice. That's one heck of a mythic subtext and does a lot to explain "Roman Holiday's" enduring power.