Directed by
| Charles Crichton | ||
Writing Credits
| Charles Neilson Gattey | ... | (story) and |
| Zelma Bramley Moore | ... | (story) (as Zelma Bramley-Moore) |
| Harry Kurnitz | ... | (screenplay) |
| Monja Danischewsky | ... | (additional dialogue and scenes) |
Cast (in credits order) verified as complete
Produced by
| Michael Balcon | ... | executive producer |
| Monja Danischewsky | ... | producer |
Music by
| Benjamin Frankel | ||
Cinematography by
| Douglas Slocombe | ... | director of photography |
Editing by
| Seth Holt | ||
Production Design by
| Thomas N. Morahan | ... | (as Tom Morahan) |
Costume Design by
| Anthony Mendleson | ||
Makeup Department
| Barbara Barnard | ... | hair stylist |
| Harry Frampton | ... | makeup artist |
| Harry Wilton | ... | makeup artist (as H. Wilton) |
Production Management
| Hal Mason | ... | production supervisor |
| Jack Rix | ... | unit production manager |
Second Unit Director or Assistant Director
| Norman Priggen | ... | assistant director |
| Christopher Barry | ... | assistant director (uncredited) |
Art Department
| Tony Rimmington | ... | draughtsman (uncredited) |
Sound Department
| Arthur Bradburn | ... | recordist |
| Stephen Dalby | ... | sound supervisor |
| Rex Hipple | ... | sound re-recordist (uncredited) |
Special Effects by
| Sydney Pearson | ... | special effects |
Visual Effects by
| Geoffrey Dickinson | ... | special processes |
Stunts
| Peter Diamond | ... | stunts (uncredited) |
Camera and Electrical Department
| Jeff Seaholme | ... | camera operator |
Editorial Department
| Joan Bridge | ... | color consultant: Technicolor |
| Jim Clark | ... | second assistant editor (uncredited) |
Location Management
| Carlo Lastricati | ... | location assistant |
| Arthur Oliver | ... | location manager |
Music Department
| Dock Mathieson | ... | musical director |
Script and Continuity Department
| Felicia Manheim | ... | continuity |
Additional Crew
| Freddie Carpenter | ... | dances arranged by |
| Yvonne Homan | ... | publicity secretary (uncredited) |
