Turner Classic Movies' look at Arabs in Hollywood movies continues this evening with six movies. Why exactly Gabriel Pascal's film adaptation of George Bernard Shaw's Caesar and Cleopatra (1945) is one of the six, I don't know. Caesar was a Roman-born emperor; Cleopatra, a descendant of Greek royalty, was an Egyptian queen long before the Arab conquest of Egypt. Now, I may be puzzled about its inclusion, but Caesar and Cleopatra is very much worth watching chiefly thanks to Claude Rains' brilliant performance as the first half of the title role and Vivien Leigh's highly theatrical but enjoyable star turn as the second half of the title role. Kismet (1944) would have been more enjoyable had it been directed by Henry Hathaway, Michael Curtiz, Frank Lloyd, or even Lloyd Bacon. William Dieterle, best known for several ponderous Warner Bros. biopics of the '30s, had a heavy hand...
- 7/20/2011
- by Andre Soares
- Alt Film Guide
Singer and Hollywood star best known for her roles in MGM musicals of the 1940s and 50s
When coloratura soprano Kathryn Grayson, who has died aged 88, sang five songs, including an aria from La Traviata, in MGM's all-star patriotic parade, Thousands Cheer (1943), she began her 10-year reign as the prima donna of Hollywood. With her china-doll features, little turned-up nose and patrician manner, Grayson raised the tone of more than a dozen musicals. Although opera managers did not beat a path to her door, her clear, slightly shrill, small voice carried well on film in popular classics and operatic scenes.
Her classical training led her not to the opera house, but to the radio, in particular The Eddie Cantor Show, on which she was discovered by an MGM talent scout at the age of 18 in 1940. In the same year, she married the minor film actor John Shelton.
In her first film,...
When coloratura soprano Kathryn Grayson, who has died aged 88, sang five songs, including an aria from La Traviata, in MGM's all-star patriotic parade, Thousands Cheer (1943), she began her 10-year reign as the prima donna of Hollywood. With her china-doll features, little turned-up nose and patrician manner, Grayson raised the tone of more than a dozen musicals. Although opera managers did not beat a path to her door, her clear, slightly shrill, small voice carried well on film in popular classics and operatic scenes.
Her classical training led her not to the opera house, but to the radio, in particular The Eddie Cantor Show, on which she was discovered by an MGM talent scout at the age of 18 in 1940. In the same year, she married the minor film actor John Shelton.
In her first film,...
- 2/20/2010
- by Ronald Bergan
- The Guardian - Film News
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