"Hallmark Hall of Fame" (1951)TV series 1951-????

Directors:

David Greene
Robert E. Collins
(more)

Writers:

Agnes Nixon (writer) (1952-1953)
George Schaefer (writer) (episode)
(more)

Seasons:

1 | 2 | 20 | unknown

Release Date:

24 December 1951 (USA)

Plot:

Probably the longest-running anthology series on television, the "Hallmark Hall of Fame" has been presenting television dramatizations of famous plays and books, as well as original programs especially written for the series, since 1951.

Plot Keywords:

Company Sponsor Name In Title | Anthology

Awards:

Nominated for Golden Globe. Another 18 wins & 25 nominations

Cast

Sarah Churchill	...	Aimee De Rivery / ... (17 episodes, 1952-1955)
Maurice Evans	...	Narrator / ... (16 episodes, 1953-1967)
Mildred Trares	...	Alexandra / ... (11 episodes, 1956-1966)
Norman Barrs	...	English Officer / ... (10 episodes, 1953-1968)
Julie Harris	...	Anastasia / ... (9 episodes, 1956-1967)
Lee Vines	...	Announcer (8 episodes, 1952-1968)
Robinson Stone	...	"Baptista" / ... (8 episodes, 1956-1967)
Alexander Campbell	...	Covin / ... (7 episodes, 1952-1955)

(more)

Series Directed by
George Schaefer		(55 episodes, 1954-1969)
William Corrigan		(7 episodes, 1952)
Albert McCleery		(6 episodes, 1952-1955)
Kirk Browning		(3 episodes, 1951-1958)
Fielder Cook		(3 episodes, 1969-1976)
Jeannot Szwarc		(2 episodes, 1973-1975)
Robert E. Collins		(unknown episodes)
Clive Donner		(unknown episodes)
David Greene		(unknown episodes)
Sid Smith		(unknown episodes)
Michael Tuchner		(unknown episodes)
Herbert Wise		(unknown episodes)

Series Writing credits
Robert Hartung		(11 episodes, 1959-1968)
Jean Holloway		(7 episodes, 1952)
Helene Hanff		(7 episodes, 1953-1954)
Gian Carlo Menotti		(5 episodes, 1951-1954)
Rod Serling		(4 episodes, 1952-1953)
William Shakespeare		(4 episodes, 1953-1970)
George Bernard Shaw		(4 episodes, 1956-1976)
Maxwell Anderson		(3 episodes, 1959-1968)
Meyer Dolinsky		(2 episodes, 1955)
Peter Kortner		(2 episodes, 1955)
Lillian Hellman		(2 episodes, 1956-1957)
James Costigan		(2 episodes, 1957-1964)
Jean Anouilh		(2 episodes, 1957-1961)
Theodore Apstein		(2 episodes, 1959-1961)
Henry Denker		(2 episodes, 1961-1970)
John Edward Friend		(2 episodes, 1967-1968)
Paul Gallico		(2 episodes, 1973-1975)
George Schaefer		(1 episode, 1954)
Agnes Nixon		(unknown episodes, 1952-1953)

Series Produced by
George Schaefer	....	producer / executive producer (13 episodes, 1958-1968)
Maurice Evans	....	producer (3 episodes, 1954-1956)
Samuel Chotzinoff	....	producer (2 episodes, 1951-1952)
Robert Hartung	....	producer (2 episodes, 1968-1969)
Phil C. Samuel	....	producer (1 episode, 1954)

Series Original Music by
Gian Carlo Menotti		(5 episodes, 1951-1954)
Richard Addinsell		(3 episodes, 1954-1960)
Bernard Green		(3 episodes, 1966-1969)
Jerry Goldsmith		(unknown episodes)

Series Cinematography by
Freddie Young		(1 episode, 1954)
Paul Beeson		(1 episode, 1976)
Jack Hildyard		(1 episode, 1976)

Series Film Editing by
Ralph Kemplen		(1 episode, 1954)
Frederick Wilson		(1 episode, 1976)

Series Production Design by
Jan Scott		(2 episodes, 1955-1956)

Series Art Direction by
Edward Carrick		(1 episode, 1954)
Rouben Ter-Arutunian		(1 episode, 1957)
Jan Scott		(1 episode, 1967)
James Trittipo		(1 episode, 1969)
Elliot Scott		(1 episode, 1976)
Roy Christopher		(1 episode, 1977)

Series Costume Design by
Beatrice Dawson		(1 episode, 1954)
Noel Taylor		(1 episode, 1956)
Albert Wolsky		(1 episode, 1976)

Series Makeup Department
Bob Lawrance	....	makeup artist (1 episode, 1954)
Del Acevedo	....	makeup artist: George C Scott (1 episode, 1976)
John Chambers	....	makeup artist (1 episode, 1976)
Wally Schneiderman	....	makeup artist (1 episode, 1976)
Daniel C. Striepeke	....	makeup artist (1 episode, 1976)

Series Production Management
John Comfort	....	production manager (1 episode, 1976)

Series Second Unit Director or Assistant Director
David Tringham	....	assistant director / second unit director (1 episode, 1976)

Series Sound Department
Paul Carr	....	dubbing mixer (1 episode, 1976)
Alfred Cox	....	dubbing editor (1 episode, 1976)
George Stephenson	....	sound recordist (1 episode, 1976)

Series Camera and Electrical Department
Billy Merrell	....	electrician (1 episode, 1976)

Series Animation Department
Jim Danforth	....	animation producer: main title sequence (unknown episodes)

Series Music Department
Bernard Green	....	conductor / musical director (2 episodes, 1958-1966)
Muir Mathieson	....	musical director (1 episode, 1960)

Series Other crew
Alan Cassie	....	assistant air director (1 episode, 1976)
Frank Caden	....	stage manager (unknown episodes)

Production Companies

• Hallmark Hall of Fame Productions

Distributors

• CBS Television (1979-1981)
• CBS Television (1982-) (USA) (TV)
• National Broadcasting Company (NBC) (1951-1979)
• Public Broadcasting Service (PBS) (1981)

Also Known As:

Hallmark Television Playhouse

Runtime:

USA:150 min (one episode) | USA:30 min (1951-1952) | USA:45 min (one episode) | USA:100 min (some episodes) | USA:85 min (some episodes)

Country:

USA

Language:

English

Colour:

Black and White | Colour

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono (1951-1980) | Stereo (1980-)

Company:

Hallmark Hall of Fame Productions

Trivia:

The show won every major award in broadcasting, becoming the "gold-standard" of American Television.

Movie Connections:

Referenced in "Mystery Science Theater 3000: The Touch of Satan (#10.8)" (1998)

Sad deterioration of a once-great anthology series

I have been watching this anthology series since the early 1960's. It was once one of the greatest television programs ever produced, a guarantee of quality television every single time.

The earlier version of the series, which lasted from 1951 to approximately the early 1970's, presented live, and later videotaped, productions of both high-quality recent plays as well as 90-minute versions of Shakespeare's works and other stage classics. They featured renowned stage and screen actors who, at that time, made extremely rare television appearances, so there was always a special air of excitement about the whole thing. The plays were always performed on what would now be considered "cheesy" sets--obviously studio-built, sometimes deliberately artificial, but still quite good-looking. And of course, there was the acting-every single program showcased at least one memorable performance, some so memorable that they are still talked about (Julie Harris' Queen Victoria in "Victoria Regina", for instance).

With the change in tastes and in method of presentation, and an increase in the budget, the "Hallmark Hall of Fame" began filming their programs on location, beginning in the early 1970's. Some of the episodes, such as the television remakes of "The Small Miracle" and "Little Lord Fauntleroy", and Glenn Close's Emmy-winning "Sarah, Plain and Tall", were still quite good, though not on the level of the earlier ones. But over the last few years, this series has deteriorated into a collection of mostly totally forgettable original dramas that don't even begin to approach the level of the glory days of this show. It has become so bad that I have stopped watching it altogether, and the fact that Hallmark is willing to let this once great program go to pot is a sad commentary on commercially-minded television executives. Thank God that Hallmark has now turned its attention to the excellent series of literary classics which show up from time to time on Turner Network Television. THOSE are programs which remind us what the "Hallmark Hall of Fame" used to be.

About fifteen years ago, there was a series that aired on local late-night television with the title "George Schaefer Showcase Theatre". Imagine my shock when I discovered that this series, relegated to syndicated TV limbo, consisted of some of the greatest presentations that the "Hallmark Hall of Fame" has ever aired! That any local TV station would dump these programs in a late-night time slot and pass them off as forgotten old movies is the ultimate indignity. Someone should revive and remaster those classic episodes and show them regularly, in prime time, over and over, as a reminder of our television past. Modern day TV executives could use such a reminder.