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Strangers on a Train
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Strangers on a Train (1951) More at IMDbPro »

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Strangers on a Train (1951) -- A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder... a theory which he plans to implement.
Strangers on a Train (1951) -- Trailerfan.com - Trailer (Flash)

Overview

User Rating:
MOVIEmeter: ?
Down 1% in popularity this week. See why on IMDbPro.
Director:
Writers:
Raymond Chandler (screenplay) and
Czenzi Ormonde (screenplay) ...
(more)
Contact:
View company contact information for Strangers on a Train on IMDbPro.
Release Date:
3 July 1951 (USA) more
Tagline:
A girl in love with young America's idol--and a good-looking stranger in search of sensation--that's how it all began..! Warner Bros. bring a pounding new tempo to motion picture entertainment! more
Plot:
A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder...a theory that he plans to implement. full summary | add synopsis
Plot Keywords:
Awards:
Nominated for Oscar. Another 1 nomination more
NewsDesk:
(11 articles)
User Reviews:
One of Hitchcock's finest achievements more (192 total)

Cast

  (in credits order) (verified as complete)
Farley Granger ... Guy Haines
Ruth Roman ... Anne Morton
Robert Walker ... Bruno Anthony
Leo G. Carroll ... Sen. Morton
Patricia Hitchcock ... Barbara Morton
Kasey Rogers ... Miriam Joyce Haines (as Laura Elliott)
Marion Lorne ... Mrs. Anthony
Jonathan Hale ... Mr. Anthony
Howard St. John ... Police Capt. Turley
John Brown ... Prof. Collins
Norma Varden ... Mrs. Cunningham
Robert Gist ... Leslie Hennessy
rest of cast listed alphabetically:
Joel Allen ... Policeman (uncredited)
Murray Alper ... Boatman (uncredited)
Monya Andre ... Dowager (uncredited)
Brooks Benedict ... Tennis umpire (uncredited)
Al Bridge ... Tennis judge (uncredited)
John Butler ... Blind man (uncredited)
Leonard Carey ... Anthonys' butler (uncredited)
Edward Clark ... Miriam's boss (uncredited)
Jack Cushingham ... Fred Reynolds (uncredited)
John Daheim ... Detective at merry-go-round (uncredited)

John Doucette ... Det. Hammond (uncredited)
Roy Engel ... Policeman (uncredited)
Herbert Evans ... Party guest (uncredited)
Franklyn Farnum ... Party guest (uncredited)
Tommy Farrell ... Miriam's boyfriend (uncredited)
Sam Flint ... Train passenger requesting light (uncredited)
Edward Hearn ... Lt. Campbell (uncredited)
Al Hill ... Carnival game proprietor (uncredited)
Harry Hines ... Man under merry-go-round (uncredited)

Alfred Hitchcock ... Man boarding train carrying a double bass (uncredited)
Mary Alan Hokanson ... Secretary (uncredited)
Edna Holland ... Mrs. Joyce (uncredited)
J. Louis Johnson ... Mortons' butler (uncredited)
Mike Lally ... Detective at carnival (uncredited)
Perc Launders ... Police desk sergeant (uncredited)
Louis Lettieri ... Boy with balloon (uncredited)
Charles Marsh ... Bystander at drain (uncredited)
Paul McGuire ... Man on train (uncredited)

David McMahon ... Bystander at drain (uncredited)
Charles Meredith ... Judge Donahue (uncredited)
Ralph Moody ... Seedy man at carnival (uncredited)
Roland Morris ... Miriam's boyfriend (uncredited)
Odette Myrtil ... Madame Darville (uncredited)
Paul Panzer ... Bystander at merry-go-round (uncredited)
Minna Phillips ... Dowager (uncredited)
Georges Renavent ... Monsieur Darville (uncredited)
Dick Ryan ... Minister (uncredited)
Charles Sherlock ... Cop (uncredited)
Janet Stewart ... Girl (uncredited)
Shirley Tegge ... Girl (uncredited)
Laura Treadwell ... Mrs. Anderson (uncredited)
Howard Washington ... Waiter on train (uncredited)
Dick Wessel ... Bill (uncredited)
Robert Williams ... Bystander at drain (uncredited)
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Directed by
Alfred Hitchcock 
 
Writing credits
Raymond Chandler (screenplay) and
Czenzi Ormonde (screenplay)

Whitfield Cook (adaptation)

Patricia Highsmith (novel)

Ben Hecht  uncredited

Produced by
Alfred Hitchcock .... producer (uncredited)
 
Original Music by
Dimitri Tiomkin 
 
Cinematography by
Robert Burks (director of photography)
 
Film Editing by
William H. Ziegler  (as William Ziegler)
 
Art Direction by
Ted Haworth  (as Edward S. Haworth)
 
Set Decoration by
George James Hopkins 
 
Makeup Department
Gordon Bau .... makeup artist
 
Second Unit Director or Assistant Director
Mel Dellar .... assistant director (uncredited)
 
Sound Department
Dolph Thomas .... sound
 
Special Effects by
Hans F. Koenekamp .... special effects (as H. F. Koenekamp)
 
Stunts
John Daheim .... stunts (uncredited)
 
Camera and Electrical Department
Leonard J. South .... first assistant camera (uncredited)
 
Costume and Wardrobe Department
Leah Rhodes .... wardrobe
 
Music Department
Ray Heindorf .... musical director
 
Other crew
Barbara Keon .... production associate
 
Crew verified as complete


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Additional Details

Also Known As:
Alfred Hitchcock's Strangers on a Train (USA) (complete title)
more
MPAA:
Rated PG for some violence and tension.
Runtime:
101 min | Portugal:96 min (cut version) | 103 min (preview version)
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
Certification:
Canada:PG (Ontario) | Spain:13 | Portugal:M/12 | Australia:M (DVD rating) | Australia:PG (TV rating) | Sweden:15 | Germany:12 (DVD) | West Germany:16 (nf) | South Korea:12 (DVD rating) (2004) | South Africa:PG | Brazil:16 | USA:TV-PG | Finland:K-16 | France:U (re-release) | UK:PG | USA:Approved (certificate #14946) | USA:PG (new rating) (1996) | Argentina:13 | Norway:16

Fun Stuff

Trivia:
Alfred Hitchcock bought the rights to the original novel anonymously to keep the price down, and got them for just $7,500. more
Goofs:
Continuity: When Miriam's glasses drop to the ground as Bruno strangles her, they land softly on the grass and don't break. However after the struggle, when he reaches down to pick them up they are seen to be cracked in one of the lenses. more
Quotes:
[first lines]
Bruno Anthony: I beg your pardon, but aren't you Guy Haines?
more
Movie Connections:
Soundtrack:
Baby Face more

FAQ

List: Murder swaps
Is there really going to be a remake?
Is this movie based on a novel?
more
21 out of 25 people found the following review useful.
One of Hitchcock's finest achievements, 15 August 2006
Author: AdnanZ

"Strangers on a Train" is a brilliant example of what Hitchcock could do best, continually develop his plot and characters in an atmosphere both creepy and humorous. The film has great dialogue, superb characters, good acting, and naturally superb direction from the master of suspense who is truly at his best here. Robert Walker's Bruno Anthony is a character few will forget; he is creepy, psychopathic, and as M. Night Shyamalan says on one of the DVD's special features it is the fact that he has moral standards, however unconventional and disturbed they may be, that makes him such a dangerous man.

Strangers is a truly involving film, one that takes you on a ride you won't forget anytime soon, it has one of the best examples of buildup you could find on film, and as soon as it ends the film takes you on a journey that entertains and terrifies and even makes you laugh. This is a truly brilliant example of film-making, every shot is drenched in suspense, every cut is masterful, every detail important, every second exciting, it never lets go till the very end, and what an ending that is, a delicious bit of humor that is perfectly in tone with the rest of this delightful masterpiece.

Some have criticized Farley Granger's performance as Guy Haines, but it really is quite perfect; he delivered all his lines well and makes us feel honestly sympathetic towards him. Robert Walker is simply genius as Bruno Anthony, a great character that wouldn't have been nearly as memorable without Robert Walker's devilishly evil portrayal of him. The supporting cast are good, Ruth Roman, Leo G. Carroll, Kasey Rogers, Howard St. John and Patricia Hitchcock all deliver good performances that enhance what was already a good film and make it a great film. Alfred Hitchcock's direction is, as always, sublime.

What makes "Strangers" so good is the simple plot. It isn't a complicated story, two strangers meet on a train, and one comes up with a crazy plot: "You do my murder, I do yours." One takes it as a joke and shrugs it off, but the other takes himself seriously and goes on to commit the murder he offered to, getting the 'good guy' into huge trouble. The script is adapted superbly well by Whitfield Cook from a novel by Patricia Highsmith.

This is really one of Hitchcock's most interesting films from a technical perspective while also providing more than enough laughs, suspense, and thrills to keep just about anybody engaged.

10/10

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