Rashômon (1950)

Director:

Akira Kurosawa

Writers:

Ryunosuke Akutagawa (stories)
Akira Kurosawa (writer) ...
(more)

Release Date:

26 December 1951 (USA)

Genre:

Crime | Drama | Mystery

Tagline:

The husband, the wife...or the bandit?

Plot:

A heinous crime and its aftermath are recalled from differing points of view.

Plot Keywords:

Truth | Japan | Samurai | Forest | Psychic

Awards:

Nominated for Oscar. Another 7 wins & 2 nominations

Cast

Toshirô Mifune	...	Tajômaru
Machiko Kyô	...	Masako Kanazawa
Masayuki Mori	...	Takehiro Kanazawa
Takashi Shimura	...	Woodcutter
Minoru Chiaki	...	Priest
Kichijiro Ueda	...	Commoner
Fumiko Honma	...	Medium
Daisuke Katô	...	Policeman

Directed by
Akira Kurosawa

Writing credits
Ryunosuke Akutagawa		(stories Rashomon and In a Grove)
Akira Kurosawa		(writer) &
Shinobu Hashimoto		(writer)

Produced by
Minoru Jingo	....	producer
Masaichi Nagata	....	executive producer

Original Music by
Fumio Hayasaka

Cinematography by
Kazuo Miyagawa

Film Editing by
Akira Kurosawa

Production Design by
Takashi Matsuyama

Set Decoration by
H. Motsumoto

Second Unit Director or Assistant Director
Tokuzo Tanaka	....	assistant director
Mitsuo Wakasugi	....	assistant director

Camera and Electrical Department
Fujio Morita	....	assistant camera
Kenichi Okamoto	....	lighting technician

Production Companies

• Daiei Motion Picture Company (as Daiei Eiga)

Distributors

• Daiei Motion Picture Company (1950) (Japan) (theatrical)
• Kadokawa Pictures (2008) (Japan) (theatrical) (restored version)
• Kadokawa Entertainment (2009) (Japan) (DVD) (Blu-ray)
• Edward Harrison (1957) (USA) (theatrical) (re-release)
• Janus Films (2009) (USA) (theatrical) (restoration)
• Los Films del Búho (1984) (Spain) (theatrical)
• RKO Radio Pictures (1951) (USA) (theatrical) (subtitled)
• Svensk Filmindustri (SF) (1953) (Sweden) (theatrical)
• Concorde Home Entertainment (2006) (Germany) (DVD)
• Continental Home Vídeo (2003) (Brazil) (DVD)
• Criterion Collection, The (2004) (USA) (DVD)
• Criterion Collection, The (2009) (USA) (DVD)
• Criterion Collection, The (USA) (laserdisc)
• Dolmen (2007) (Italy) (DVD)
• Embassy Home Entertainment (video)
• Public Broadcasting Service (PBS) (1978) (USA) (TV) (network premiere)
• Sandrews (2003) (Sweden) (DVD)
• Tocantins (19??) (Brazil) (VHS)

Other Companies

• Daiei Studios  studio
• Lowry Digital Images  restoration: 2008

Also Known As:

Rashomon (Japan) (alternative transliteration)
Rashou-mon (Japan) (alternative transliteration)

Runtime:

88 min

Country:

Japan

Language:

Japanese

Colour:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Australia:M | Argentina:16 | Canada:G (Quebec) | Chile:18 | Finland:K-16 | Spain:13 | Sweden:15 | Switzerland:14 | UK:12 | UK:X (original rating) | USA:Unrated | West Germany:16 | USA:PG-13 | Singapore:PG

Filming Locations:

Nara, Japan

Company:

Daiei Motion Picture Company

Trivia:

A very early use of the "hand held" camera technique (following characters closely through the woods).

Quotes:

Commoner: We all want to forget something, so we tell stories. It's easier that way.

Movie Connections:

Featured in Indie Sex: Censored (2007) (TV)

A brilliant masterpiece from a masterful director

"Rashomon" was Akira Kurosawa's first national hit (becoming, at the time, the highest-grossing foreign film in America) and even gained an Oscar for Best Foreign Film, but almost sixty years later it still hasn't lost any of its impact. It is widely revered as one of the most influential films of all-time, but unlike some other movies, it is not a film that feels dated. The revolutionary methods of Kurosawa are still effective and on-par with the cinema of today -- this isn't a movie where you say, "Yeah, fifty years ago it might have been different, but now it's done in all the movies." Kurosawa's techniques are still superior to most of his imitators. Look at the 2003 John McTiernan film, "Basic," which copies a good portion of "Rashomon's" concept. Which is the better film? It's not a hard choice.

The film begins under a structure which reads "Rashomon" on its exterior, in a small Japanese village. It's raining outside and a woodcutter (Takashi Shumura) and a priest (Minoru Chiaki) inadvertently find themselves in the company of a wandering commoner (Kichijiro Ueda), and as he asks them what is the matter they both begin to relay the most horrific story they claim to know -- of a brutal murder a few days prior.

Kurosawa then switches to flashback and we see three different versions of the exact same event -- the slaying of an innocent man (the murderer played by Kurosawa film regular Toshirô Mifune) in the woods outside the village. Was it because of lust? Betrayal? Envy? Or insanity? We hear from the murderer, the wife of the victim, and a woman channeling the spirit of the dead man.

"Rashomon" is brilliant. Some people have complained that the ending is a cop-out and sentimental hogwash, but I think Kurosawa was fond of sentimentality to a point (he uses a good deal of it in "Ikiru") but the difference between what he does with sentimentality as opposed to many filmmakers of today is that he uses to to ENRICH the story, not provide an easy solution to all the problems.

Is there resolution in the finale of "Rashomon"? To a degree. But, like "Ikiru," it also leaves an open answer to its audience -- this film questions us, and our humanity, and it says something about the human condition and our weaknesses as a species. Yet it also proposes that along with the evil is an inherent good, and in my opinion the message of "Rashomon" is just as important and effective as its film-making techniques and acting.