White Heat (1949)

Director:

Raoul Walsh

Writers:

Ivan Goff (screenplay) and
Ben Roberts (screenplay) ...

Release Date:

1952 (Austria)

Genre:

Action | Crime | Film-Noir

Tagline:

James Cagney Is Red Hot In "White Heat"!

Plot:

A psychopathic criminal with a mother complex makes a daring break from prison and leads his old gang in a chemical plant payroll heist. Shortly after the plan takes place, events take a crazy turn

Plot Keywords:

Prison | Heist | Undercover | Escape | Gangster

Awards:

Nominated for Oscar. Another 1 win & 1 nomination

Cast

  (Complete credited cast)

James Cagney	...	Arthur 'Cody' Jarrett
Virginia Mayo	...	Verna Jarrett
Edmond O'Brien	...	Vic Pardo
Margaret Wycherly	...	Ma Jarrett
Steve Cochran	...	Big Ed Somers
John Archer	...	Philip Evans
Wally Cassell	...	'Cotton' Valletti
Fred Clark	...	Daniel Winston

Runtime:

114 min

Country:

USA

Language:

English

Colour:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Iceland:12 | UK:15 | West Germany:16 (nf) | Sweden:15 (re-rating) (1962) | Sweden:(Banned) (original rating) (1949) | Canada:PG (video rating) | South Korea:15 | Portugal:M/16 | Australia:PG | Finland:(Banned) (1950) | Finland:K-15 (re-rating) (2004) | USA:Approved (PCA #13852) | Australia:M (DVD rating)

Filming Locations:

Chatsworth, Los Angeles, California, USA

Company:

Warner Bros. Pictures

Trivia:

The unusually close relationship between Cody Jarrett and his domineering mother was inspired by real life bank robbers Kate Barker (aka "Ma Barker") and her sons.

Goofs:

Crew or equipment visible: In the opening railroad heist, there is a shot of a man jumping down from an overpass onto the train. When he lands the mats used to break his fall can be clearly seen.

Quotes:

Verna Jarrett: I'd look good in a mink coat, honey.
Cody Jarrett: You'd look good in a shower curtain.

Movie Connections:

Referenced in "Jeopardy!: (#26.73)" (2009)

Soundtrack:

Five O'Clock Whistle

a boy's best friend is his mother

James Cagney lights up the screen in all respects in this violent and hard-driving film. There's nary a dull moment with Jimmy on hand, whether having his mother ease his migraine tantrums by rubbing his head or shooting a fellow gang member through the trunk of his car in order to give him a little air. Raoul Walsh vigorously directs this movie with remarkable gusto given that he was over sixty at the time and at at this point in his career had nothing to prove.

Cagney's character of Cody Jarrett is shown to be a madman at the start of the film. There's no need for his confederates to engage in a little is-he-or-isn't-he chitchat regarding his sanity a la The Caine Mutiny. They know he's mad. Even his mother knows he's mad. No matter. Cody continues on his crime spree, and his gang stays loyal to him, if only for the consequences of leaving him being to frightening to contemplate. He has a girl, who two-times him with another gang member. A federal agent who infiltrates the gang and becomes a surrogate mother by easing his headaches in the same manner, also betrays him, though it's his job to do so. Only Ma Jarrett, it seems, could be trusted.

One of the many charms of this film is its absolute refusal to make a statement, which wasn't Raoul Walsh's bag anyway; and screenwriters Ivan Goff and Ben Roberts, though they delve into Freud a bit, don't get too heavy over Cagney's psychopathology. They just accept it, show us its various sides, and leave it at that. This movie is a far cry from other films made around the same time, was highly popular when first released, and remains so to this day. It is not quite film noir, being too bright and rational. Nor is it a study in perverse psychology, despite its main character. For all the location filming it is no semi-documentary in the manner of House On 92nd Street. It is basically a lively action picture whose makers, taking a cue from Hiroshima bomb, decided to end their movie with a bang, making their show a fine example of good, clean apocalyptic fun.