IMDb > The Woman in White (1948)

The Woman in White (1948) More at IMDbPro »


Overview

User Rating:
6.7/10   358 votes
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Up 15% in popularity this week. See why on IMDbPro.

Director:

Peter Godfrey

Writers:

Wilkie Collins (novel)
Stephen Morehouse Avery (writer)

Contact:

View company contact information for The Woman in White on IMDbPro.

Release Date:

15 May 1948 (USA) more

Tagline:

CAUGHT IN THE BLACK SPELL OF TERROR! (original ad - all caps) more

Plot:

A young painter stumbles upon an assortment of odd characters at an English estate where he has been... more | add synopsis

User Comments:

Juicy Juicy Juicy! more (20 total)


Cast

  (Complete credited cast)
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Additional Details

Runtime:

UK:109 min | USA:109 min

Country:

USA

Language:

English

Aspect Ratio:

1.37 : 1 more

Sound Mix:

Mono (RCA Sound System)

Certification:

Australia:G | Finland:K-12 | USA:Approved (PCA #12009)


Fun Stuff

Trivia:

Wilkie Collins' 'The Woman in White' published in 1860, is considered to be the first modern mystery employing a crime-detecting hero. more

Movie Connections:

Version of "The Woman in White" (1982) more


FAQ

How does it end?
A Note Regarding Spoilers
Who is the woman in white?
more
10 out of 10 people found the following comment useful.
Juicy Juicy Juicy!, 8 December 2005
8/10
Author: Lloyd Vinnik (ambassadorvinnik) from United States

I'll sheepishly admit to having seen NO version of the apparently VERY popular Willkie novel until seeing the Andrew Lloyd Webber musical adaptation on Broadway recently. Came out of the Marquis Theater with a passion to see ALL prior adaptations, and this delectable one is my first. LOVED it! Without doing any "spoilers," let me advise others like me who are seeking this out in the wake of the musical that the musical cut one MAJOR character, that being the Countess Fosco (played here with breathtaking abandon by the fabulous Agnes Moorehead), and despite several story alterations to the musical that I appreciate (it's a bit more emotionally gripping), the Countess might have helped improve the musical. But mostly I'm coming here to make a statement of appreciation for the great Sydney Greenstreet, whose Count Fosco is simply as masterful a portrait of evil as I've ever seen, and a career peak for one of the cinema's greatest character actors. Only problem with the film, whose cast is wonderful in its entirety, is that at its finale, it just sorta trickles away into a forced and artificial-feeling happy ending that I just KNOW couldn't have been in the novel. Otherwise, a swift and engrossing 109 minutes.

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