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Directed by | |||
| John Ford | |||
Writing credits | ||
| Frank S. Nugent | (screenplay) | |
| James Warner Bellah | (story "Massacre") | |
Produced by | |||
| Merian C. Cooper | .... | executive producer (uncredited) | |
| John Ford | .... | executive producer (uncredited) | |
Original Music by | |||
| Richard Hageman | |||
Cinematography by | |||
| Archie Stout | |||
| William H. Clothier | (uncredited) | ||
Film Editing by | |||
| Jack Murray | |||
Art Direction by | |||
| James Basevi | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist | |
Production Management | |||
| Bernard McEveety | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Lowell J. Farrell | .... | assistant director (as Lowell Farrell) | |
| Cliff Lyons | .... | second unit director (uncredited) | |
| Frank Parmenter | .... | second assistant director (uncredited) | |
| Jack Pennick | .... | assistant director (uncredited) | |
Art Department | |||
| Jack Colconda | .... | properties (as Jack Galconda) | |
| Joseph Kish | .... | set dresser | |
Sound Department | |||
| Joseph I. Kane | .... | sound | |
| Frank Webster | .... | sound | |
Special Effects by | |||
| Dave Koehler | .... | special effects | |
Stunts | |||
| Frank Baker | .... | stunts (uncredited) | |
| Fred Carson | .... | stunts (uncredited) | |
| John Epper | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Fred Graham | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Ben Johnson | .... | stunts (uncredited) | |
| Walt La Rue | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Frank McGrath | .... | stunts (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
| Bob Rose | .... | stunts (uncredited) | |
| Danny Sands | .... | stunts (uncredited) | |
| Barlow Simpson | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
| Henry Wills | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| D.R.O. Hatswell | .... | costume researcher | |
| Michael Meyers | .... | wardrobe: men's | |
| Ann Peck | .... | wardrobe: ladies' | |
Music Department | |||
| Lucien Cailliet | .... | conductor | |
| Lucien Cailliet | .... | music arranger | |
| George Cooper | .... | lyrics | |
| Morton Downey | .... | playback singer | |
Other crew | |||
| Katherine Cliffton | .... | research editor | |
| Merian C. Cooper | .... | presenter | |
| John Ford | .... | presenter | |
| Philip Kieffer | .... | technical advisor (as Major Philip Kieffer USA Rtd.) | |
| Katharine Spaatz | .... | technical advisor | |
| Kenny Williams | .... | dance sequences | |
| Sid Davis | .... | stand-in: John Wayne (uncredited) | |
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| Major Dundee | Custer's Last Stand | They Died with Their Boots On | Fort Bowie | Apocalypse Now |
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This is one of my top 3-4 movies made by the Duke. It gets better each time I watch it, and I watch it nearly every time it's on. If you haven't seen a restored version, you'll be amazed at the cinematography. Absolutely gorgeous. I don't think it would have been improved in color, as one of the earlier comments said.
The final scene reminds me of "The Man Who Shot Liberty Valance" as well. In "Valance", at the end of the movie, the newspaperman says upon learning who DID shoot Liberty Valance, "When the legend becomes fact, print the legend." The same thing happens in Fort Apache, when the newspaper reporters talk about a famous painting of Col. Thursday's bold charge into the face of the enemy, when it was anything but the truth.
One hell of a movie that should be viewed by anyone who likes great entertainment.