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Call Northside 777
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Call Northside 777 (1948) More at IMDbPro »

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Overview

User Rating:
7.5/10   2,393 votes
MOVIEmeter: ?
Down 35% in popularity this week. See why on IMDbPro.
Director:
Writers:
Jerome Cady (screenplay) and
Jay Dratler (screenplay) ...
(more)
Contact:
View company contact information for Call Northside 777 on IMDbPro.
Release Date:
1 February 1948 (USA) more
Tagline:
Reporter Uncovers New Clues In Wiecek Case more
Plot:
Chicago reporter P.J. McNeal re-opens a ten year old murder case. full summary | add synopsis
Plot Keywords:
Awards:
1 win & 2 nominations more
User Reviews:
Solid Cinematic Effort more (54 total)

Cast

  (in credits order) (verified as complete)

James Stewart ... P.J. 'Jim' McNeal
Richard Conte ... Frank W. Wiecek

Lee J. Cobb ... Brian Kelly
Helen Walker ... Laura McNeal
Betty Garde ... Wanda Skutnik
Kasia Orzazewski ... Tillie Wiecek
Joanne De Bergh ... Helen Wiecek (as Joanne de Bergh)
Howard Smith ... K.L. Palmer
Moroni Olsen ... Parole Board Chairman
John McIntire ... Sam Faxon
Paul Harvey ... Martin J. Burns
rest of cast listed alphabetically:
Robert Adler ... Taxicab Driver (uncredited)
Richard Bishop ... Warden of Stateville Prison (uncredited)
Larry J. Blake ... Police Photographic Technician (uncredited)
John Bleifer ... Jan Gruska (uncredited)
Truman Bradley ... Narrator (voice) (uncredited)
Dollie Caillet ... Secretary (uncredited)

Michael Chapin ... Frank Wiecek Jr. (uncredited)
George Cisar ... Policeman (uncredited)
Jane Crowley ... Anna Felczak (uncredited)
Abe Dinovitch ... Polish Man (uncredited)
Rex Downing ... Copy Boy (uncredited)
Eddie Dunn ... Patrolman John W. Bundy (uncredited)
Lew Eckles ... Policeman (uncredited)
Joseph Forte ... Parole Board Member (uncredited)
Helen Foster ... Secretary (uncredited)
Stanley Gordon ... Prison Clerk (uncredited)
Walter Greaza ... Detective (uncredited)
Jonathan Hale ... Robert Winston - Governor's Aide (uncredited)
Buck Harrington ... Bartender (uncredited)
Percy Helton ... William Decker - Mailman (uncredited)
Samuel S. Hinds ... Judge Charles Moulton (uncredited)
Perry Ivins ... Illinois State Journal Technician (uncredited)
Robert Karnes ... McNeal's Cameraman (uncredited)
Leonarde Keeler ... Leonarde Keeler - Polygraph Examiner (uncredited)
Cy Kendall ... Second Bartender (uncredited)
J.M. Kerrigan ... Sullivan (uncredited)
Carl Kroenke ... Guard (uncredited)
Henry Kulky ... First Bartender (uncredited)

Charles Lane ... Prosecuting Attorney (uncredited)
Philip Lord ... Policeman (uncredited)
Jack Mannick ... Polish Man (uncredited)

E.G. Marshall ... Rayska (uncredited)
Norman McKay ... Detective (uncredited)
George Melford ... Parole Board Member (uncredited)
Charles F. Miller ... Parole Board Member (uncredited)
Edward Peil Jr. ... Bartender (uncredited)
George Pembroke ... Policeman (uncredited)
Wanda Perry ... Chicago Times Telephone Operator (uncredited)
Arthur Peterson ... Keeler's Polygraph Assistant (uncredited)
Joe Ploski ... Man (uncredited)
William Post Jr. ... Sixth Precinct Desk Sergeant (uncredited)
Addison Richards ... John Albertson - State Commissioner (uncredited)
Richard Rober ... Sgt. Larson in Records Department (uncredited)
Dick Ryan ... Parole Board Member (uncredited)
Peter Seal ... Man (uncredited)
Lester Sharpe ... Illinois State Journal Technician (uncredited)
George Spaulding ... Man on Parole Board (uncredited)
Lionel Stander ... Corrigan - Wiecek's Cellmate (uncredited)
Ann Staunton ... Chicago Times Telephone Operator (uncredited)
Freddie Steele ... Holdup Man (uncredited)
George Turner ... Holdup Man (uncredited)
George Tyne ... Tomek Zaleska (uncredited)
Otto Waldis ... Boris Siskovich (uncredited)
Duke Watson ... Policeman (uncredited)
Robert Williams ... Illinois State Journal Technician (uncredited)
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Directed by
Henry Hathaway 
 
Writing credits
Jerome Cady (screenplay) and
Jay Dratler (screenplay)

Leonard Hoffman (adaptation) and
Quentin Reynolds (adaptation)

James P. McGuire (articles)

Jack McPhaul  articles (uncredited)

Produced by
Otto Lang .... producer
 
Original Music by
Alfred Newman 
 
Cinematography by
Joseph MacDonald  (as Joe MacDonald)
 
Film Editing by
J. Watson Webb Jr. 
 
Art Direction by
Mark-Lee Kirk 
Lyle R. Wheeler  (as Lyle Wheeler)
 
Set Decoration by
Thomas Little 
Walter M. Scott 
 
Costume Design by
Kay Nelson 
 
Makeup Department
Ben Nye .... makeup artist
Myrtle Ford .... hair stylist (uncredited)
Dick Smith .... makeup artist (uncredited)
Thomas Tuttle .... makeup artist (uncredited)
 
Production Management
Sam Wurtzel .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Joseph E. Rickards .... assistant director (uncredited)
Abe Steinberg .... assistant director (uncredited)
 
Sound Department
W.D. Flick .... sound
Roger Heman Sr. .... sound (as Roger Heman)
 
Special Effects by
Fred Sersen .... special photographic effects
 
Camera and Electrical Department
Paul Russell .... still photographer (uncredited)
 
Costume and Wardrobe Department
Charles Le Maire .... wardrobe director
Sam Benson .... wardrobe (uncredited)
 
Music Department
Edward B. Powell .... orchestral arranger (as Edward Powell)
Alfred Newman .... musical director (uncredited)
 
Other crew
Stanley Scheuer .... script supervisor (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Calling Northside 777
more
Runtime:
111 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
Norway:A (1948) | UK:U | Finland:K-16 | USA:Approved (PCA #12397) | Canada:14 (Nova Scotia) | Canada:G (Manitoba/Quebec) | Canada:PG (Ontario)
Filming Locations:

Fun Stuff

Trivia:
The man administering the polygraph test to convict Richard Conte, was the actual inventor of the polygraph or lie detector machine, Leonard Keeler. He plays himself in the movie. more
Goofs:
Continuity: Various characters refer to the murdered police officer as John W. Bundy, but the police record of the case shows his name as W.W. Bundy. more
Quotes:
Laura McNeal: What's the matter, won't the pieces fit together?
P.J. McNeal: *Some* of them, but they make the wrong picture.
Laura McNeal: Pieces never make the wrong picture. Maybe you're looking at them from the wrong angle.
more
Movie Connections:
Edited from In Old Chicago (1937) more
Soundtrack:
Don't Fence Me In more

FAQ

This FAQ is empty. Add the first question.
8 out of 10 people found the following review useful.
Solid Cinematic Effort, 4 February 2006
Author: Lechuguilla from Dallas, Texas

Based on a true story, "Call Northside 777" follows P.J. McNeal, a newspaper reporter played by James Stewart, as he investigates a decade old murder case. The setting is Chicago in the 1930s and 40s.

Frank Wiecek (Richard Conte) has been convicted of a cop killing and sentenced to 99 years in prison. Convinced of her son's innocence, Frank's mother, an elderly and lowly cleaning lady, takes out an ad in the newspaper for information that will help free her son. McNeal grudgingly looks into the case, but doubts Wiecek's innocence. As the film moves along, McNeal slowly changes his perception of Wiecek.

Some viewers consider this to be a film-noir. To me, it is more of a docudrama, a staging of a real life story. The dialogue seems realistic. And the acting is low-key and credible. The film also highlights the technology of the era, including the use of the printing press, the polygraph, and a miniature camera.

But what impressed me most was the use of the Chicago locations where the real life story took place. Further, the B&W visuals are appropriately drab, dreary, and depressing, which reflects the tone of the actual events. There's very little background music, which also adds authenticity to the film. The only downside is the matter-of-fact procedural style in which the story is told, especially relative to the fatherly VO narration at the film's beginning and end. The film comes across at times as dry, and lacking emotional depth.

Devoid of cinematic hype, and told in a straightforward and plodding manner, "Call Northside 777" will appeal to people who seek realism in films. And, of course, the film's basis in fact, vis-a-vis fiction, adds to its credibility.

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