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It's London 1946/7 - it's rainy, smog- and fog-ridden - swarming with sweaty, sadistic small-time black marketeers, hag-faced toothless harridan prostitutes, rat faced squealers, slimy grasses, heart-of-gold cashmere-wearing Judys, squalid, smoky dockside boozers, and bobbies in mackintoshes and capes (told you it was raining) getting run over and bashed over the coconut.

Enter ex-RAF Clem Morgan (Trevor Howard). He wants a bit of action with a gang led by sharp, smoothie, sadistic, snooker-playing knuckle-duster wielding Narcy (Narcissus)(Griffith Jones) - but he baulks at their drug (sherbert!) dealing side. So he's framed into a cop murder - very heavy stuff in immediate post-war England. But this isn't The Blue Lamp - it's nearer Jules Dassin's famous Night and the City and precedes both.

As well as a crackling script by Noel Langley we've got a runaway fugitive we know is innocent, more bobbies, more rain, and a head-butting, knife-throwing, rooftop-climbing finale.
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