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IMDb > They Made Me a Fugitive (1947)

They Made Me a Fugitive (1947) More at IMDbPro »


Overview

User Rating:
7.3/10   246 votes
MOVIEmeter: ?
Down 15% in popularity this week. See why on IMDbPro.
Director:
Writers:
Jackson Budd (novel)
Noel Langley (screenplay)
Contact:
View company contact information for I Became a Criminal on IMDbPro.
Release Date:
6 March 1948 (USA) more
Genre:
Plot:
In this gritty film noir, cynical ex-RAF flyer Morgan, bored with civilian life, joins a break-in gang led by Narcy... more | full synopsis
User Reviews:
Gritty British noir more (13 total)

Cast

  (Cast overview, first billed only)
Sally Gray ... Sally Connor
Trevor Howard ... George Clement 'Clem' Morgan
Griffith Jones ... Narcy
René Ray ... Cora (as Rene Ray)
Mary Merrall ... Aggie
Charles Farrell ... Curley
Michael Brennan ... Jim
Jack McNaughton ... Soapy
Cyril Smith ... Bert
John Penrose ... Shawney
Eve Ashley ... Ellen
Phyllis Robins ... Olga
Bill O'Connor ... Bill
Maurice Denham ... Mr. Fenshaw
Vida Hope ... Mrs. Fenshaw
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Additional Details

Also Known As:
I Became a Criminal (USA)
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Runtime:
99 min | USA:78 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:

Fun Stuff

Trivia:
The first feature film of Michael Brennan. more
Soundtrack:
Caress Me more

FAQ

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4 out of 4 people found the following review useful.
Gritty British noir, 8 September 2009
8/10
Author: blanche-2 from United States

Cavalcanti directed this excellent British film noir, "They Made Me a Fugitive," with the then new star, Trevor Howard, as well as Sally Gray, Griffith Jones, and Mary Merrall. Howard plays Clem Morgan, a war hero who joins a black market ring, headed by Narcy (Jones) that does business out of Narcy's funeral business, the contraband entering in coffins. Clem, however, draws the line when he sees them dealing in drugs. He winds up being framed for a killing of a bobby, deserted while he's unconscious in a car. The ex-girlfriend (Gray) of Narcy, the chief criminal, comes to see him in prison, sure he's not guilty. Clem escapes and goes on the run, and reconnects with Gray. She tries to find the witness who can clear him.

Very ahead of its time in its graphic violence, which includes violence toward women. Also, the lead is not a hero, having turned to crime. The ending is also unexpected. My only complaint would be the hitting the audience over the head with the RIP letters on the roof, and also the phrase "It's later than you think," which was possibly the inspiration for its appearance in "Midnight Cowboy." The performances are very good, with Howard, Gray, and Griffith all in top form, and Merrall creates an interesting character. The camera-work is very good also, quite stunning.

Highly recommended - it's nothing like you'd expect.

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