Jackson Budd (novel)
Noel Langley (screenplay)
6 March 1948 (USA) more
In this gritty film noir, cynical ex-RAF flyer Morgan, bored with civilian life, joins a break-in gang led by Narcy... more | full synopsis
THEY MADE ME A FUGITIVE (Alberto Cavalcanti, 1947) ***1/2 more (13 total)
| Sally Gray | ... | Sally Connor | |
| Trevor Howard | ... | George Clement 'Clem' Morgan | |
| Griffith Jones | ... | Narcy | |
| René Ray | ... | Cora (as Rene Ray) | |
| Mary Merrall | ... | Aggie | |
| Charles Farrell | ... | Curley | |
| Michael Brennan | ... | Jim | |
| Jack McNaughton | ... | Soapy | |
| Cyril Smith | ... | Bert | |
| John Penrose | ... | Shawney | |
| Eve Ashley | ... | Ellen | |
| Phyllis Robins | ... | Olga | |
| Bill O'Connor | ... | Bill | |
| Maurice Denham | ... | Mr. Fenshaw | |
| Vida Hope | ... | Mrs. Fenshaw | |
| Ballard Berkeley | ... | Det. Insp. Rockliffe | |
| Derek Birch | ... | Police Constable Murray | |
| Peter Bull | ... | Fidgity Phil | |
| Gordon Court | ... | Sergeant | |
| Lyn Evans | ... | Lorry driver | |
| Enid Cruickshank | ... | Club hostess | |
| Sebastian Cabot | ... | Club Proprietor | |
| Ida Patlanski | ... | Soho girl | |
| Howard Douglas | ... | Chief warder | |
| Charles Doe | ... | Electrician | |
| rest of cast listed alphabetically: | |||
| Diana Graves | ... | May (uncredited) | |
| Sam Kydd | ... | Eddie (uncredited) | |
| Beatrice Varley | ... | Farmer's Wife (uncredited) | |
Directed by | |||
| Alberto Cavalcanti | (as Cavalcanti) | ||
Writing credits(in alphabetical order) | ||
| Jackson Budd | novel "A Convict Has Escaped" | |
| Noel Langley | screenplay | |
Produced by | |||
| Nat A. Bronstein | .... | producer (as N.A. Bronsten) | |
| Nat A. Bronsten | .... | producer | |
| James A. Carter | .... | executive producer (as James Carter) | |
| Noel Langley | .... | associate producer | |
Original Music by | |||
| Marius-François Gaillard | (as Marius Francois Gaillard) | ||
Cinematography by | |||
| Otto Heller | (director of photography) | ||
Film Editing by | |||
| Margery Saunders | |||
Art Direction by | |||
| Andrew Mazzei | (as A. Mazzei) | ||
Makeup Department | |||
| Jean Bear | .... | hair stylist | |
| Natalie Taylor | .... | makeup artist | |
| Nell Taylor | .... | makeup artist (as Natalie Taylor) | |
| Ida Mills | .... | hair stylist (uncredited) | |
| George Turner | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Fraser Foulsham | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dicky Leeman | .... | assistant director | |
| Guy Hamilton | .... | assistant director (uncredited) | |
| Pat Kelly | .... | second assistant director (uncredited) | |
Art Department | |||
| Peter Dukelow | .... | head carpenter (uncredited) | |
| Thomas Goswell | .... | draughtsman (uncredited) | |
Sound Department | |||
| George Burgess | .... | sound director | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Jack Slade | .... | dubbing editor (uncredited) | |
Camera and Electrical Department | |||
| Robert Day | .... | camera operator (as Bob Day) | |
| Gus Drisse | .... | camera operator | |
| Gerry Fisher | .... | assistant camera (uncredited) | |
| Walter Lassally | .... | assistant camera (uncredited) | |
| Bert Mason | .... | lighting camera operator: second unit (uncredited) | |
| Cyril Stanborough | .... | still photographer (uncredited) | |
| John Winbolt | .... | camera operator: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Dorothy Sinclair | .... | wardrobe supervisor | |
| Amy C. Binney | .... | wardrobe mistress (uncredited) | |
Editorial Department | |||
| Anne Barker | .... | cutter | |
| Reginald Beck | .... | editorial supervisor (uncredited) | |
Music Department | |||
| John Hollingsworth | .... | conductor | |
Other crew | |||
| Shirley Barnes | .... | continuity | |
| Jean Dyball | .... | assistant continuity (uncredited) | |
| Kenneth Horne | .... | location manager (uncredited) | |
I Became a Criminal (USA)
more
99 min | USA:78 min
1.37 : 1 more
The first feature film of Michael Brennan. more
Caress Me more
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
This is a relatively rare example of a British film noir, but one which can hold its own alongside the more celebrated American variety. Director Cavalcanti's background in documentaries certainly served him in good stead here, bringing complete authenticity to the situations and settings. Still, thanks to Otto Heller's outstanding camera-work and lighting, he manages a number of strikingly cinematic visuals (for instance, the scene where heroine Sally Gray is beaten up by chief villain Griffith Jones).
It features a splendid cast, all of whom deliver excellent performances: Trevor Howard is an unusual hero-type but totally credible; lovely leading lady Sally Gray may come off a bit too good to be true (she initially commits herself to the framed Howard merely because her gangster boyfriend has jilted her for the latter's own fiancée!) but she elicits all the petite sex appeal of a Veronica Lake (meanwhile her love/hate banter with Howard evokes memories of the Robert Donat/Madeleine Carroll pairing from Hitchcock's THE 39 STEPS [1935]); Griffith Jones is a suave yet ruthless leader of a black-market ring (but who gets his just desserts in particularly gruesome fashion); Mary Merrall is Jones' elderly associate, whose level-headedness and experience keeps the violent gangster in check; a young Ballard Berkeley is a sympathetic Scotland Yard man, but who doesn't think twice about using Howard as bait to capture the entire gang; Peter Bull turns up for a bit as a police informer.
The general gloominess (a mainstay of thrillers emanating from the post-war era) is leavened somewhat by its constant flurry of hard-boiled dialogue courtesy of screenwriter Noel Langley. The terrific climax is set inside the gang's 'business' office - a funeral parlor, amusingly named "The Valhalla Undertaking Co.". Still, perhaps my favorite scene in the entire film is Howard's surreal encounter with the zombie-like Vida Hope - in whose household he stumbles while on the run; she turns out to be deranged, and even tries to talk our hero into murdering her alcoholic husband (Maurice Denham)!
As is typical of old films released on DVD by Kino, the quality of the print and transfer leave a lot to be desired - but one has to be grateful still, because otherwise gems such as this one would remain unavailable indefinitely...