Northwest Outpost (1947) User Reviews

Disappointing!

[JohnHowardReid · 6/10 · 25 February 2014]

Fans of both star, Nelson Eddy, and director, Allan Dwan, are going to feel a bit disappointed with this Republic entry. True, it opens promisingly enough with lavish sets and costumes on display (even though they would have looked far more impressive in color), plus an impressive convict song with the camera stopping at each singer as it tracks down and they file past. But that scene, alas, is just about the limit of Mr. Dwan's inventiveness. True, later on there is a pleasing tracking shot back from a cell door with Schildkraut's profile seen behind the bars, but by that time we are pretty well past caring. True too, that 2nd unit director Yakima Canutt has overseen some attractive location photography, but that's about it on the plus side of the equation. The story is a trite compendium of clichés which director Dwan sluggishly moves forward through dull, extended dialogue scenes. For some odd reason, the stupid plot is emphasized at the expense of the movie's musical content, though these are so poorly recorded, it's not surprising that Eddy gave the movie game away after this effort (although he did surface in a made-for-TV version of "The Desert Song" in 1955).

Somewhat a re-working of the lovers with antagonistic goals

[saustin · 3 January 2002]

Nelson Eddy's last feature (or penultimate).Still in very good voice as a 46 y.o. baritone whose renderings of "Raindrops on a Drum"," Nearer and Dearer",written by Rudolf Friml ("Rose Marie"),back from retirement for this work,are still a delight. Very much a repeat of the theme of "Rose Marie" i.e. Mountie,policeman,ranger,guard,soldier pursues beautiful suspect who has assignment to rescue fugitive lover,brother etc. The music by Friml rescues the story from the formula and there is some historic merit in the the settings in Fort Ross in California;the earlier scenes have incidental music evocative of P.Tchaikowski and reminiscent of "Balalaika" in which the two juvenile leads also starred.(They are also on opposite sides ). Ilona Massey (from Hungary)has a pleasant contralto voice and the film has a number of practiced or well known supporters:Joseph Shildkraut,Elsa Lanchester,Hugo Haas plus the talented director, Alan Dwan. Despite the fact that the two stars have aged by this time, this is pleasant entertainment with empathic background orchestral music.Forget the story,listen to the singing and also the newly formed "G.I.Chorus". The final scene,both on horseback is just like the last in "Naughty Marietta". Although done on the Republic lot, certainly not the "horse-opera" described by some critics.

Nelson and the Russians

[bkoganbing · 4/10 · 31 March 2004]

In his last effort on the big screen Nelson Eddy turned to a familiar Russian theme that he previously used in Balalaika and in The Chocalate Soldier. Unfortunately Rudolf Friml did not provide him with any particularly memorable songs, in fact the best number is Weary, sung by the prisoners during their labor.

After Jeanette MacDonald, Ilona Massey was his best known co-star and both are ably supported by Elsa Lanchester and Joseph Schildkraut.

The plot is a bit hard to take. I think Martin Van Buren was one far thinking president to send Nelson Eddy out to ingratiate himself with the Russian colonists at Fort Ross. Unfortunately there is absolutely nothing in the history books about this mission.

It would have been better to just make Nelson a Russian. Not like he hadn't played one before.