- Won 3 Oscars
- 12 wins & 8 nominations total
- Director
- Writers
- Laura Z. Hobson
- Moss Hart
- Elia Kazan(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Storyline
Did you know
- TriviaIn 1984 Gregory Peck claimed to have been misquoted in a 1967 interview in which he said Elia Kazan was the wrong director for the film. The actor said, "That's a misunderstanding. I don't think there could have been a better director for the film. What I meant was that he and I didn't have a rapport; emotionally, we were not on the same wave length. I don't think that I did my best work for him. If I worked with him now--as a mature man--I think I would give him everything he would want."
- GoofsEarly on, when Phil reminisces about his Jewish friend, Dave, he looks into the mirror and assesses his own features as being consistent with those of the Jews. This reveals his own experiences of having been influenced by the false stereotype of there being a "Jewish look". This is antithetical to his attacking anti-Semitic thoughts and actions in others, throughout the film. This, however, should not be considered a "GOOF" as many people are guilty of hypocrisy.
- Quotes
Kathy Lacey: You think I'm an anti-Semite.
Phil Green: No, I don't. But I've come to see lots of nice people who hate it and deplore it and protest their own innocence, then help it along and wonder why it grows. People who would never beat up a Jew. People who think anti-Semitism is far away in some dark place with low-class morons. That's the biggest discovery I've made. The good people. The nice people.
- Crazy creditsThe main title theme begins with the Fox logo, replacing the usual Alfred Newman fanfare.
- ConnectionsFeatured in Precious Images (1986)
Featured review
It's simultaneously a classic and a bad picture
On the one hand, Gentleman's Agreement has a highly enlightened prejudice, even today, let alone 1947. Gregory Peck plays a journalist who decides to pretend to be Jewish so he can attain a real-life perspective on anti-semitism. Peck's transformation from a determined writer looking for an edge to a crusader against prejudice is nothing short of profound. The twist of course is that Peck gets lost in the assignment, starts seeing himself as a Jew and struggles to maintain his composure amid all the anti-semitism he experiences. Considering that, it's a shame that the film's abilities to tell a story lag so far behind the movie's depth and boldness. There's a lot of emphasis on the romance between Peck and his editor's niece, which is pretty overdone for a pair who has as little chemistry as McGuire and Peck. I think the worst part of that is hearing Gregory Peck referring to McGuire's character as "my girl" like he's in middle school, especially considering I've always associated Peck with characters of tremendous maturity. Additional randomness comes from the fact that the film also focuses on Peck's relationship with his ailing mother, which doesn't have much to do with the central plot at all. What seemed to be an attempt to give a more well-rounded view of the character, the story felt bogged down by those elements. Still, a worthwhile movie, overall, *** out of ****
helpful•5325
- Okonh0wp
- Mar 16, 2004
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Details
- Release date
- Country of origin
- Language
- Also known as
- Laura Z. Hobson's Gentleman's Agreement
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,985,000 (estimated)
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.37 : 1
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