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IMDb > Dancing with Crime (1947)

Dancing with Crime (1947)

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User Rating: 7.7/10 (9 votes)

Overview

Writers:
Peter Fraser (story)
Brock Williams (writer)
Genre:
Crime | Drama | Mystery more
Plot:
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Plot Keywords:
User Comments:
Brisk, efficient post-War British crime melodrama more

Cast

  (in credits order)

Richard Attenborough ... Ted Peters
Sheila Sim ... Joy Goodall
Garry Marsh ... Sgt. Murray
John Warwick ... Det. Insp. Carter
Judy Kelly ... Toni

Barry Jones ... Gregory
Bill Owen ... Dave Robinson (as Bill Rowbotham)

Dirk Bogarde ... Policeman
rest of cast listed alphabetically:
Barry K. Barnes ... Paul Baker
Cyril Chamberlain ... Sniffy
Peter Croft ... Johnny
Patricia Dainton
Hamish Menzies ... Orchestra Leader
John Salew ... Pogson
Norman Shelley
Dennis Wyndham ... Sam
Diana Dors ... Annette (uncredited)
Danny Green ... Sid (uncredited)
Bartlett Mullins ... Club Barman (uncredited)
Johnnie Schofield ... Fred (uncredited)
Harry Terry ... Man Outside Taxi Garage (uncredited)
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Directed by
John Paddy Carstairs 
 
Writing credits
(in alphabetical order)
Peter Fraser  story
Brock Williams  writer

Produced by
James A. Carter .... producer (as James Carter)
Anthony Nelson Keys .... associate producer
 
Original Music by
Benjamin Frankel 
 
Cinematography by
Reginald H. Wyer 
 
Film Editing by
Eily Boland 
 
Art Direction by
Andrew Mazzei 
Harry Moore 
 
Makeup Department
Ida Mills .... hairdressing
 
Production Management
T.S. Lyndon-Haynes .... production manager
 
Second Unit Director or Assistant Director
Basil Keys .... first assistant director
Leon Bijou .... second assistant director (uncredited)
Geoffrey Haine .... third assistant director (uncredited)
 
Sound Department
George Burgess .... sound director
H.C. Pearson .... sound recordist
 
Camera and Electrical Department
Bernard Lewis .... camera operator
Walter Lassally .... assistant camera (uncredited)
Michael Reed .... assistant camera (uncredited)
 
Costume and Wardrobe Department
Dorothy Sinclair .... wardrobe supervisor
 
Other crew
Doris Martin .... continuity
 


Production CompaniesDistributors
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Additional Details

Runtime:
83 min
Country:
UK
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
UK:A
MOVIEmeter: ?
^ 14% since last week why?
Company:
Coronet Films more

Fun Stuff

Soundtrack:
BOW BELLS more

FAQ

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3 out of 3 people found the following comment useful:-
Brisk, efficient post-War British crime melodrama, 13 August 2001
7/10
Author: noir guy from London, England

Brisk, efficient British post-War crime melodrama set in London - part of the 'Spiv' movie cycle(films with roots in 30s American Gangster movies, featuring characters profiting from wartime rationing in a similar fashion to 30s bootleggers, but not so clearly glamorised as their Stateside equivalents - see also the superior NOOSE). Richard Attenborough stars as former soldier, Ted Peters, now making a living as a London cab-driver who becomes involved with a criminal gang headed by dance hall owner and criminal mastermind Mr Gregory (the seriously undervalued Barry Jones), whose henchman and M.C. Paul Baker (Barry K. Barnes) has offed Ted's childhood friend and former army buddy Dave Robinson (Bill Rowbotham, better known to U.K. audiences as Bill Owen, star of long-running U.K. T.V comedy series LAST OF THE SUMMER WINE). At Ted's behest, his girlfriend Joy (Sheila Sim) gets a job as a dancehall hostess in Gregory's dance hall as part of Ted's attempts to expose the criminal gang and the true nature of the crime lord's enterprise is gradually exposed. Punchily directed by John Paddy Carstairs, and redolent with post-War atmosphere, this is another example of the type of popular genre fare which entertained U.K. audiences in the 40s at the same time as the now revered 'noir' movies similarly engaged their U.S. contemporaries. Deserving wider acclaim, the movies from this post-War U.K. genre are valid, and diverting, social documents which often gave early exposure to burgeoning talents (in this instance, an uncredited brunette Diana Dors and a 'blink and you'll miss him' Dirk Bogarde) and should, by rights, be as revered in their country of origin as the more celebrated and documented U.S. post-War crime movies. Worth checking out, if you get the chance.

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