| Richard Attenborough | ... | Ted Peters | |
| Sheila Sim | ... | Joy Goodall | |
| Garry Marsh | ... | Sgt. Murray | |
| John Warwick | ... | Det. Insp. Carter | |
| Judy Kelly | ... | Toni | |
| Barry Jones | ... | Gregory | |
| Bill Owen | ... | Dave Robinson (as Bill Rowbotham) | |
| Dirk Bogarde | ... | Policeman | |
| rest of cast listed alphabetically: | |||
| Barry K. Barnes | ... | Paul Baker | |
| Cyril Chamberlain | ... | Sniffy | |
| Peter Croft | ... | Johnny | |
| Patricia Dainton | |||
| Hamish Menzies | ... | Orchestra Leader | |
| John Salew | ... | Pogson | |
| Norman Shelley | |||
| Dennis Wyndham | ... | Sam | |
| Diana Dors | ... | Annette (uncredited) | |
| Danny Green | ... | Sid (uncredited) | |
| Bartlett Mullins | ... | Club Barman (uncredited) | |
| Johnnie Schofield | ... | Fred (uncredited) | |
| Harry Terry | ... | Man Outside Taxi Garage (uncredited) | |
Directed by | |||
| John Paddy Carstairs | |||
Writing credits(in alphabetical order) | ||
| Peter Fraser | story | |
| Brock Williams | writer | |
Produced by | |||
| James A. Carter | .... | producer (as James Carter) | |
| Anthony Nelson Keys | .... | associate producer | |
Original Music by | |||
| Benjamin Frankel | |||
Cinematography by | |||
| Reginald H. Wyer | |||
Film Editing by | |||
| Eily Boland | |||
Art Direction by | |||
| Andrew Mazzei | |||
| Harry Moore | |||
Makeup Department | |||
| Ida Mills | .... | hairdressing | |
Production Management | |||
| T.S. Lyndon-Haynes | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Basil Keys | .... | first assistant director | |
| Leon Bijou | .... | second assistant director (uncredited) | |
| Geoffrey Haine | .... | third assistant director (uncredited) | |
Sound Department | |||
| George Burgess | .... | sound director | |
| H.C. Pearson | .... | sound recordist | |
Camera and Electrical Department | |||
| Bernard Lewis | .... | camera operator | |
| Walter Lassally | .... | assistant camera (uncredited) | |
| Michael Reed | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Dorothy Sinclair | .... | wardrobe supervisor | |
Other crew | |||
| Doris Martin | .... | continuity | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
Brisk, efficient British post-War crime melodrama set in London - part of the 'Spiv' movie cycle(films with roots in 30s American Gangster movies, featuring characters profiting from wartime rationing in a similar fashion to 30s bootleggers, but not so clearly glamorised as their Stateside equivalents - see also the superior NOOSE). Richard Attenborough stars as former soldier, Ted Peters, now making a living as a London cab-driver who becomes involved with a criminal gang headed by dance hall owner and criminal mastermind Mr Gregory (the seriously undervalued Barry Jones), whose henchman and M.C. Paul Baker (Barry K. Barnes) has offed Ted's childhood friend and former army buddy Dave Robinson (Bill Rowbotham, better known to U.K. audiences as Bill Owen, star of long-running U.K. T.V comedy series LAST OF THE SUMMER WINE). At Ted's behest, his girlfriend Joy (Sheila Sim) gets a job as a dancehall hostess in Gregory's dance hall as part of Ted's attempts to expose the criminal gang and the true nature of the crime lord's enterprise is gradually exposed. Punchily directed by John Paddy Carstairs, and redolent with post-War atmosphere, this is another example of the type of popular genre fare which entertained U.K. audiences in the 40s at the same time as the now revered 'noir' movies similarly engaged their U.S. contemporaries. Deserving wider acclaim, the movies from this post-War U.K. genre are valid, and diverting, social documents which often gave early exposure to burgeoning talents (in this instance, an uncredited brunette Diana Dors and a 'blink and you'll miss him' Dirk Bogarde) and should, by rights, be as revered in their country of origin as the more celebrated and documented U.S. post-War crime movies. Worth checking out, if you get the chance.