Directed by
| Wesley Ruggles | ||
Writing Credits
| Elliot Paul | ... | (screenplay) and |
| Sig Herzig | ... | (screenplay) (as Sigfried Herzig) |
| Val Guest | ... | (additional dialogue) |
| Wesley Ruggles | ... | (original story) |
Cast (in credits order) complete, awaiting verification
Produced by
| Philip Brandon | ... | associate producer (as Phil Brandon) |
| William Collier Jr. | ... | associate producer (uncredited) |
| Wesley Ruggles | ... | production |
Music by
| Jimmy Van Heusen | ... | (original score music) |
| Camarata | ... | (uncredited) |
Cinematography by
| Erwin Hillier | ... | director of photography |
Editing by
| Sidney Stone | ||
Art Direction by
| Ernst Fegté | ||
Costume Design by
| Orry-Kelly | ... | (uncredited) |
Makeup Department
| Guy Pearce | ... | director of make up |
| Patricia Pearce | ... | hair stylist |
Production Management
| George Pitcher | ... | production manager |
| Wesley Ruggles | ... | production |
Second Unit Director or Assistant Director
| Dicky Leeman | ... | assistant director |
| John Bremer | ... | second assistant director (uncredited) |
| Clive Midwinter | ... | third assistant director (uncredited) |
Art Department
| Ernst Fegté | ... | settings in color |
| Ward Richards | ... | associate art director |
| W. Simpson Robinson | ... | scenic artist (as Simpson Robinson) |
Sound Department
| Carlisle Mounteney | ... | sound recordist (as C.L. Mounteney) |
| E.K. Webster | ... | sound recordist |
| Leo Wilkins | ... | sound recordist |
| Buster Ambler | ... | sound camera operator (uncredited) |
| Peter Dukelow | ... | assistant boom operator (uncredited) |
| Derek Tate | ... | boom operator (uncredited) |
Camera and Electrical Department
| Cecil Cooney | ... | camera operator |
| Harold Haysom | ... | camera operator |
| Eddie Earp | ... | clapper loader (uncredited) |
Costume and Wardrobe Department
| Honoria Plesch | ... | wardrobe supervisor |
| Eugene Joseff | ... | costume jeweller (uncredited) |
Editorial Department
| Natalie Kalmus | ... | color director: Technicolor |
| Betty Orgar | ... | assistant editor |
| Audrey Bennett | ... | second assistant editor (uncredited) |
| Joan Bridge | ... | associate color director (uncredited) |
| George Clark | ... | second assistant editor (uncredited) |
| Leonard Trumm | ... | second assistant editor (uncredited) |
Music Department
| Johnny Burke | ... | lyrics by |
| Camarata | ... | musical director (as Salvador Camarata) / orchestrations (as Salvador Camarata) |
| Robert Farnon | ... | music arranger: choir, "If Spring Were Only Here to Stay" (uncredited) |
| Ted Heath | ... | orchestra contractor (uncredited) |
Script and Continuity Department
| Peggy McClafferty | ... | continuity (as Peggie McClafferty) |
| Kate Parker | ... | continuity assistant |
Additional Crew
| Freddie Carpenter | ... | dance originated by: Ampstead |
| William Collier | ... | personal associate to the producer |
| Joan Davis | ... | choreography of second "Trafalgar" |
| Agnes de Mille | ... | "Daffodil" ballet by (as Agnes De Mille) |
| J. Arthur Rank | ... | presenter (as J.Arthur Rank) |
| Joan Davis | ... | assistant choreographer (uncredited) |
| Agnes de Mille | ... | choreographer (uncredited) |
| Adrian D. Worker | ... | production accountant (uncredited) |
