Christmas movies are one of the most beloved genres in cinema history with every film fan having their own select favorite that they watch and rewatch every year. However, while the genre is treasured, the Oscars haven’t rewarded it as much as you might think or hope. There are several movies, however, that have found their way into Oscars lineups. We’ve detailed just five of those Christmas movies that have managed Oscar nominations or wins.
By the way, “The Apartment” is not included on this list (but might be in a future article). The Billy Wilder movie won five Academy Awards including Best Picture (1961) but there seems to be debate around whether it actually qualifies as a Christmas movie or not. It’s set during the holiday period, but some feel that isn’t enough for it to be an out-and-out Christmas movie. Perhaps that’s one for our forums.
By the way, “The Apartment” is not included on this list (but might be in a future article). The Billy Wilder movie won five Academy Awards including Best Picture (1961) but there seems to be debate around whether it actually qualifies as a Christmas movie or not. It’s set during the holiday period, but some feel that isn’t enough for it to be an out-and-out Christmas movie. Perhaps that’s one for our forums.
- 12/14/2023
- by Jacob Sarkisian
- Gold Derby
Jo-Carroll Dennison, who parlayed her victory in the 1942 Miss America contest into an acting career that saw her appear in films including Winged Victory and The Jolson Story, has died. She was 97.
Dennison died Oct. 18 at her home in Idyllwild, California, her son, Peter Stoneham, told The New York Times.
A contract player at 20th Century Fox, Dennison also had uncredited roles in The Song of Bernadette (1943), Something for the Boys (1944) — where she first met her future husband, actor Phil Silvers — and State Fair (1945) and appeared on television in Lux Video Theater, in a Dick Tracy series and ...
Dennison died Oct. 18 at her home in Idyllwild, California, her son, Peter Stoneham, told The New York Times.
A contract player at 20th Century Fox, Dennison also had uncredited roles in The Song of Bernadette (1943), Something for the Boys (1944) — where she first met her future husband, actor Phil Silvers — and State Fair (1945) and appeared on television in Lux Video Theater, in a Dick Tracy series and ...
- 10/30/2021
- The Hollywood Reporter - Movie News
Jo-Carroll Dennison, who parlayed her victory in the 1942 Miss America contest into an acting career that saw her appear in films including Winged Victory and The Jolson Story, has died. She was 97.
Dennison died Oct. 18 at her home in Idyllwild, California, her son, Peter Stoneham, told The New York Times.
A contract player at 20th Century Fox, Dennison also had uncredited roles in The Song of Bernadette (1943), Something for the Boys (1944) — where she first met her future husband, actor Phil Silvers — and State Fair (1945) and appeared on television in Lux Video Theater, in a Dick Tracy series and ...
Dennison died Oct. 18 at her home in Idyllwild, California, her son, Peter Stoneham, told The New York Times.
A contract player at 20th Century Fox, Dennison also had uncredited roles in The Song of Bernadette (1943), Something for the Boys (1944) — where she first met her future husband, actor Phil Silvers — and State Fair (1945) and appeared on television in Lux Video Theater, in a Dick Tracy series and ...
- 10/30/2021
- The Hollywood Reporter - Film + TV
Ann Basart, who appeared in dozens of films as a child billed as Ann E. Todd in the 1930s and ’40s and was a regular on 1950s sitcom The Stu Erwin Show, has died. She was 88. Basart died February 7 in Northern California; she had struggled with dementia for seven years, but no formal cause of death was given.
Born Ann Todd Phillips on August 26, 1931, in Denver, she was raised by her maternal grandparents in Southern California, where they steered her into acting. From 1938-51, she racked more nearly 40 movie credits including Destry Rides Again, Brigham Young, How Green Was My Valley, All This and Heaven Too, Kings Row and The Jolson Story.
During her film career, Basart appeared opposite such top stars of the era as Ingrid Bergman, Shirley Temple, James Stewart, Bette Davis, Barbara Stanwyck and Marlene Dietrich. A distant cousin of first lady Mary Todd Lincoln, she added...
Born Ann Todd Phillips on August 26, 1931, in Denver, she was raised by her maternal grandparents in Southern California, where they steered her into acting. From 1938-51, she racked more nearly 40 movie credits including Destry Rides Again, Brigham Young, How Green Was My Valley, All This and Heaven Too, Kings Row and The Jolson Story.
During her film career, Basart appeared opposite such top stars of the era as Ingrid Bergman, Shirley Temple, James Stewart, Bette Davis, Barbara Stanwyck and Marlene Dietrich. A distant cousin of first lady Mary Todd Lincoln, she added...
- 2/17/2020
- by Erik Pedersen
- Deadline Film + TV
Hey hard-rockin’ film fans, better hope the sound system at your local multiplex goes well past eleven because it’s musical biography time once more. Sure popular musicians have been recreated on screen through the years, Surprisingly the lives of Al Jolson and Fanny Brice inspired two hit films and a couple of sequels (The Jolson Story begat Jolson Sings Again while the great Streisand starred in Funny Girl then Funny Lady). Ah, but late 2018, a little over six months ago rock and roll ruled the box office (and garnered 4 Oscars) with the story of Queen in Bohemian Rhapsody. And a fictional music flick, the fourth iteration of A Star Is Born, inspired by real performers and showcasing the acting debut of a current music superstar, grabbed a gold statue and lots of filmgoers. Plus earlier this year Netflix got into the act with a “biopic” of those heavy metal hellions,...
- 5/31/2019
- by Jim Batts
- WeAreMovieGeeks.com
Nita Bieber, a onetime dancer and actress who appeared with the Three Stooges in Rhythm and Weep, with Judy Garland in Summer Stock and with Tony Curtis in The Prince Who Was a Thief, has died. She was 92.
Bieber died Monday in Rancho Palos Verdes, California, her son, Rocky, told The Hollywood Reporter.
A graduate of Hollywood High, Bieber also appeared as a dancer in The Jolson Story (1946), starring Larry Parks, and worked alongside the Bowery Boys in News Hounds (1947), with Jackie Cooper and Jackie Coogan in Kilroy Was Here (1947) and with Hedy Lamarr in A Lady Without Passport ...
Bieber died Monday in Rancho Palos Verdes, California, her son, Rocky, told The Hollywood Reporter.
A graduate of Hollywood High, Bieber also appeared as a dancer in The Jolson Story (1946), starring Larry Parks, and worked alongside the Bowery Boys in News Hounds (1947), with Jackie Cooper and Jackie Coogan in Kilroy Was Here (1947) and with Hedy Lamarr in A Lady Without Passport ...
Nita Bieber, a onetime dancer and actress who appeared with the Three Stooges in Rhythm and Weep, with Judy Garland in Summer Stock and with Tony Curtis in The Prince Who Was a Thief, has died. She was 92.
Bieber died Monday in Rancho Palos Verdes, California, her son, Rocky, told The Hollywood Reporter.
A graduate of Hollywood High, Bieber also appeared as a dancer in The Jolson Story (1946), starring Larry Parks, and worked alongside the Bowery Boys in News Hounds (1947), with Jackie Cooper and Jackie Coogan in Kilroy Was Here (1947) and with Hedy Lamarr in A Lady Without Passport ...
Bieber died Monday in Rancho Palos Verdes, California, her son, Rocky, told The Hollywood Reporter.
A graduate of Hollywood High, Bieber also appeared as a dancer in The Jolson Story (1946), starring Larry Parks, and worked alongside the Bowery Boys in News Hounds (1947), with Jackie Cooper and Jackie Coogan in Kilroy Was Here (1947) and with Hedy Lamarr in A Lady Without Passport ...
Among this year’s leading Oscar contenders for Best Actor is Emmy winner Rami Malek (“Mr. Robot”) for his star turn as the late Freddie Mercury, the legendary lead vocalist of the rock band Queen, in “Bohemian Rhapsody.” Should Malek reap an Oscar bid, he will mark the 12th leading man to date recognized for his portrayal of a real-life musician.
First to achieve this feat was James Cagney, nominated for his lively depiction of Broadway composer and performer George M. Cohan in “Yankee Doodle Dandy” (1942). On Oscar night, Cagney was triumphant, scoring the lone Oscar of his storied career.
Later in the decade, a pair of actors earned recognition for portraying real-life musicians, the first being Cornel Wilde, up for his performance as Polish pianist Frederic Chopin in “A Song to Remember” (1945). The following year, Larry Parks was a nominee for portraying singer and actor Al Jolson in “The Jolson Story...
First to achieve this feat was James Cagney, nominated for his lively depiction of Broadway composer and performer George M. Cohan in “Yankee Doodle Dandy” (1942). On Oscar night, Cagney was triumphant, scoring the lone Oscar of his storied career.
Later in the decade, a pair of actors earned recognition for portraying real-life musicians, the first being Cornel Wilde, up for his performance as Polish pianist Frederic Chopin in “A Song to Remember” (1945). The following year, Larry Parks was a nominee for portraying singer and actor Al Jolson in “The Jolson Story...
- 9/21/2018
- by Andrew Carden
- Gold Derby
Miriam Nelson, who worked extensivley as a choreographer during Hollywood’s golden age, died on Aug. 12 at her home in Beverly Hills, Calif., according to her longtime friend James Gray. She was 98.
Nelson was the choreographer for “Breakfast at Tiffany’s,” “The Jolson Story,” “Picnic,” “Hawaii,” “Bob & Carol & Ted & Alice,” and “The Apartment.” She also appeared as an actress in “Double Indemnity,” “Cover Girl,” “The Jolson Story,” “Breakfast at Tiffany’,” and “Pillow Talk.” Nelson choreographed the dancers on the opening day of Disneyland in 1955, two Academy Awards and two Super Bowl halftime shows.
Nelson was widely known for her enthusiasm for dancing. John Wayne once shouted to a group taking a break on set as she walked by, “Run for the hills, fellas! Or Miriam will make you dance!”
She was born Miriam Lois Frankel on Sept. 21, 1919, in Chicago and began tap dancing at a very young age.
Nelson was the choreographer for “Breakfast at Tiffany’s,” “The Jolson Story,” “Picnic,” “Hawaii,” “Bob & Carol & Ted & Alice,” and “The Apartment.” She also appeared as an actress in “Double Indemnity,” “Cover Girl,” “The Jolson Story,” “Breakfast at Tiffany’,” and “Pillow Talk.” Nelson choreographed the dancers on the opening day of Disneyland in 1955, two Academy Awards and two Super Bowl halftime shows.
Nelson was widely known for her enthusiasm for dancing. John Wayne once shouted to a group taking a break on set as she walked by, “Run for the hills, fellas! Or Miriam will make you dance!”
She was born Miriam Lois Frankel on Sept. 21, 1919, in Chicago and began tap dancing at a very young age.
- 8/20/2018
- by Dave McNary
- Variety Film + TV
Dalida screens as part of the 26th Annual Whitaker St. Louis International Film Festival On Saturday, November 4 at 9:30 Pm at Landmark’s Plaza Frontenac Cinemas. Click Here for ticket information. It screens again at the same venue on Sunday, November 5 at 2:30 Pm. Click Here for ticket information
We in the states have enjoyed biographies since the start of cinema, particularly those focusing in on popular stars. And of the show-biz bios, those of singers seem to attract film goers. In the late 1940’s Larry Parks was a sensation in The Jolson Story, so much so that he stepped in for Al in a sequel Jolson Sings Again. In more recent years Bobby Darrin’s life inspired Beyond The Sea and Jamie Foxx nabbed an Oscar as Mr. Charles in Ray. Surely this same genre has been done in other countries, say…France. Just 10 years ago Marion Cotillard snagged...
We in the states have enjoyed biographies since the start of cinema, particularly those focusing in on popular stars. And of the show-biz bios, those of singers seem to attract film goers. In the late 1940’s Larry Parks was a sensation in The Jolson Story, so much so that he stepped in for Al in a sequel Jolson Sings Again. In more recent years Bobby Darrin’s life inspired Beyond The Sea and Jamie Foxx nabbed an Oscar as Mr. Charles in Ray. Surely this same genre has been done in other countries, say…France. Just 10 years ago Marion Cotillard snagged...
- 11/4/2017
- by Jim Batts
- WeAreMovieGeeks.com
Happy Birthday Al Jolson Between 1911 and 1928, Jolson had nine sell-out Winter Garden shows in a row, more than 80 hit records, and 16 national and international tours. Although he's best remembered today as the star in the first full length talking movie, The Jazz Singer in 1927, he later starred in a series of successful musical films throughout the 1930s. After a period of inactivity, his stardom returned with the 1946 Oscar-winning biographical film, The Jolson Story. His Broadway credits include Hold on to Your Hats, The Wonder Bar, Big Boy, Artists and Models, Bombo, and many more.
- 5/26/2015
- by Stage Tube
- BroadwayWorld.com
By Anjelica Oswald
Managing Editor
Into the Woods, Disney’s adaptation of Stephen Sondheim and James Lapine’s Broadway musical, could land an Oscar nomination for its screenplay, which was adapted by Lapine. It may be a stretch for Into the Woods to land in the top five, though. Adapted — or even original — musical screenplays may be discounted for the music in the Oscar race, which might be why few musicals are nominated for adapted or original screenplay. Twelve musicals have been nominated for adapted screenplay since 1929, but 2002’s Chicago was the last musical to do so.
Adapted from Bob Fosse and Fred Ebb’s 1975 musical of the same name, Chicago won six of its 13 nominations, including best picture. It was the first musical since 1968’s Oliver! to win best picture, but its screenplay lost to The Pianist.
Carol Reed’s Oliver! was nominated for 11 Oscars and won five. It...
Managing Editor
Into the Woods, Disney’s adaptation of Stephen Sondheim and James Lapine’s Broadway musical, could land an Oscar nomination for its screenplay, which was adapted by Lapine. It may be a stretch for Into the Woods to land in the top five, though. Adapted — or even original — musical screenplays may be discounted for the music in the Oscar race, which might be why few musicals are nominated for adapted or original screenplay. Twelve musicals have been nominated for adapted screenplay since 1929, but 2002’s Chicago was the last musical to do so.
Adapted from Bob Fosse and Fred Ebb’s 1975 musical of the same name, Chicago won six of its 13 nominations, including best picture. It was the first musical since 1968’s Oliver! to win best picture, but its screenplay lost to The Pianist.
Carol Reed’s Oliver! was nominated for 11 Oscars and won five. It...
- 12/30/2014
- by Anjelica Oswald
- Scott Feinberg
Happy Birthday Al Jolson Between 1911 and 1928, Jolson had nine sell-out Winter Garden shows in a row, more than 80 hit records, and 16 national and international tours. Although he's best remembered today as the star in the first full length talking movie, The Jazz Singer in 1927, he later starred in a series of successful musical films throughout the 1930s. After a period of inactivity, his stardom returned with the 1946 Oscar-winning biographical film, The Jolson Story. His Broadway credits include Hold on to Your Hats, The Wonder Bar, Big Boy, Artists and Models, Bombo, and many more.
- 5/26/2014
- by Stage Tube
- BroadwayWorld.com
Top box office movies of 2013: If you make original, quality films… (photo: Sandra Bullock has two movies among the top 15 box office hits of 2013; Bullock is seen here in ‘The Heat,’ with Melissa McCarthy) (See previous post: “2013 Box Office Record? History is Remade If a Few ‘Minor Details’ Ignored.”) As further evidence that moviegoers want original, quality entertainment, below you’ll find a list of the top 15 movies at the domestic box office in 2013 — nine of which are sequels or reboots (ten if you include Oz the Great and Powerful), and more than half of which are 3D releases. Disney and Warner Bros. were the two top studios in 2013. Disney has five movies among the top 15; Warners has three. With the exception of the sleeper blockbuster Gravity, which, however dumbed down, targeted a more mature audience, every single one of the titles below were aimed either at teenagers/very,...
- 12/31/2013
- by Zac Gille
- Alt Film Guide
Observer film critic Philip French explores the dreamlike qualities of the cinema
From early in the 20th century, cinemas became prominent features of the urban landscape and later, in the form of drive-ins, of the American countryside. As the late John Updike observed in his poem Movie House:
No windows intrude real light
Into this temple of shades, and the size of it,
The size of the great rear wall measures
The breadth of the dreams we have there.
It dwarfs the village bank,
Out looms the town hall,
And even in its decline
Makes the bright-ceilinged supermarket seem mean.
Very soon cinemas began to appear in the films themselves, as dream palaces to escape the world, trysting places for lovers, temporary refuges for fugitives, secret rendezvous for spies, or just places in which to work, most suggestively as that key cultural figure, the projectionist.
Gangster John Dillinger was ambushed...
From early in the 20th century, cinemas became prominent features of the urban landscape and later, in the form of drive-ins, of the American countryside. As the late John Updike observed in his poem Movie House:
No windows intrude real light
Into this temple of shades, and the size of it,
The size of the great rear wall measures
The breadth of the dreams we have there.
It dwarfs the village bank,
Out looms the town hall,
And even in its decline
Makes the bright-ceilinged supermarket seem mean.
Very soon cinemas began to appear in the films themselves, as dream palaces to escape the world, trysting places for lovers, temporary refuges for fugitives, secret rendezvous for spies, or just places in which to work, most suggestively as that key cultural figure, the projectionist.
Gangster John Dillinger was ambushed...
- 12/2/2013
- The Guardian - Film News
Happy Birthday Al Jolson Between 1911 and 1928, Jolson had nine sell-out Winter Garden shows in a row, more than 80 hit records, and 16 national and international tours. Although he's best remembered today as the star in the first full length talking movie, The Jazz Singer in 1927, he later starred in a series of successful musical films throughout the 1930s. After a period of inactivity, his stardom returned with the 1946 Oscar-winning biographical film, The Jolson Story. His Broadway credits include Hold on to Your Hats, The Wonder Bar, Big Boy, Artists and Models, Bombo, and many more.
- 5/26/2013
- by Stage Tube
- BroadwayWorld.com
Baseball Biopic Surpassing Expectations: Will Easily Top Domestic B.O. Chart This Weekend Written and directed by Academy Award winner Brian Helgeland (L.A. Confidential screenwriter), and starring Chadwick Boseman as pioneering black baseball player Jackie Robinson and veteran Harrison Ford as the Brooklyn Dodgers' team executive Branch Rickey, the biopic 42 was the no. 1 movie at Friday's domestic box office; it'll surely be the weekend's top film, too. As per early, rough estimates found on the web site Deadline.com, the period drama will be the only movie grossing more than $20 million at the domestic box office. (See below more information about Scary Movie 5 and last weekend's holdovers.) (Pictured above are an unrecognizable Ford as the Brooklyn Dodgers' team executive Branch Rickey and Boseman wearing Robinson's baseball uniform.) The 42 movie brought in an estiamted $8.5 million at 3,003 U.S. and Canada venues on Friday (April 12) and by Sunday evening may possibly...
- 4/13/2013
- by Zac Gille
- Alt Film Guide
Being a film star not high up on the list of 1950's children's career ambitions
Only 2 per cent of the boys and 5 per cent of the girls answered "Film actor" or "Film actress" to the question in a Government "quiz" on cinema-going "What would you most like to be when you grow up?" When they were asked which of sixteen film stars they would like to be nearly one in seven said "None." The children's ambitions were, on the whole, very practical, says the report, issued to-day, of a social survey made by the Central Office of Information in 1948 for the Departmental Committee on Children and the Cinema.
Answering the careers question, which was put only to children in the 10-15 age group, 58 per cent of the boys made "realistic" choices. So did 73 per cent of the girls. Compared with 36 per cent of the boys, only 15 per cent of the...
Only 2 per cent of the boys and 5 per cent of the girls answered "Film actor" or "Film actress" to the question in a Government "quiz" on cinema-going "What would you most like to be when you grow up?" When they were asked which of sixteen film stars they would like to be nearly one in seven said "None." The children's ambitions were, on the whole, very practical, says the report, issued to-day, of a social survey made by the Central Office of Information in 1948 for the Departmental Committee on Children and the Cinema.
Answering the careers question, which was put only to children in the 10-15 age group, 58 per cent of the boys made "realistic" choices. So did 73 per cent of the girls. Compared with 36 per cent of the boys, only 15 per cent of the...
- 11/9/2012
- The Guardian - Film News
The art of the glass shot or matte painting is one which originated very much in the early ‘teens’ of the silent era. Pioneer film maker, director, cameraman and visual effects inventor Norman Dawn is generally acknowledged as the father of the painted matte composite, with other visionary film makers such as Ferdinand Pinney Earle, Walter Hall and Walter Percy Day being heralded as making vast contributions to the trick process in the early 1920’s.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
- 5/27/2012
- Shadowlocked
Happy Birthday Al Jolson Between 1911 and 1928, Jolson had nine sell-out Winter Garden shows in a row, more than 80 hit records, and 16 national and international tours. Although he's best remembered today as the star in the first full length talking movie, The Jazz Singer in 1927, he later starred in a series of successful musical films throughout the 1930s. After a period of inactivity, his stardom returned with the 1946 Oscar-winning biographical film, The Jolson Story. His Broadway credits include Hold on to Your Hats, The Wonder Bar, Big Boy, Artists and Models, Bombo, and many more.
- 5/26/2012
- by Stage Tube
- BroadwayWorld.com
Actor and singer known for her role as the Sinatra-chasing taxi driver Brunhilde Esterhazy in On the Town
The most famous role played by the all-round entertainer Betty Garrett, who has died aged 91, was Brunhilde Esterhazy, the taxi driver in Stanley Donen and Gene Kelly's musical On the Town (1949). In the film, she introduces herself to a shy sailor played by Frank Sinatra and asks him: "Why don't you come up to my place?" She is soon vigorously chasing him around her cab, rejecting any of his suggestions about what to see in New York with the rapid retort: "My place!"
In Take Me Out to the Ball Game (1949), Garrett had pursued Sinatra with equal zeal, assuring him by singing It's Fate, Baby, It's Fate. She also panted after Red Skelton in Neptune's Daughter (1949), begging him not to leave her apartment with the song Baby, It's Cold Outside.
The most famous role played by the all-round entertainer Betty Garrett, who has died aged 91, was Brunhilde Esterhazy, the taxi driver in Stanley Donen and Gene Kelly's musical On the Town (1949). In the film, she introduces herself to a shy sailor played by Frank Sinatra and asks him: "Why don't you come up to my place?" She is soon vigorously chasing him around her cab, rejecting any of his suggestions about what to see in New York with the rapid retort: "My place!"
In Take Me Out to the Ball Game (1949), Garrett had pursued Sinatra with equal zeal, assuring him by singing It's Fate, Baby, It's Fate. She also panted after Red Skelton in Neptune's Daughter (1949), begging him not to leave her apartment with the song Baby, It's Cold Outside.
- 2/14/2011
- by Ronald Bergan
- The Guardian - Film News
I was saddened to learn this morning that Betty Garrett, the great star of stage, screen, and TV, passed away yesterday at the age of 94 after suffering an aortic aneurysm.
Garrett was one of those rare people — like, say, Jack Valenti — who happened to be a witness to and/or participant in a remarkably high number of historic events of the 20th century. She was a member of Orson Welles’s famed Mercury Theatre company, and was with him on the night that he shook up America with his infamous radio broadcast of “The War of the Worlds” (1938); she was Frank Sinatra’s leading lady in two of the earliest great M-g-m musical-comedies, “Take Me Out to the Ballgame” (1949) and “On the Town” (1949); her career was greatly hurt by the Hollywood Red Scare after her husband, the Oscar nominated actor Larry Parks, refused to name names before the House Committee...
Garrett was one of those rare people — like, say, Jack Valenti — who happened to be a witness to and/or participant in a remarkably high number of historic events of the 20th century. She was a member of Orson Welles’s famed Mercury Theatre company, and was with him on the night that he shook up America with his infamous radio broadcast of “The War of the Worlds” (1938); she was Frank Sinatra’s leading lady in two of the earliest great M-g-m musical-comedies, “Take Me Out to the Ballgame” (1949) and “On the Town” (1949); her career was greatly hurt by the Hollywood Red Scare after her husband, the Oscar nominated actor Larry Parks, refused to name names before the House Committee...
- 2/13/2011
- by Scott Feinberg
- Scott Feinberg
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