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A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder...a theory that he plans to implement.
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime.
When a conservative middle-aged professor engages in a minor dalliance with a femme fatale, he is plunged into a nightmarish quicksand of blackmail and murder.
Director:
Fritz Lang
Stars:
Edward G. Robinson,
Joan Bennett,
Raymond Massey
Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime.
A married woman and a drifter fall in love, then plot to murder her husband... but even once the deed is done, they must live with the consequences of their actions.
Summoned by the dying General Sternwood, Philip Marlowe is asked to deal with several problems that are troubling his family. Marlowe finds that each problem centers about the disappearance of Sternwood's favoured employee who has left with a mobster's wife. Each of the problems becomes a cover for something else as Marlowe probes. Written by
John Vogel <jlvogel@comcast.net>
This was the first film to mark the long relationship between Howard Hawks and writer Leigh Brackett until his death in 1977. Hawks hired her after reading a story that she wrote entitled 'No Good for a Corpse'. But then, when she was hired, she only finished half of another story that she wrote titled 'Lorelei of the Red Mist'. Her friend, Ray Bradbury finished the last half. See more »
Goofs
During Marlowe's initial introduction to Vivian, she pours herself a glass of a clear-colored liquid from bar which turns into a dark liquid half-way through scene. See more »
Many fans of this classic film are drawn to it because of Bogie and Bacall, who do indeed make a deft acting duo. Here, Bogie plays Philip Marlowe, the tough talking, street savvy PI, who has his roots in the crime novels of writer Raymond Chandler. Bacall plays Vivian Sternwood, the adult daughter of a wealthy man. Vivian is just as tough and cagey as Marlowe. And she has a younger sister named Carmen, who seems to have fallen in with a bad crowd. It's up to Marlowe to investigate, and to save the Sternwood family from financial ruin. "The Big Sleep" is a story of blackmail, murder, multiple motives, lies, and all manner of general mayhem.
Humphrey Bogart and Lauren Bacall are certainly persuasive in their roles. I also like the script's snappy dialogue. For example, in a conversation with General Sternwood, Marlowe responds: "Hmm". Sternwood follows up: "What does that mean?" To which Marlowe fires back: "It means, hmm". Marvelous.
But the film's plot is an incoherent mess. It is hard to follow, disjointed, and has obvious lapses. Further, secondary characters (Geiger, Brody, Mars, et.al.), and their interrelationships, are poorly defined. To some extent that vagueness and lack of precision are fairly common in 1940's pulp detective stories.
The best approach to "The Big Sleep" is to engulf the relationship between Marlowe and Vivian, marvel at the acting of Bogie and Bacall, enjoy the witty dialogue, and ignore the discombobulated plot.
33 of 40 people found this review helpful.
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Many fans of this classic film are drawn to it because of Bogie and Bacall, who do indeed make a deft acting duo. Here, Bogie plays Philip Marlowe, the tough talking, street savvy PI, who has his roots in the crime novels of writer Raymond Chandler. Bacall plays Vivian Sternwood, the adult daughter of a wealthy man. Vivian is just as tough and cagey as Marlowe. And she has a younger sister named Carmen, who seems to have fallen in with a bad crowd. It's up to Marlowe to investigate, and to save the Sternwood family from financial ruin. "The Big Sleep" is a story of blackmail, murder, multiple motives, lies, and all manner of general mayhem.
Humphrey Bogart and Lauren Bacall are certainly persuasive in their roles. I also like the script's snappy dialogue. For example, in a conversation with General Sternwood, Marlowe responds: "Hmm". Sternwood follows up: "What does that mean?" To which Marlowe fires back: "It means, hmm". Marvelous.
But the film's plot is an incoherent mess. It is hard to follow, disjointed, and has obvious lapses. Further, secondary characters (Geiger, Brody, Mars, et.al.), and their interrelationships, are poorly defined. To some extent that vagueness and lack of precision are fairly common in 1940's pulp detective stories.
The best approach to "The Big Sleep" is to engulf the relationship between Marlowe and Vivian, marvel at the acting of Bogie and Bacall, enjoy the witty dialogue, and ignore the discombobulated plot.